Macbeth is a character that develops in this play through his desire for power. As the play begins Macbeth is introduced to us as a courageous warrior. He is thought of as a tolerant, decent and intelligent, but when he receives the position of Thane of Cawdor all of these great attributes fade away once he performs an awful act of betrayal. An important emotion for humans is guilt and in this play, it led to the destruction of Macbeth’s downfall. One might think that Macbeth is an all-around awful person after reading about such events, but after looking deeper into the story, it is apparent that he might not have been fully responsible for all of his actions. In Shakespeare’s Macbeth, he describes Macbeth as an honest, courageous, and brave …show more content…
He ultimately consents to let his mind refute that it is him not thinking things through and that he is being convinced to do everything. His strong thirst for power results in everyone despising him. It is very clear that Macbeth is taken over by his determination to become king. It is important to look at this aspect of guilt draw out in this play. Guilt is a normal feeling for everyone. It is when we ignore these feelings that ones morality can be damaged. In this play, there are clear images of guilt. Blood and water were two signs that show the reader the result of guilt. The image of blood is there to jog Macbeth and Lady Macbeth’s memory of all of their wrongdoings. Water is the representation of washing away the feeling of regret of these two characters. This is just a reminder of the hold that guilt can have on a …show more content…
The feelings of guilt in this play are presented to us in the form of blood and water. Blood represents the cruelty that haunts these characters while water characterizes the idea of wanting to cleanse their body and mind of their personal guilt. Confronting their guilt is a huge obstacle for these characters and they do it in different manners. On one hand, Macbeth is left broken in the end because he has lost the ability to have sympathy for others, while Lady Macbeth deals with her guilt by deciding she does not want to live anymore. The way in which these two decide to deal with their guilt reflects how individuals differ when dealing with internal
The play Macbeth and the movie The Social Network each explore ideas around guilt and remorse. Both these works are from two different timelines and explore two completely different themes and ideas, but are both relatively similar in scope. Macbeth and The Social Network explore ideas around guilt and remorse, but at opposing angles. Both works depict the main character as someone who is easily influenced and who is driven by ambition, both capable and not capable of feeling guilt and remorse. Their ambitions cause those close to them to break ties, and their relationships deteriorate as they betray those closest to them while trying to attain what others have by any means possible.
Guilt is a very potent emotion that an individual always feels in relation to others and has its genesis in the wrong done by some person to others. The two prominent works of literature that are Macbeth and The Kite Runner, though contrived centuries apart, revolve around an unremitting feeling of guilt felt by the central characters that are Macbeth and Amir, and the ordeal they had to go through owing to the psychological and practical consequences of that guilt. In the Shakespearian tragedy Macbeth, though, manages to murder the Scottish king Duncan to actualize the prophecy of the three witches, yet the guilt emanating from such nefarious acts and intentions continues to foreshadow Macbeth’s life throughout the plot. The very moment Macbeth approaches Lady Macbeth with hands dipped in the blood of Duncan, his deep seated guilt oozes forth as he says, “Methought I heard a voice cry ‘Sleep no more;/Macbeth does murder sleep (2.2.45-46)”. Thereby, from this moment onwards, Macbeth is shown to be strongly stung by an unrelenting and continually nagging sense of guilt that makes him engage in strange and suspicion generating acts and manners.
In Macbeth, there are a lot of guilt and regrets felt by Macbeth and his wife Lady Macbeth. For example, Macbeth regrets killing King Duncan because now he is worried that if the people find out it was him, he would be executed. Also Macbeth starts to feel guilty about the people who he killed, but he likes to do it because he wants to be king. Lady Macbeth is starting to become worried about the people trying to come after for what she is encouraging Macbeth to do. Macbeth, a man driven by ambition, could not escape from guilt which haunted him.
What is guilt and what major impact does it have in the play Macbeth by William
The play identifies how Macbeth faced guilt after he killed his King, “Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable.” Macbeth is hallucinating a dagger in which was caused by the guilt he feels after killing King Duncan. Macbeth also states, “I’ll go no more.I am afraid to think what I have done. Look on ’t again I dare not…..What hands are here? Ha, they pluck out mine eyes.Will all great Neptune’s ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine….” Macbeth’s emotions are everywhere. After he killed King Duncan he immediately regretted it as he explains that no water, not even Neptune’s ocean can wash the blood and guilt off his hands. Macbeth not only faced guilt but he also losses his sanity. Macbeth hallucinates Banquo’s ghost making him scared and on edge, “[to the Ghost]. What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword. If
Lady Macbeth and Macbeth have both shown guilt, but at different stages in the play. Isolating guilty feelings only begins to isolate them from the world around them. Macbeth is the first to feel guilt at the begging of the play, but towards the end he has nothing but isolation. Lady Macbeth has both isolation and guilt. In act III , scene two , lines 6 to 9, Lady Macbeth says, " Noughts had all's spent, where our desire is got without content. Tis safer to be that which we destroy". She is describing how the murder of Duncan has made them lose everything but has made them gain nothing. Her guilt has gotten the best of her by act IV, when all she has on her mind is guilt. When Lady Macbeth says in act V. scene two, line 43 to 44, "Heres the smell of blood still. All the perfumes of Arabia will not sweeten this little hand". She knows the murder is irrevocable, and nothing can be done to erase the deed from her mind.
