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Victorian morality apush
Victorian era moral values
INFLUENCE OF victorian morality
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In Victorian times, propriety was considered to rank above all else. Morality was defined by it; lives were lived by it; everything was contingent on the class system, and ones ability to adhere to it. Through her novel Jane Eyre and the isolation that Jane finds due to social pressures, Charlotte Brontë dares to expose these flaws in Victorian values. Nineteenth century England is synonymous with ill treatment of the poor and orphans. From Oliver Twist to Jane Eyre, there was simply no escaping the fact that society, at the time, did not have a heart for charity, because the social barriers did not allow for one to associate with those of a lower class. Jane Eyre lost her parents when she was very little and consequentially went to live with her Aunt Reed at …show more content…
John, her cousin, knocks Jane into a door by throwing a heavy book at her, simply because she was reading a book that legally belongs to the Reed’s. This behavior, instead of being punished, is ignored by Aunt Reed, and Jane is punished for her retaliation. This injustice is due to the fact that society assumed that someone of a lower social status was untrustworthy. The logic does not add up; however, this does not stop Aunt Reed from declaring her a liar and sending her off to a charity school faraway. This was not uncommon as it was what propriety dictated Aunt Reed to do. Jane was of a lower class, and therefore deserved lesser things. Nevertheless, there is another reason for this act of cruelty; Jane is quiet. The family hastily assumes that this silence is a result of an arrogant, calculating mind. Actually, Jane believes that if she had “been a sanguine, brilliant, careless, exacting, handsome, romping child—though equally dependent and friendless—Mrs. Reed would have endured [her] presence more complacently,” thus proving that society refuses to accommodate differences, assuming that anything
In Charlotte Bronte’s Jane Eyre there are many occasions in which there is motifs about division and bias relations. Money was a major division between people in the Victorian Era. Family made people rise in the standings with others, If your family was rich or well known, then you were going to be well known and well liked. There are many situations in which Jane is thought of as poor and worthless, as well as having no family.
The tone of Jane Eyre is direct, perhaps even blunt. There is no prissy little-girl sensibility, but a startlingly independent, even skeptical perspective. At the age of 10, the orphan Jane already sees through the hypocrisy of her self-righteous Christian elders. She tells her bullying Aunt Reed, "People think you a good woman, but you are bad; hard-hearted. You are deceitful!" and "I am glad you are no relative of mine; I will never call you aunt again so long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say that the very thought of you makes me sick." (In fact, when her aunt is elderly and dying, Jane does return to visit her, and forgives her. But that's far in the future.) With the logic of a mature philosopher, in fact rather like Friedrich Nietzsche to come, Jane protests the basic admonitions of Christianity as a schoolgirl: "I must resist those who ... persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel that it is deserved." And this bold declaration, which would have struck readers of 1847 (in fact, of 1947) as radical and "infeminine":
...inist heroism by refusing to address him as “Master Reed”. Jane admits to being “habitually obedient to John” as conventional society would have (Brontë 13). John stresses his superiority over Jane both physically and verbally: “Now I’ll teach you to rummage in my bookshelves; for they are mine, all of this house belongs to me” (Brontë 14)! Janes inferior position is highlighted when John throws the book at her. Janes reaction solidifies her as a strong willed girl when she declares him “a murderer—[...] like a slave-driver—[...] like the Roman emperors” (Brontë 15)! She attacks him physically and verbally casting herself as a key heroine in her fearless approach. Jane proves herself exceptional for her time by shattering the conventional role of women, silent and submissive, to a voice raged with passionate defiance against the patriarchal society” (Simpson 12).
Jane in her younger years was practically shunned by everyone and was shown very little love and compassion, from this throughout her life she searches for these qualities through those around her. Due to Jane’s mother’s disinheritance she was disowned by Mrs. Reed and her children, and was treated like a servant consistently reminded that she lacked position and wealth.
Jane Eyre's literary success of the time has been cheaply commercialized. In other words, Bronte's novel never got the appreciation it deserved, in the areas it deserved. Many 19th century critics merely assigned literary themes to their reviews to "get it over with". Critics commended Jane Eyre for everything from its themes to its form. However, their surface examinations amount to nothing without careful consideration of the deeper underlying background in Jane's life where their hasty principles originate. The widely discussed free will of Jane's, her strong individuality, and independence are segments of a greater scheme, her life. For example: Jane's childhood serves as the most important precedent for all of the self-realism although this purpose is widely disregarded. Even though "many have celebrated Bronte's carefully wrought description of her protagonist's first eighteen years for its vivid pathos, no one has as yet accorded this childhood its deserved weight in the novels ultimate resolution." (Ashe 1) Jane Eyre's genius develops in a series of internal reactions to external circumstances rather than shallow judgments about those internal happenings.
