The function of flashbacks in Death of a Salesman.
Throughout Death of a Salesman flashbacks are used continuously,
typically to present the audience with the Loman family's background
and show deterioration. In act one we see the first flashback at the
beginning of the play. As the play starts to go into flashback the
backdrop changes from the present 'Apartment houses' and the
'surroundings become covered in leaves.' The first sign of the Loman's
happy past. Willy is talking sense and telling Biff to watch his
schooling, giving him good advice, and then he shows his wealth,
polishing the car talking about the hammock that Willy is going to
buy, to the punch bag that Willy bought his sons. This all seems too
good to be true and as the flashbacks are taking place throughout the
play we begin to see a tragic hero uncovered, Willy. The flashbacks
show his highs from the past but the reality now is his present, and
his falls. As the flashback begins to uncover, We see that the past is
arriving on stage before the present has left.
Ben a character from the past that is dead is present in flashbacks
throughout the play. But at the start his presence he is more diffuse
as he spreads with all the characters in the flashback. Later Ben is
still apparent but only when Willy is alone in a flashback. As the
flashbacks are happening in the past, the present is still there. So
as Willy is talking to Ben, Linda is confused to who Willy is talking
to.
The 'laughter of the past' is heard during the play from the woman
Willy was having an affair with. This shows Willy conscience, and that
he stills thinks about what he did. The stage directions make a point
of saying, 'From the darkness', and although this is not a ...
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... flashback page 15 when the skyscrapers change to trees and leaves.
This shows the environment, which the Loman family used to live in.
The function of flashback in Death of a Salesman has proven to be
successful. It helps to show the contrast between the past and the
present, an insight into Willie's behaviour, and also explains the
decline that Willy is experiencing in throughout his life. The variety
of moods, location and atmosphere throughout the play and its
flashbacks make it easier for the audience to comprehend and get an in
sight into the characters personality. This play makes it easy for the
audience to relate to the characters and their lives. What the Loman's
are going through is a part of reality of which many people have to
deal with everyday and so by incorporating flashbacks into the script
makes the theme more accessible to understand.
Death of a Salesman Within the drama, Death of a Salesman by Arthur Miller, the Lowman family is presented within the post war economy trying to achieve the American Dream. The father, Willy Lowman, represents a well-off salesman that demonstrates a persistent husband and father figure throughout the late 1940s and early 1950’s. Throughout this piece, Willy desires for his two sons, Biff and Happy, to follow in his footsteps as a salesman and to represent themselves throughout the economic decline. Throughout the storyline, Miller demonstrates the theme of success and failure, the representation of a tragic hero and the symbolism of seeds.
The American dream is an ideal for all Americans to get the best out of life. It stands for an easy and comfortable life, which makes you independent and your own boss. Historically, the American dream meant a promise of freedom and opportunity, offering the chance of riches even to those who start with nothing. This is something that Arthur Miller conveys in his play Death of a Salesman. Before the Depression, an optimistic America offered the alluring promise of success and riches.
Willy becomes more and more dependent on his drug as the story progresses. His next allusion to the past was during a conversation with his wife. Willy is downhearted about his failure to provide for his family, his looks, and basically his whole life in general. He begins to see some of the truth in his life: "I know it when they walk in. They seem to laugh at me."(Miller; The Death of a Salesman; pg. 23) By trying to see the reality in life, for once, he depresses himself so awfully, that he has a rendezvous in his head with his women that he sees on the side. He only uses this women to lift his spirits and to evade the truths that nearly scare him into his own grave.
A very significant character who may seem to not play much of a role in this play but actually is a big driving force of the plot is Bernard; Bernard is the consciousness of Willy Loman, and he manifests in his flashbacks of joyous times to bring Willy back to reality and to face the crime he committed against his whole family. Bernard is the essential part of the battle Willy is having with himself, whether he can stick to his fault or place the fault on others, and this influences Willy and others around him greatly.
Throughout the play, Willy has hallucinations of his brother Ben, who left Willy when he was young, “Well, I was just a baby, of course, only three or four years old,” (Miller 47), and the man later offered to take Willy with him, but Willy had a dream “There’s a man eighty-four years old-” (Miller 86) and he felt that he was going to accomplish that dream. “Willy retreats into a dream world consisting of his roseate recollections of the past and of fantasies,” (Hadomi), he hallucinates often, and this is a better way of saying he’s delusional. He did not, he failed miserably, he had to borrow money from Charley “If you can manage it-- I need a hundred and ten dollars,” (Miller 96), then he pretended it was a loan from him “I’m keeping an account of everything, remember,” (Miller 96), that he would pay back “I’ll pay every penny back,” (Miller 96), but Linda and Charley knew he was not going to pay any of it back. Willy had a hard time accepting defeat, and he wanted his boys to succeed where he failed, but Biff was always better with physical labor “when all you really desi...
In conclusion, it is evident that the demise of Willy Loman, came from him dreaming the wrong dream. This is evident through Willy not being able to achieve his unrealistic dream, the problems Biff faces due to Willy instilling his dream into him, Willy's pride which becomes his hubris, and the illusions of his dream which escalates into his suicide. Although his dream made might have made his life fulfilling to the very end, it was not a happy life. By examining Willy Loman's dream and the impact of a dream in Death of Salesman, the reader can see the importance of a dream in one's life and how it can change it for the better or for the worse.
Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I wanted to talk to you about dad for a long time, Biff. Something’s – happening to him. He – talks to himself” (Miller 21). Willy, as a father, cares about his children but he wishes they would do better. He believes Biff should have been an athlete. According to Harrington, “Even figuratively, Willy is haunted, and particularly in Biff’s failure to achieve success as a sports figure” (108). This haunting is part of what led to Willy’s slow plunge into madness. As Willy’s career in sales fails, he also fails, even failing his family. Heyen adds: “He didn’t have anything of real value to give to his family, or if he did, he didn’t know what it was” (48). His debilitating flashbacks and delusional hallucinations with Uncle Ben cement his horrifying realizations that he has let down his family. Willy Loman blames the economy for his downfall in his career. In one of his more extreme outbursts he exclaims, “There’s more people! That’s what’s ruining this country! Population is getting out of control. ...
Foremost, Willy has a problem with his inability to grasp reality. As he grows older his mind is starting to slip. For example, when he talks to the woman and his brother Ben. Throughout the story, Willy dreams of talking to the woman, because the woman is a person that he was dating in when he went to Boston. He was cheating behind his wife’s back. Willy basically uses her as a scapegoat when he’s hallucinating about her. He blames all of his problems on the woman. For instance Willy says, “ Cause you do… There’s so much I want to make for.” (38) This is the evidence right here. Also he dreams about his brother Ben. Willy wishes could be more like his brother who has just passed away a couple of months previously to the story. He also wishes he didn’t have to work and could be rich like Ben. He respects Ben for not really working and making a lot of money. Another example of Willy’s hallucinations are when he says,“ How are you all?” (45) This occurs when Willy is talking with Charley and he starts thinking about Ben. Willy’s inability to grasp reality never changed throughout the story.
Like countless characters in a play, Willy struggles to find who he is. Willy’s expectations for his sons and The Woman become too high for him to handle. Under the pressure to succeed in business, the appearance of things is always more important than the reality, including Willy’s death. The internal and external conflicts aid in developing the character Willy Loman in Arthur Miller’s Death of a Salesman.
“Death of a Salesman” written by Arthur Miller in 1948 attempts to give the audience an unusual glimpse into the mind of Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be “worth something”, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the protagonist down one layer at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willy’s current state of mind. These techniques are essential to the play, as it is only through this development that Willy can realistically be driven to motives of suicide. The very first section of the first scene, already defines the basis of Willy’s character for the rest of the play.
Throughout the play Death of Salesman by Arthur Miller the reader witnesses the main character, Willy Loman, struggle with suicidal tendencies and the onset of Alzheimer’s. Unfortunately for Willy, the 1940’s were a time with insufficient knowledge about mental illness, leaving he and his wife, Linda, without guidance. If the Loman’s had instead lived during the 21st century, they could have sought treatment and received aid from informed healthcare professionals. Though it is never confirmed Willy displays a variety of symptoms associated with Alzheimer’s including mental confusion, difficulty concentrating, delusion, disorientation, and forgetfulness. While returning home from work in Yonkers Willy forgets he’s driving, falling into a so
Willy still struggles to find out why his son, Biff, has not made anything of himself yet. Instead of a stable job, Biff has been a farmhand across the country earning only $35 a week (Act I. Scene I). Willy does not know where he has gone wrong with raising his kids, with his job, and overall with his life (Krutch, 308-309). To find the solutions to the problems driving him insane, Willy looks to his past. While he is day-dreaming he actually talks to himself and makes his family worried about his health and sanity. He daydreams and feels as if he is actually encountering the past once again in his journey. Willy is desperately trying to find out what has gone wrong in his life, why no one responds to him in the positive way that he used to, and why Biff does not have a stable job or a family. Through his trek to finding his mistakes in life, Willy finds r...
...s personal failure and betrayal of his soul and family through the meticulously constructed artifice of his life. He cannot grasp the true personal, emotional, spiritual understanding of himself as a literal “loman” or “low man.” Willy is too driven by his own “willy”-ness or perverse “willfulness” to recognize the slanted reality that his desperate mind has forged. Still, many critics, focusing on Willy’s entrenchment in a quagmire of lies, delusions, and self-deceptions, ignore the significant accomplishment of his partial self-realization. Willy’s failure to recognize the anguished love offered to him by his family is crucial to the climax of his torturous day, and the play presents this incapacity as the real tragedy. Despite this failure, Willy makes the extreme sacrifice in his attempt to leave an inheritance that will allow Biff to fulfill the American Dream.
The line between reality and illusion is often blurred in Arthur Miller’s play, Death of a Salesman. Whether it is incorporated in the content or the actual structure, this struggle between recognizing reality from illusion turns into a strong theme; it eventually leads to the downfall of Willy and his family. Willy is incapable of recognizing who he is, and cannot realize that he, as well as his sons, is not capable of being successful in the business world. Happy and Biff both go through some battle between reality and illusion that cause a collapse in some part of their lives. The line between Willy’s flashbacks and current time also send him into turmoil when he cannot distinguish between the two.
Willy constantly battles with living in the past. Throughout the entire play, he seems to wander off into his confused mind. After Willy returns home early from a business trip, Linda, his wife, and he converse about their son Biff as follows: