Suffering from isolation, the main character of “The Yellow Wallpaper” has a perpetual battle with alienation. In “Trifles,” women are placed into a class that are not as important in society. In this time period, gender normalities clearly affected the way situations and genders were portrayed. Throughout “The Yellow Wallpaper” by Charlotte Perkins Gilman (1891) and “Trifles” by Susan Glaspell (1916) there is a continuous theme of isolation towards women. During the time period of these short stories release, women were not treated as fairly as men. They were seen as things with no purpose. The only purpose they had was to keep the house clean, take care of the children, and make dinner. Meanwhile, men were supposed to go out into the working …show more content…
The protagonist severely suffered nervous breakdowns frequently due to the fact she was indoors and never got a change of scenery. John, her husband, is a physician. “You see, he does not believe I am sick! And what can one do? If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression,- a slight hysterical tendency, - what does one do?...John does not know how much I suffer..” (Gilman 131,134) Although John does realize there is something wrong, he never fully understands her struggles of being trapped inside which is causing this anxiety and depression. This quotation helps exemplify the true meaning of suffrage the character was facing. His false accusations of what is really going on in her life causes her insanity. Basically, because she is trapped, it makes her focus on the smallest details within the whole house. The narrator dwells on the yellow wallpaper in her bare room. “The pain and paper look as if boys’ school had used it. It is stripped off-- the paper-- in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life.” (Gilman 133) Everytime she sees this wallpaper it is almost as if it is mocking her. She can’t look away and instead she takes a deeper look. This wallpaper is the cause of her nervous breakdowns because the room she spends most of her time in is dreadful. “This paper looks to me as if it knew what a vicious influence it had.” (Gilman 135) She is so lonely and has nothing to occupy her with so all she can do is keep her focus on the terrible wallpaper. She becomes delusional. Constantly reminding the reader of how hard it was for a women to express themselves during this time period is continuously evident
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
In the story “A Rose for Emily”, Emily Grierson the main character lives in a house where a horrible stench lingers. The stench began at the time of her father’s death thirty years prior. She was rarely seen outside of her home after his death. Her husband was then suspected of “abandoning” her. No one had entered her house for the last ten years nor had Miss Emily left it. The stench was found to be from her father’s dead body and her husband’s of which she had been sleeping with since she killed him. In the short story “Yellow Wallpaper”, the main character Jane was dealing with a slight nervous depression. Her and her husband John rented a small house in the country side in hopes of recovery. Her husband believed the peace and quiet would be good for her. In the house, she is confined to bed rest in a former nursery and is forbidden from working or writing. The spacious, sunlit room has yellow wallpaper with a hideous, chaotic pattern that is stripped in multiple places. The bed is bolted to the ground and the windows barred closed. Jane despises the space and its wallpaper, but John refuses to change rooms, arguing that the nursery is best-suited for her recovery. Because the two characters, Emily and Jane are forced to become isolated, they turn for the worst. Isolation made the two become psychotic. Jane and Emily became irrational due to their confinement. Being separated from social interactions and also their lack of abilities to participate in daily activities caused insanity upon the two characters.
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers of children. Only with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension comes from men, society, in general, and within a woman herself. Two interesting short stories, “The Yellow Wall-paper" and “The Story of an Hour," focus on a woman’s fix near the turn of the 19th century. This era is especially interesting
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
The first theme present in the horrific and heart wrenching story is the subordinate position of women within marriage. “The Yellow Wallpaper” begins with the narrator’s wish that her house were haunted like those in which “frightened heroines suffer Gothic horrors” (DeLamotte 5). However, this wish is in essence to empower herself. The narrator is already afraid of her husband and is suffering mentally and emotionally. She desperately wishes for an escape “through fantasy, into a symbolic version of her own plight: a version in which she would have a measure of distance and control” (DeLamotte 6). Throughout the text, Gilman reveals to the reader that during the time in which the story was written, men acquired the working role while women were accustomed to working within the boundaries of their “woman sphere”. This gender division meritoriously kept women in a childlike state of obliviousness and prevented them from reaching any scholastic or professional goals. John, the narrator’s husband, establishes a treatment for his wife through the assumption of his own superior wisdom and maturity. This narrow minded thinking leads him to patronize and control his wife, all in the name of “helping her”. The narrator soon begins to feel suffocated as she is “physically and emotionally trapped by her husband” (Korb). The narrator has zero control in the smallest details of her life and is consequently forced to retreat into her fantasies...
The Yellow Wallpaper The story, ‘The Yellow Wallpaper,’ is one of intrigue and wonder. The story was written by Charlotte Perkins Gilman, and it happens to be the story under analytical scrutiny, hence the title as well as the first sentence. The characters in the story consist of the narrator, Jennie, the wet nurse, the narrator's husband John, and the women in the wallpaper. In the story, the narrator and her husband, as well as her newly born daughter and the nanny for the daughter, take a summer trip to a house away from the city.
To initiate on the theme of control I will proceed to speak about the narrators husband, who has complete control over her. Her husband John has told her time and time again that she is sick; this can be viewed as control for she cannot tell him otherwise for he is a physician and he knows better, as does the narrator’s brother who is also a physician. At the beginning of the story she can be viewed as an obedient child taking orders from a professor, and whatever these male doctors say is true. The narrator goes on to say, “personally, I disagree with their ideas” (557), that goes without saying that she is not very accepting of their diagnosis yet has no option to overturn her “treatment” the bed rest and isolation. Another example of her husband’s control would be the choice in room in which she must stay in. Her opinion is about the room she stays in is of no value. She is forced to stay in a room she feels uneasy about, but John has trapped her in this particular room, where the windows have bars and the bed is bolted to the floor, and of course the dreadful wall paper, “I never worse paper in my life.” (558) she says. Although she wishes to switch rooms and be in one of the downstairs rooms one that, “opened on the piazza and had roses all over the window. ...” (558). However, she knows that, “John would not hear of it.”(558) to change the rooms.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
“The Story of an Hour” and “The Yellow Wallpaper” are similar in that both address female oppression. Both stories were written in the late nineteenth century, when women’s lives revolved around their husbands. This historical context is
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated as fragile and unstable children while the men dominate the public working sphere.