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How abuse affects the child's emotional development
How abuse affects the child's emotional development
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Everything else you grow out of, but you never recover from childhood. Love and affection during their formative years allow children to mature to stable adults. Children raised in neglectful situations turn bitter and their morals never develop correctly. Children raised in abusive households can see turning violence back unto their abuser as the only means of escape. As a consequence of lonely childhoods and callous guardians, the children in “Sweets to the Sweet”, “The Veldt”, and “Sredni Vashtar” turn to malicious supernatural ways to cope with their situations.
The abuse Irma receives at the hands of her father in “Sweets for the Sweet” evokes her to resort to ruthless magic as a means to escape her father. Being “a lonely, neglected
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The level of loneliness caused by solely interacting with one hateful guardian, along with the malicious super natural murder of said guardian, bears close resemblance to Irma’s story. When the narrator notes that “without his imagination, which was rampant under the spur of loneliness, he would have succumbed long ago” (n. pag.), it corroborates to the fact that Conradin was so lonely he began worshiping a giant ferret. His guardian did not hide her dislike towards Conradin, therefor he has no one to teach him of his self worth. As a result, Conradin also does not have any place to put the affection he has inside himself. Thus, the religion Conradin builds around Sredni Vashtar symbolizes his efforts to create somewhere he can distribute this affection he has inside. As was with the children and machines in “The Veldt”, Sredni Vashtar becomes a far more important guardian in Conradin’s life than his cousin. In Condradin’s mind, Mrs. De Ropp being murdered is equal to her threatening to remove Sredni Vashtar from his life. Conradin choosing Sredni Vashtar in the situation reflects how Mrs. De Ropp being cold and apathetic towards Conradin taught him to act the same way towards her. As was with Irma’s dad, Mrs. De Ropp almost brought her fate upon herself due to neglecting to raise Conradin in a warm and caring
Throughout Baby’s life she has experienced many cases where she has lost her innocence. Baby is young enough to bring her dolls around in a vinyl suitcase, yet old enough to experience more than she should about the world’s hardships. Baby and Jules had a lot of misfortunes in their life, and Baby’s vulnerability contributes to her misfortune, in being unable to differentiate between right and wrong, due to her desire to be loved; which Jules always failed to show her. There are many reasons why young adults feel the need to grow up fast in the adulthood world but in the end it’s not worth it. The childhood stage is overlooked and that’s the most important stage of life that young adults should cherish, because you only live through it once.
A child’s upbringing can severely affect who they are later in life. In particular, their transition into adulthood and the way they are initiated into this new stage of their lives is essential to their adult personalities. In “The Demoness Kali”, Shyam Selvadurai writes a story in which formal features of initiation are placed upon its main character, Shivan to demonstrate his coming of age. Through separation, mentors, and tests, Shivan is able to initiate into adulthood.
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
After hearing a brief description of the story you might think that there aren’t many good things about they story. However, this is false, there are many good things in this book that makes it a good read. First being that it is a very intriguing book. This is good for teenage readers because often times they don’t willingly want to read, and this story will force the teenage or any reader to continue the book and continue reading the series. Secondly, this is a “good” book because it has a good balance of violence. This is a good thing because it provides readers with an exciting read. We hear and even see violence in our everyday life and I believe that it is something teenagers should be exposed to. This book gives children an insig...
Symbolism is a poetic and literary element that interacts with readers and engages their feelings and emotions. In Sold, thirteen-year-old Nepali girl, Lakshmi, is forced to take a job to help support her family. Involuntarily, she ends up in prostitution via the Happiness House; this sex trafficking battle forces Lakshmi to envision her future and possibility of never returning home. The very first vignette of the novel speaks of a tin roof that her family desperately needs, especially for monsoon season. At the brothel, Lakshmi works to pay off her debt to the head mistress, Mumtaz, but cannot seem to get any sort of financial gain in her time there. Both the tin roof and the debt symbolize unforeseen and improbable ambitions, yet she finds the power within herself to believe. How does Lakshmi believe in herself despite her unfathomable living conditions and occupation?
Children have often been viewed as innocent and innocent may be a nicer way to call children naive. Since children’s lives are so worry free they lack the knowledge of how to transition from being a child to becoming an adolescent. Their lack of knowledge may be a large part of their difficulties growing up, which could be a few rough years for many. In books like the boy in the striped pajamas the story is told from the point of view of a little boy, this way we get a full view of how innocent he is. In this book the writer shows the reader first hand how a child viewed the holocaust and how his innocence cost him his life. Then in books like the perks of being a wallflower Charlie is a teen whom is struggling with the transition from being a child to becoming an adolescent. In this book the writer gives a first hand look at how difficult it can be to transition into an adolescent. Charlie has many difficulties in this book; he is in search of his identity and how to fit in.
