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Archetypes in the story of Sir Gawain and the Green Knight
Archetype characters in sir gawain and the green knight
Archetype characters in sir gawain and the green knight
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The archetypes that permeate many different stories all originate from Joseph Campbell's Hero With a Thousand Faces. More specifically, in the medieval story, Sir Gawain and the Green Knight, a variety of different archetypes are especially necessary to the theme of the story. An understanding of three key archetypes—the temptress the magic weapon, and the task—reveal the essence of Gawain’s role within the archetypal quest motif.
Ordinarily, the temptress archetype is characteristic of women who ”become the symbols no longer of victory, but of defeat” (Campbell 111).She also serves as a distraction to the hero’s task and may even intentionally misguide the hero. As seen in Sir Gawain and the Green Knight, the temptress, the host’s wife, kisses Gawain three times total throughout the duration of his stay at the house. Gawain, being chivalrous , politely declines her advances towards him.Consequently, he feels guilty each time she kisses him, but he cannot outright turn her down because it is just not in his
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His encounter with the Green Knight is imperative to his growth as a character. For the most part, all of the other supporting characters in the story remain static, whereas Gawain’s growth can be directly attributed to the task he he must complete to ensure the honor of Camelot. The Green Knight first appears and challenges anyone to come and chop his head off by stating that,
”If anyone in this hall holds himself so hardy, so bold both of blood and brain, as to dare strike me one stroke for another...If any knight be so bold as to prove my words, let him come swiftly to me here, and take this weapon... Then shalt thou give me the right to deal him another, the respite of a year and a day shall he have.”(Weston 6) Upon hearing this, Gawain initially hesitates to accept the challenge but ultimately ends up sacrificing himself in place of Arthur. This hesitance
When referring to archaic writing, it is clear to see the recurring archetypes and symbols throughout plots and situations. Understandably, certain patterns involving such motifs have continued through centuries, resulting in various works based around the same monomythic template with slight variations. All the big movie titles we love, Aladdin, Shrek, even, Sharknado contain more than traces of these archetypal patterns, consisting of a hero, a mentor, a dark figure and so on. Prime examples of this archetypal plot structure, with their own unique adaptations, may be found within the two poetic narratives Beowulf and Sir Gawain and the Green Knight. Aside from their completely disparate backgrounds and morals, both works include and follow the monomythic journey, as perceived by Joseph Campbell in The Hero with a Thousand Faces, as well as in the secondary works of others who have helped to further our understanding of this analytical method. This generalization, however, is shifted when one dissects further into these two pieces of literature. As in the majority of monomythic quest narratives, the protagonist often practices and displays the characteristics of courage, loyalty, humility
According to the story, Gawain had to face many obstacles one in particular was the Green Knight’s challenges. This was a test for any brave man that could face off with the Green Knight. They would have to use an ax and hit the knight
Sir Gawain is presented as a noble knight who is the epitome of chivalry; he is loyal, honest and above all, courteous. He is the perfect knight; he is so recognised by the various characters in the story and, for all his modesty, implicitly in his view of himself. To the others his greatest qualities are his knightly courtesy and his success in battle. To Gawain these are important, but he seems to set an even higher value on his courage and integrity, the two central pillars of his manhood.
In this passage taken from Sir Gawain and the Green Knight Lines 1623-1718, the reader sees how Sir Gawain is the hero of the poem, through the tests of the host. Sir Gawain is speaking to the host of the castle where he is staying for a few days before journeying on to the Green Chapel. The host has just returned from hunting and killing some boar. While the host is out hunting for the boar, we learn that Sir Gawain is developing a love interest in a special lady friend, the wife of the host, who makes several attempts to seduce him. Before this hunt, Gawain and the host make a promise to each other that they will exchange whatever they may win that day for the other's winnings. The host gives Sir Gawain the boar in exchange for two kisses. Then the host says to Sir Gawain "Now we are even" (Norton, 236, line 1641.) There is a vivid description of the meal that follows, as well as the singing of Christmas songs. Then Gawain tells the host that he should be on his way to the Green Chapel to face the Green Knight. The host comments on the fact that he has tested Gawain twice and is quite impressed with his performance. The host then tells Gawain about the third test. In the test, the winner will take all, and the loser takes nothing. Gawain thinks this is all just a game and doesn't realize that it is actually a test. Sir Gawain later decides that he will stay, after learning from the host that the Green Chapel is not too far away from the castle. He has some more drinks with the host. After this, he goes to bed and gets the best night's rest, and is up early the next morning. That morning, the host hunts for some fox as Gawain lies in bed. The passage ends with a description of how the host an...
