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The american west history
Western film genre style
Western film genre style
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The Wild West 9MGI
The Wild West was a period of great change in North America. After 1775, the American Colonies began to expand westward in search of more land. This expansion was led mostly by cattle ranchers in need of new pastures for their herds. Over time, people gradually left their homes and friends on the East coast, and moved into little townships in the west. This would be a very difficult decision for them, since they generally didn’t know whether they would be able to support themselves at their new place. Many Wild West movies are set in the latter half of the 1900s.
A “Western Film” is a film genre dedicated to this period in time, where Cowboys, Indians and Outlaws ran wild. The very first Western films showed in the 1890’s, these were; Annie Oakley, Bucking Broncho, Buffalo Bill, Buffalo Dance and Sioux Ghost Dance. They were trying to show audiences the “heroics” and the “bravery” of fake people, which I think flawed many people’s impressions of what makes a real man, as it would almost always depict the man as a hero who stands up for the weaker many, is great with a gun, can take down several men at once with just his fists, which just isn’t possible. Personally, I think this has skewed gender roles over the years, even just slightly, and only now are we “recovering” and realizing that not everyone is a macho-man.
Western Films are very standard, the protagonist is generally a handsome rogue cowboy or gunslinger. They always have some sort of antagonist or “evil” groups that take advantage of the general population, thus bring them wealth and notoriety. People that watch Western films expect to see cowboys, US Rangers, gunslingers, thieves, outlaws and trains are a common feature.
In th...
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... out of its hiatus. Otherwise the genre will grow stale and no revenue will be produced. This can be seen happening in the Call of Duty franchise of video games, as they have not innovated in many years, the games’ sales figures have been dropping exponentially. With these points made, I feel that without a break in the industry, not just a slowdown as it is now, the genre will fail.
Works Cited
(I was going to fix this up when I finished) http://www.artofmanliness.com/2013/06/04/best-western-movies/ http://en.wikipedia.org/wiki/List_of_TV_Westerns http://www.fiftiesweb.com/western.htm http://www.westernpolicy.org/2011/07/05/why-western-movies-became-popular-in-america/ http://www.imdb.com/title/tt0046303/ http://www.forbes.com/sites/insertcoin/2013/11/08/activision-admits-call-of-duty-ghosts-didnt-outsell-black-ops-2-at-launch/
movies;
Shane (1953)
True Grit
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
The Wild West is also referred to as the American frontier due to the numerous
Many westerns contain some of the same elements. For instance, almost every western ever made involves a sheriff. He is usually the peace-keeper of a small town overrun by outlaws and cowboys, which he eventually chases out of town or kills. Another element of westerns is a gunslinger. A gunslinger is usually a young man who makes his living shooting other men in showdowns, a classic example is Billy the Kid. Railroads are also a recurring image in westerns. Since the railroad was the major mode of transportation in the old west, it is always present in westerns. Finally, westerns always have a villain. The villain, usually a man, dresses very slick and will stop at nothing in his quest for power. In addition, the villain usually has a gang to carry out his dastardly deeds. The gang is usually full of incompetent, but loyal thugs, who would love to destroy a small town just for the pleasure of wanton destruction. The elements of a western are very simple, but easily manipulated into a very interesting plot.
The American West was the land of opportunity for many groups of people from 1865 to 1890. For farmers and ranchers, the American west was a land of opportunity due to low cost of land as a result of the Homestead Act and the a chance for Americans, including immigrants and blacks, to achieve the American dream and make a profit by growing crops such as cotton for the thriving textile industry and raising cattle for the upcoming cattle industry. For the miners, the American West was seen as an opportunity to get rich through the gold and silver rush and was even popular in other parts of the world where immigrants responded to the rush as well; although most were not successful. The America West offered opportunities for Americans, both rich and poor, to establish a new life and achieve economic independence.
I believe that the film does indeed conform to a certain type of narrative structure expected by other films of this style. This film, through and through, is a Western, even starring one of biggest names in Hollywood Westerns, John Wayne. We’re thrown into a world of sturdy, rugged men riding around on horses, decked out in cowboy hats and belt buckles. Wayne portrays the archetypal man, honorable, reliable and
In The Pathos of Failure, Thomas Elsaesser explains the emergence of a new ideology within American filmmaking, which reflects a “fading confidence in being able to tell a story” (280) and the dissolution of psychologically relatable, goal-oriented characters. He elaborates that these unmotivated characters impede the “the affirmative-consequential model of narrative [which] is gradually being replaced by another, whose precise shape is yet to crystallize” (281). Christian Keathley outlined this shape in more detail in Trapped in the Affection Image, where he argued that shifting cultural attitudes resulted in skepticism of the usefulness of action (Keathley). In Robert Altman’s McCabe & Mrs. Miller and Roman Polanski’s Chinatown, this crisis of action is a key element of the main characters’ failure, because it stifles the execution of classical narrative and stylistic genre conventions.