At the novel's opening, Jane is living with the cruel Mrs. Reed and her horrid three children, Eliza, Georgiana, and John. Mrs. Reed makes her distaste for Jane very evident in all of her actions. She forbids her to play with her (Mrs. Reed's) children (Jane's own cousins) and falsely accuses her of being a "liar" and of possessing a "mean spirit." Mrs. Reed's attitude is subsequently passed on to her children who, in turn, treat Jane as bad, if not worse, than their mother does. As an unjustified consequence of these attitudes, Jane is forced to grow up in a home where she finds no love, even when she tries to be perfect. The only times she comes close to finding the semblance of love is when Bessie (a servant) is kind to ...
The novel “Jane Eyre” by Charlotte Bronte, and the novella “The Turn of the Screw” by Henry James, both display the treatment of pride for upper and lower class similarly. Furthermore, the treatment of pride will be compared and contrasted in this essay to examine and understand how pride is treated. In novel and novella both the lower class characters believe their pride makes them superior beings. Although the pride of lower and upper-class characters led them to their corruption. Moreover, the upper-class characters in each narrative maintain their respectability by their pride. However, in “Jane Eyre” all casts must have their emotions controlled by their pride, or this will lead to inappropriate behavior. Nevertheless, in “The Turn of
Jane Eyre, the female protagonist of Charlotte Bronte’s Jane Eyre, begins the novel as a ten-year old orphan living with her aunt in Victorian England. As an orphan, Jane gains very few happy experiences with her cousins—John, Georgina, and Eliza Reed—and her aunt—Mrs. Reed, and she has even fewer privileges in the Gateshead estate where she is viewed as “less than a servant [because] she does nothing for her keep” (14). However, Jane, for a youth of barely ten years, clearly communicates an intrinsic dream to find a community in which she not only feels loved and respected, but also finds that she can act independently of this community. Unfortunately, these desires work against the conventions of society that would rather see Jane be “kept humble” (36) and utilized “properly” according to her class. Nevertheless, Jane Eyre’s precise articulation, effective assimilation will help her conquer society’s conventions and gain a sense of individualism.
Jane Eyre, written by Charlotte Brontë, was published in 1847 by Smith, Elder & Company, in London. This year is exactly ten years into Queen Victoria’s sixty-four year reign of the British Empire. The Victorian Era was renowned for its patriarchal Society and definition by class. These two things provide vital background to the novel, as Jane suffers from both. Jane Eyre relates in some ways to Brontë’s own life, as its original title suggest, “Jane Eyre: An Autobiography”. Charlotte Brontë would have suffered from too, as a relatively poor woman. She would have been treated lowly within the community. In fact, the book itself was published under a pseudonym of Currer Bell, the initials taken from Brontë’s own name, due to the fact that a book published by a woman was seen as inferior, as they were deemed intellectually substandard to men. Emily Brontë, Charlotte’s sister, was also forced to publish her most famous novel, Wuthering Heights, under the nom de plume of Ellis Bell, again taking the initials of her name to form her own alias. The novel is a political touchstone to illustrate the period in which it was written, and also acts as a critique of the Victorian patriarchal society.
All people live by their own codes of conduct. Everyone, be they male or female, young or old, has their own sets of values, which they adhere to and which are unchanging even in the face of personal or societal pressures and conflicts to give them up. In Jane Eyre by Charlotte Bronte, Jane is tempted many times to acquiesce to others' wishes and, thereby, give up her own moral standards and beliefs. Yet Jane remains steadfast in adhering to her personal code of conduct, namely to maintain feelings of high self-esteem, not to let herself be used and abused by others, and never to give up her religious convictions. Through many disappointments that she is faced with and with her constant struggle to gain independence and love, Jane never loses her self of self, nor does she give up her moral and spiritual values. Jane Eyre, from the very beginning of the novel, shows courage and self-confidence when she stands up to Mrs. Reed for wrongly accusing her to Mr. Brocklehurst of being a liar. Jane, a quiet, pensive girl, who until now took her aunt and cousins' torment without saying a word, suddenly could no longer hold her tongue. She suddenly felt a need to tell her aunt that as much as she appreciated having her put a roof over her head and providing food for her, her existence in Gateshead was nothing less than abominable. She says that servants are treated better than she is, and that Mrs. Reed was not keeping her promise to her deceased husband to raise Jane as her own child. Mrs. Reed, unable to answer Jane's accusations, leaves the room immediately, thus allowing Jane to bask in the glory of victory for the first time in her life. This episode ...