In Sir Gawain and The Green Knight, our main character is faced with a challenge. A
Sir Gawain stands up for he believes that his uncle should not take on the Green Knight while so many others, as mentioned earlier, are able. Gawain is successful by not only standing for what he believes in but also in defeating the Green Knight. The Green Knight plays the role of the tempter in this scene. He first tempts the court, but is defeated. Sir Gawain overcomes his first
New York: Garland Publishing, 1988. Stephen Manning, “A Psychological Interpretation of Sir Gawain and the Green Knight” in Critical Studies of Sir Gawain and the Green Knight, eds.
Sir Gawain and the Green Knight. The Norton Anthology of English Literature, Volume A. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 162-213.
Sir Gawain shows his bravery the first moment he has the chance to, when the Green Knight enters King Arthur's Court. The Green Knight taunts with 'Anyone with the nerve to try it, take this ax, here. Hurry, I'm waiting! Take it and keep it, my gift forever, And give me a well-aimed stroke, and agree to accept another in payment, when my turn arrives.'; (I, 292) Sir Gawain took this burden and took the ax from the king who was prepared to do this deed. Gawain knows full well that he would receive a blow in return and would have to find the Green Knight in order to receive his blow. He accepts these terms and gives the Green Knight his blow with no haste. Time passes and it eventually is time for Sir Gawain to start to look for his fate and find the Green Knight and his chapel. Starting his crusade, Gawain was given a feast and many thought he would never return again, as some of the knights would comment, 'Better to have been more prudent, to have made him a duke before this could happen. He seemed a brilliant leader, and could have been.'; (II, 677) Gaw...
Another trait of Gawain that is tested in Sir Gawain and the Green Knight is his loyalty. While in search of the Green Chapel where he must face the Green Knight, Sir Gawain is tested by the lady of the castle he is lodging at. The lady tries to seduce Gawain, but he does not fall into her trap by sleeping with her. Instead, Sir Gawain remains loyal to the lord of the castle whom he has promised to be honest with, and the lady describes him as the "noblest knight alive.
He is not brave, selfless, chivalrous, or noble; with an immoral thought he only performs great acts in front of an audience. Knights are supposed to be fearless warriors, Gawain contradicts that stereotype. Once Gawain ventures towards the green chapel, he is overcome by fear. However, fear of death is not of the essence. When his escort offers to help him avoid the fight, Gawain had already obtained the green sash; he fights knowing he will not die. Gawain fears his kingdom will recognize his lack of pure motive and moral courage if he abandons the game, concerned that if he “forsook this place for fear, and fled,” Camelot will find out he is “a caitiff coward” who “could not be excused” for his lack of inner-chivalry (2130-2131). He does not go to the fight to prove he is chivalrous; his impure motive is to hide his immoral nature from
After reading through the piece of literature Sir Gawain and the Green Knight, one will realize there are many elements present throughout that could be analyzed such as humility, chastity, and courage. It could be interpreted that the author meant for the main theme of the writing to be a theme of chastity. Although the element of chastity is present in that Sir Gawain is tested by many sexual temptations, the element of humility is one that is prominent and changing throughout the piece. Humility is apparent throughout the story in the way Sir Gawain displays false humility at the beginning, the way he keeps his humility during his stay at the castle, and the way he is truly learns humility after his challenges with the Green Knight are over.
Many would agree that although there are many stories about heroes, they all seem similar in some way. Joseph Campbell wrote many books about this theory of a "hero cycle" that every hero story follows. In Sir Gawain and the Green Knight, this pattern is clearly exemplified and it shows the numerous steps in Joseph Campbell's idea of the hero cycle.
Sir Gawain demonstrates this quality when he is with the Lord’s wife. He did not take advantage of her while he stayed at their castle. When the lady attempted to seduce him, Gawain resisted her. “My lady gay, I can hardly take gifts at the moment; having nothing to give, I’d be wrong to take gifts in turn” (233). Sir Gawain shows respect to the lady of the house by not receiving her
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.