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
At the beginning of the list would be the casting choices, particularly Johnny Depp, a white American male, playing a Native American, despite him having no Native heritage himself. This is something that has been questioned regularly by people watching the movie, and it honestly boils down to that racism still exists today, and the whitewashing of films, while less frequent, still happens. Native Americans were slaughtered in Manifest Destiny in cases like the Trail of Tears, with a myriad of other tragedies enforced by the United States Government. Having a white person playing a Native American can help reinforce the stereotypes, mainly because the actor will be less aware of the unintentional harm that they are inflicting. “The Lone Ranger” also has the issue of guns randomly being shot off in the middle of a town, not dissimilar to “Wild Wild West”. As previously stated, it isn’t likely that a successful society was started by people who don’t even understand gravity. The typical tools were used, such as handguns with rotating bullets for accuracy. While the randomly shooting guns are probably supposed to give an exciting and uncontrollable edge to the movie, it really is just stereotypical and expected at a certain point. The older looking town, salons, environment, and setting in general were also very similar to “Wild Wild West”.
Dirty Harry(1971) is the movie my arguments are based around along with these Westerns that portray white male power, traditional values, and vigilantism such as McLintock! (1963) and A Fistful of Dollars (1964). Clint Eastwood the star in Dirty Harry and A Fistful of Dollars shows the white, masculine male as the strength and the man who brings justice, law, and order to the city where a lot of change has taken place recently with the hippie counter culture movement.. John Wayne the star of McLintock! brings the same values to the table as Clint Eastwood and shows the values of a Western through his McLintock character.. Both of their careers have been made through portraying characters that are conservative and this does not change with Clint
As the twentieth century approached, America was experiencing a time of considerable expansion. All eyes were looking for ways to make the United States a larger, more powerful, and more efficient country. Because of this wave in American society, there was no movement given more devotion than the settling of the West. The range-cattle industry in its various aspects, and in its importance to the United States and particularly to the Great Plains, has been a subject of focus to Americans since its origin in the mid 1800's. This industry was rendered possible by such factors as vast sections of fertile land, the rise of heavy industry involving the great demand for beef, and projected commercial tributaries, such as railroad lines across the frontier. The West was turning toward the future - A future that held industrial promises of high monetary rewards as well as a valuable addition to a growing America. However, like any other industry, the West needed a labor force. Workers with special skills and qualities were necessary to support a booming new frontier. Previously untaught skills such as riding, roping, and branding could not simply be acquired by the average American. Athletic, rugged men were needed to settle the West. However, these men also needed inborn courage and quick thinking to utilize these skills effectively. The general public, however, under the influence of decades of "Western" movies and television shows have created an imagery of these "men of the west" or "cowboys" that is extremely inaccurate. American society has come to regard these settlers as the purest and noblest Anglo-Saxons. In reality, a great portion of the work contributed towards the settling of the western frontier was performed by minorities, largely consisting of African Americans.
To many families the prospect of owning land was the central driving force that brought them to the land known today as the wild Wild West. Much propaganda wa...
Westerns are split down into sub genres for example classical westerns like "The Great Train Robbery" but there are also other western genres like revisionist westerns. Revisionist westerns occurred after the early 1960's, American film-makers began to change many traditional elements of Westerns. One major change was the increasingly positive representation of Native Americans who had been treated as "savages" in earlier films. Another example is Spaghetti westerns, Spaghetti westerns first came during the 1960's and 1970's, The changes were a new European, larger-than-life visual style, a harsher, more violent depiction of frontier life, choreographed gunfights and wide-screen close-ups.
The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West.
Movies are a new edition in today’s culture. They are a new form of art medium that has arrived in the late 1900s and were a new way to express ideas and viewpoints of the time. A good example of this is the movie The Manchurian Candidate. The movie had a simple plot a man is kidnapped after the Korean war and is hypnotized to work for the communists and take down the U.S. This movie showed the American public’s fear of communism at the time. If a movie like this can easily portray the fears of the American people at the time then it can easily portray stereotypes of gender. There have been thousands of movies where the male protagonist is a rough tough dude but there is one movie that has that stereotype is broken. That movie is none other than Napoleon Dynamite.