The theme of guilt is seen through both Macbeth and Lady Macbeth. For example, after Macbeth kills Duncan he says, “ I am in blood/ stepp’d in so far, that, should I wade no more, returning were as tedious as go o’er.” In this quote Macbeth reflects on the fact that he has now killed King Duncan and is now stuck because the guilt he feels had prevented him from moving forwards and he can no longer change what has happened in the past. At this point Macbeth realises that he made the decision to kill Duncan and now must live with the consequences. This quote expresses Macbeth’s guilty conscience and how he is beginning to feel both regret and remorse. Moreover, Lady Macbeth’s guilty conscience can be seen when she begins to hallucinate. During Lady Macbeth’s hallucinations, she begins to see spots of blood on her hands from Duncan’s bloody daggers and begins to yell, “Out, Damned spot! Out I say,” while frantically rubbing her hands clean. These hallucinations become a common occurrence throughout the play and can be seen as a motif for the guilt she now feels. This scene is important as the readers now see Lady Macbeth’s transformation from a dominant confident woman to a woman who is now being ripped apart by her guilty
The tragedy Macbeth by William Shakespeare is based on a thane in whom is corrupted by greed and a negative ambition. The character Macbeth contradicts his moral responsibility in this play a great deal; many moral questions are brought forth to Macbeth. He questions himself and whether or not he should follow through with the evil deeds that he does. Macbeths ambition causes him to compromise his honour, he doesn’t take into consideration that he is being trusted and that every action that he takes will have a reaction. Macbeth attains his position as king unjustly. As is evident by the conclusion, justice prevails as usual and Macbeths demise is a result of his evil deeds.
Guilt plays a strong role in motivating Macbeth, and causes Lady Macbeth to be driven over the edge of sanity - to her death. Throughout the story, there are many different types of guilty feelings that play a role in Macbeth’s fatal decisions and bring Lady Macbeth to commit suicide. Although there are many instances that show the power guilt has played on the main characters, there are three examples that show this the best. One is, just after the murder of the great King, Duncan. Guilt overcomes Macbeth where he can no longer think straight. A second example is soon after that, where all the guilt Macbeth feels at first, changes into hate after he decides that Banquo must be killed as well. The last example is just about at the end of the play, when we see Lady Macbeth sleepwalking, and then later committing suicide; this all because of the burden of her guilt. All of these examples build the proof that in this play, guilt plays a very large role in the characters’ lives.
Macbeth is swaying between the forces of good and evil. He wants to stop killing but he also wants to become king and in his mind the only way to do that is to kill whoever is in his path, saying “I am in blood/ Stepped in so far that, should I wade no more,/ Returning were as tedious as go o'er.” (3.4.168-170). Macbeth is already deep into this situation and if he were to turn back now, it would cause him greater hardship than relief. Macbeth has been dealing with this inner conflict ever since he was told by the weird sisters that he is fated to become king. This conflict ties everything together, between fate versus free will and sane or insane. Macbeth started the play as being a glorified war hero, however as time moved on he transformed into a bloodthirsty tyrant. Macbeth has gone through so much that he has shifted into a guilty man haunted by nightmares and hallucinations but will not stop until he gets what he came for. Macbeth has gone so far into the void of guilt that his name has now fell into infamy, as shown by quote by Young Siward saying “The devil himself could not pronounce a title/ More hateful to mine ear.” (5.7.10-11). Macbeth had already grown a name for himself while he kept his innocence, however with all the killings macbeth has made, he has done nothing but shame his name. Macbeth name to others is more hateful and there is nothing that Siward would rather do than to end Macbeth’s life, thus ending all the guilt and evil inside
As a whole, Macbeth and Lady Macbeth’s pursuit for power has caused them to bear the bloody crown of guilt that resulted in their inevitable death. From their gory hands that drip blood, to their subconscious guilt that seeks to be divulged, Shakespeare utilizes the motif of blood to expose the guilt of the characters within the play by metaphorically staining their minds with the burst of blood spilling through their natural state of being, leaving behind a permanent scar of guilt, resulting in the outbreak of insanity.
UK Essays website states, “Macbeth and Lady Macbeth’s guilt caused them to act differently and become different people” (“The Symbols in Macbeth”). Macbeth’s guilt needs to be hidden, pretending he is innocent until his actions numb inside of him. In Act III, Macbeth says, “I am in blood/ Stepped in so far that, should I wade no more/ Returning were as tedious as go o’er” (3.4.137). Lady Macbeth herself is troubled by her actions. Lady Macbeth is a wife who will stop at nothing to get her husband where he is meant to be. Her plead to become “sexless” in Act I does not follow her through the play, but instead causes her deep fear. In Lady Macbeth’s last days, she is sleepwalking around the castle admitting her and her husband’s sins while trying to “rub away the blood” off her hands before she commits
In Shakespeare’s Macbeth, the theme of guilt and conscience is one of many explored throughout the play. Macbeth, is a well respected Scottish noble who in the beginning of the play is a man everyone looks up to; however as the play progresses he makes a number of bad decisions. Eventually, as a result of his actions he suffers guilt and this plays heavily upon his character until his personality is completely destroyed. Shakespeare uses a range of techniques in order to develop this theme such as, characters, imagery.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.