Quite frequently the theme is reiterated by the conscientiousness of Hardy’s choice in stylistic techniques. The most prominent of depictions are through the dialogue of the novel’s main character, Michael Henchard. Subconscious speaking habits are discernible through the stylistic techniques of Hardy and through these subconscious speaking habits, the unchanged aspects of Henchard’s character become apparent.
“Well, one autumn when stopping there I fell quite ill, and in my illness, I sank into one of those gloomy fits I sometimes suffer from, on account o’ the loneliness of my domestic life, when the world seems to have the blackness of hell, and, like Job, I could curse the day I was born.” (Hardy, 75)
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Firstly, a negative connotation is felt through Hardy’s choice of diction. Words such as “suffer, ill, loneliness” along with the phrase “the world seems to have the blackness of hell” (Hardy, 75) evoke a piteous tone that reflects Henchard’s inner thoughts. Although he does not explicitly plea for sympathy or consideration, the tone created by Hardy offers Henchard’s silent desire to receive such treatment from others. Much like the beginning of the novel, Henchard appears to still possess a great amount of self-pity despite his attempt to move on from such habits.
Further into observation, syntax is also a very important aspect of Hardy’s style. Hardy’s structure of dialogue depicts the defensiveness of Henchard. Hardy constructs his sentences in
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Throughout the novel Henchard frequently revisits his past in many circumstances. When Henchard is reunited with his wife, Susan Newson, he offers the thought of his time spent working on himself by mentioning that “[he doesn’t] drink now” and that “[he] hasn’t since that night…” (Hardy, 70) at the furmity tent. Henchard uses his tragic past to prove progress as the years since are a part of Henchard’s promise to reconstruct his life and rid himself of destructive flaws. Through Henchard’s perspective, the amount of work he has put into his development is measurable by the years spent on the idea of the
The student may find it useful to begin the paper with the following quote from the novel:
Edgar Allan Poe's deplorable life was filled with unfortunate calamity, endless tragedies, and pathetic misery, which inevitably led to his pessimistic view on life and obsession with death. His personal mind frame is automatically conveyed in his essays, which for him was a primary form of expression. Thus, a strong emphasis on somber despondency has proven to be a thematic element of his literary career.
4. What two forms of figurative language does the author use in lines 20-23 of page 211 to make his writing more
From the very dawning of his existence, Edgar Allan Poe lived a life of hardship; a quality which was reflected in his writings. Poe was born the son of a pair of traveling actors. His father, David, was at best a mediocre actor who soon deserted his wife and son. His mother Elizabeth, on the contrary, was a charming woman and talented actress. His life, no doubt, would have been much different were it not for the fact that she died of tuberculosis in 1811 when Poe was not quite three. This event scarred him for life, for he would always remember "his mother vomiting blood and being carried away from him forever by sinister men dressed in black." (Asselineau, 409).
M.H. Abrams et al, eds. The Norton Anthology of English Literature, 7th ed. NY: Norton, 2000. Pgs. 2092-2120.
Conclusively, Edgar Allan Poe’s distinctive writing style comes from his use of punctuation, sentence structure, word choice, tone, figurative language. Commas, dashes, semicolons, and exclamation marks appear frequently in his writing. Simultaneously, they affect the organization and length of his sentences. Word choice sets the tone. Literary devices imbue it with life. On comparing “The Cask of Amontillado” and “The Tell-Tale Heart”, this is observed.
Diction plays a critical role in the development of the tone in a story. The type of words the author uses directly leads to the tone of the entire literary work. If ...
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Hardy uses strong meaningful diction to convey his thoughts of the sinking of the Titanic. Words such as “vaingloriousness”, “opulent”, and “jewels in joy” illustrate Titanic for the reader so that he/she can picture the greatness of the ship. Phrases such as “Lie lightless, all their sparkles bleared and black and blind” describe what the Titanic looked after the sinking, loosing all of its great features. Hardy’s use of strong, describing diction depicts his view of the ship, before and after.
There are many characteristics in Crane’s novel that would more readily fit within the category of realism: the ordinariness of his characters, the use of dialect, the portrayal of protagonist Henry Fleming as a complex individual, the description of nature as disinterested in human affairs, and the positive ending of the story. Realism, often described as "slice of life" or "photographic" writing, attempts to portray life exactly as it is, without twisting it or reworking it to fit it into preconceived notions of what is appropriate or what is aesthetically pleasing. In this book, Crane relies on neither the oversimplified rationalism of classicist literature nor the emotional idealism of romantic prose. Instead, he offers realistic, believable characters with average abilities. The soldiers are presented neither as epic heroes nor as bloodthirsty killers; rather, their most noticeable trait is their overwhelming normalcy. The soldiers of Henry’s regiment curse, fight, and argue just like normal people. This down-to-earth, gritty, everyday style is characteristic of realism. A particular convention used by Crane in convincing the reader of his characters’ existence is dialect. The distinctive speech of the soldiers enhances the photographic effect of the novel, lending it authenticity. Another distinctive trait of realism is complexity of character – a trait readily evident in Henry Fleming. As he switches between cowardice and heroism, compassion and contempt, and optimism and pessimism, the reader observes that he is more than just a stereotype. He is a person with fears, hopes, dreams, and foibles.
The poem's major theme seems to be this sense of the world being ruled by a hostile and blind fate, not by a benevolent God pushing all of the buttons. This is clearly stated within the poem itself as Hardy writes "If but some vengeful god would call to me / From up the sky, and laugh: 'Thou suffering thing, / Know that thy sorrow is my ecstasy, / That thy love's loss is my hate's profiting!' / Then would I bear it, clench myself, and die, / Steeled by the sense of ire unmerited; / Half-eased in that a Powerfuller than I / Had willed and meted me the tears I shed. / But not so." (Hardy, Longman p. 2255: ll. 1-9). As you can see, this poem shows that Hardy has indeed lost all faith in a benevolent God that deals out suffering and joy to his creations as he willfully deems they deserve and need. Instead of this idea of a benevolent God up above pulling all of the strings of the world and dealing out everyone's personal fate, Hardy believes fate is...
Unlike Hardwig’s poem Hardyd’s lacks any type of reverence or fear of the suffering he undergoes. In fact he mocks both the idea that suffering is something meted out by God and the idea that a man can do anything to effect the amount of suffering he experiences through out his life. In a sense the two author’s while expressing similar ideas, the idea of personal struggle and suffering, are in contention in a very similar way that religion and enlightenment ideas were during the Victorian period.
The Mayor of Casterbridge by Thomas Hardy is a novel about the rising and plummeting of a complex man named Michael Henchard. Michael Henchard does not just have one characteristic or just one personality for that matter. His personality can be described as thoughtful and strong-minded but also as ruthless, stubborn and cold. Henchard's impulsiveness, aggressive attitude, childishness and selfish nature made failure and misery inevitable in his life. The essence of his character is the root of his demise and misery.
At the age of eight, Hardy began to attend Julia Martin's school in Bockhampton. However, most of his education came from the books he found in Dorchester, the nearby town. He learned French, German, and Latin by teaching himself through these books. At sixteen, Hardy's father apprenticed his son to a local architect, John Hicks. Under Hicks' tutelage, Hardy learned much about architectural drawing and restoring old houses and churches. Hardy loved the apprenticeship because it allowed him to learn the histories of the houses and the families that lived there. Despite his work, Hardy did n...
O’Dea, Gregory. “Narrator and Reader in Charlotte Brontë’s Villette.” South Atlantic Review 53.1 (1988): 41-57.