‘Every child knows what it’s like to be Cinderella because all children feel unappreciated at times and want to be special.’ (Smith, 2007. P.6). While it is unlikely that most parents would abuse their children in the same way as in our fairy stories, or lock them in the cupboard under the stairs like Harry Potter, every child knows what it is like to be ignored, or (in their eyes) unfairly punished for something. ‘Children often feel helpless because they are subject to what they consider the whims of adults.’ (Cleaver, 2004, p.56).
Loss of innocence can happen in many ways. Some losses are enormous and hugely impactful, like killing, while others are small and subtle like growing up. Innocence is lost in the most innocuous ways, most of which aren’t noticeable, which brings this paper to a closing question, something implied through both of these works; something to think about. Is every loss of innocence bad, or are they just stepping stones on the path to becoming an adult?
‘Some idea of a child or childhood motivates writers and determines both the form and content of what they write.’ -- Hunt The above statement is incomplete, as Hunt not only states that the writer has an idea of a child but in the concluding part, he states that the reader also has their own assumptions and perceptions of a child and childhood. Therefore, in order to consider Hunt’s statement, this essay will look at the different ideologies surrounding the concept of a child and childhood, the form and content in which writers inform the reader about their ideas of childhood concluding with what the selected set books state about childhood in particular gender. The set books used are Voices In The Park by Browne, Mortal Engines by Reeve and Little Women by Alcott to illustrate different formats, authorial craft and concepts about childhood. For clarity, the page numbers used in Voices In The Park are ordinal (1-30) starting at Voice 1.
Garnick, Vivian. "Into the Dark Heart of Childhood." Village Voice 29 August, 1977: p. 41. Print.
Instructor’s comment: This student’s essay performs the admirable trick of being both intensely personal and intelligently literary. While using children’s literature to reflect on what she lost in growing up, she shows in the grace of her language that she has gained something as well: an intelligent understanding of what in childhood is worth reclaiming. We all should make the effort to find our inner child
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Innocence is usually associated with youth and ignorance. The loss of one’s innocence is associated with the evils of the world. However, the term “innocence” can be interpreted in a variety of ways. Similarly, the loss of one’s innocence can be interpreted in more than one way, and, depending on the interpretation, it may happen numerous times. The loss of innocence is culture specific and involves something that society holds sacrosanct. It is also bounded by different religious beliefs. Still, no matter which culture or religion is at hand, there is always more than one way to lose one’s innocence, and every member of that particular culture or religion experiences a loss of innocence at least once in their lives. In addition, the individual’s loss of innocence will impair him or her emotionally and/or physically.
Throughout history the concept of innocence in literature has been a topic in which author’s have held an obsession with. According to Harold Bloom, the loss of innocence has played a large role in western literature since the Enlightenment when man was said to be initially good and then corrupted only by his institutions. (Bloom 6) The institution in which Bloom speaks of is nothing more then society. Society is what is believed to be the cause for the loss of innocence in children. Bloom has stated that a return to the childhood mindset would eliminate the social problems in which people suffer. This is unerringly why the cause of many physiological problems can be traced back to a problem or unsettlement in one’s childhood. (Bloom 7) The history of innocence continues further back in history as it is said that the first encounter of loss of innocence or “original sin” was from Adam and Eve when they ate the fruit of the forbidden tree. (Bloom 7) These historical events and ideas are what influence the works of authors from the 19th century to modern day.
“The Veldt” by Ray Bradbury deals with some of the same fundamental problems that we are now encountering in this modern day and age, such as the breakdown of family relationships due to technology. Ray Bradbury is an American writer who lived from 1920 to 2012 (Paradowski). Written in 1950, “The Veldt” is even more relevant to today than it was then. The fundamental issue, as Marcelene Cox said, “Parents are often so busy with the physical rearing of children that they miss the glory of parenthood, just as the grandeur of the trees is lost when raking leaves.” Technology creating dysfunctional families is an ever increasing problem. In the story, the Hadley family lives in a house that is entirely composed of machines. A major facet of the house is the nursery, where the childrens’ imagination becomes a land they can play in. When the parents become worried about their childrens’ violent imagination, as shown with their fascination with the African veldt, the children kill them to prevent them from turning it off. Ray Bradbury develops his theme that technology can break up families in his short story "The Veldt" through the use of foreshadowing, symbolism, and metaphor.