Mrs. Reed literally maintains insularity – snobbishly creating an island of her and her children, detaching themselves from Jane. Lastly Mrs. Reed exercised censoriousness towards Jane on a continual basis until Jane was left with “a habitual mood of humiliation, self doubt, forlorn depression.” Jane’s state is the result of the Victorian need of moral severity, which was expressed by blame and disapproval. Bronte uses Varens and Reed to paint the contrast between the Romantics controlled by emotion, freedom and imagination and the Victorians who exhibit middle-class stuffiness and pompous conservatism.
In the nineteenth century, the role of charity was portrayed differently by many individuals depending on what religion they followed. On one hand, many people felt obligated to help the unfortunate to comply with religious responsibility and to become better individuals. On the other hand, Others, felt that the misfortunes of the poor weren’t their responsibility. The different concepts of charity can be viewed in Charlotte Bronte’s novel Jane Eyre, as she reveals to us the various experiences Jane underwent as an orphan. Many of the instances that Bronte mentions in her novel are references to some of the incidents she encountered in her school years. To know why charity was significantly one of Bronte’s main focuses in the novel, we will look at the conceptions that the Anglicans and other Christian groups had of charity in the nineteenth century, as well as a history of Bronte’s familial background.
The story begins at the Reed’s residence at Gateshead Hall. Jane is excluded from the Reed’s activities so she tries to educate herself by reading books. Soon enough though, John Reed finds her, takes away the book and strikes her with it. “You are like a slave-driver” (Bronte: 43), cries Jane. In this passage Jane compares John with a slave-driver because like one, John deprives her of her endeavor to educate herself and keeps her suppressed. In the boarding school for orphaned girls called Lowood, Jane sees that movement towards progress and knowledge is retained. Mr. Brocklehurst, the director of Lowood, wants the girls to “clothe themselves with shamefacedness and sobriety, not with braided hair and costly apparel” (Bronte: 96). So he doesn’t allow for girls to be dressed neatly or with curls in their hair because to him that’s a sin of showing off. His goal it seems is not to truly educate this girls for their own improvement, but merely to educate them to serve the wealthy.
Similar to many of the great feministic novels of its time, Jane Eyre purely emerges as a story focused on the quest for love. The novel’s protagonist, Jane, searches not only for the romantic side of love, but ultimately for a sense of self-worth and independence. Set in the overlapping times of the Victorian and Gothic periods, the novel touches upon both women’s supposed rights, and their inner struggle for liberty. Orphaned at an early age, Jane was born into a modest lifestyle, without any major parent roles to guide her through life’s obstacles. Instead, she spent much of her adolescent years locked in imaginary chains, serving those around her but never enjoying the many decadences life has to offer. It is not until Jane becomes a governess that many minute privileges become available to her and offer Jane a glance at what life could have been. It is on her quest for redemption and discovery that she truly is liberated. Throughout Charlotte Bronte’s classic novel Jane Eyre, the story’s protagonist Jane, struggles to achieve the balance of both autonomy and love, without sacrificing herself in the process.
The novel, Jane Eyre, by Charlotte Brontë is about a female character battling society's conservative view on women's rights and roles in civilization. Jane Eyre was written during the Victorian Era when women were seen less than equals to men, but more as property and an asset. At the end of the era was when feminist ideas and the women's suffrage movement began to gain momentum. In the novel, Jane encounters three male characters, Mr.Brocklehurst, Mr. Rochester and Mr. St. John Rivers, who try to restrict her from expressing her thoughts and emotions. In Charlotte Brontë's novel, Jane Eyre, Victorian ideology influences today's society by making women seem inadequate to men. Brontë wants to convey that rather than conforming to other's opinions, women should seek freedom and break free of the barrier that society has created for them.