The Uses of God and the Church in The Bluest Eye by Toni Morrison
Morrison places a responsibility for the social dilemma; tragic condition of blacks in a racist America so prominent in the 1940s, on an indefinite God and/or the church. This omniscient being, the creator of all things, both noble and corrupt, and his messengers seem to have in a sense sanctioned the ill fated in order to validate the hatred and scorn of the "righteous." In her introduction of the Breedlove family, Morrison holds accountable the Breedlove's acceptance of ugliness to a higher power saying, "It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear" (Morrison, 39). This divine being not only created ugliness for them but it also ambiguously created an environment that rejected and scorned this ugliness. In her youth Pauline struggles with the same type of uncertainty and contradiction in trying to "hold her mind on the wages of sin," while "her body trembled for redemption, salvation and a mysterious rebirth that would simply happen, with no effort on her part" (Morrison, 113).
Ironically, at the end of the novel it is Soaphead Church, an individual well acquainted with theology, who alone speculates an answer to Claudia's initial question of "why. Soaphead Church, or more formally, Elihue Micah Whitcomb, inherited "the fine art of self-deception" from his ancestor's tendencies to credit lies to their ethnicity and superiority. . Of his family the author says, "They transferred this Anglophilia to their six children and sixteen grandchildren," and the family is described as one entity; the accomplishments and convictions of the sons are the same as the fathers. Soaphead inherited his persuasive...
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...hame, loneliness, and inadequacy. More significantly, just as in the Soaphead's family, the Breedloves as a whole are at one point said to be one distressing unit. They are unified in their acceptance of the shroud of unexplained ugliness, shame, and social dysfunctionality.
However, Morrison doesn't place the blame on Pauline, neither does she blame it on racism, rudeness nor ignorance. In The Bluest Eye she depicts Pecola as a victim of an evil that has roots deeper than human conviction and can't be understood in such terms. This vicious cycle of rejection, this embodiment of supernatural forces of the creator, creation, and the created combined to produce the evil that left Pecola Breedlove barren and unable to know how or why.
Bibliography:
Works Cited
Morrison, Toni. The Bluest Eye. New York: Alfred A. Knopf, Inc., 1993.
The differences’ and conflicts between the color of ones skin, being someone’s property, roles of men and women, and the emergence of religion are all present within the novel A Mercy, by Toni Morrison. It has been said that, “Our identities have no bodies, so, unlike you, we cannot obtain order by physical coercion. We believe that from ethics, enlightened self-interest, and the commonwealth, our governance will emerge.” With this quote being proven has resulted in the changes of others in a positive way.
I've heard the fable before, three times in fact. Originally, the oracle in question was always an old man, an Asian philosopher and blind. The boys carried in a live bird, not a dead bird as she described as a "small bundle of life sacrificed" or the absence of bird altogether. The boys asked the same question. If the philosopher answered dead, they would let it fly away, but if he answered alive, they would kill it and drop it at his feet, proving him wrong with either answer. When the old, wise, blind man was presented with the question, he pondered it a bit and deduced their scheme. He answered, "The fate of that bird is in your hands."
There are a few characters in The Bluest Eye in which Morrison takes away a negative connotation from their actions. In the Afterwords, she writes, .".., I mounted a series of rejections, some routine, some exceptional, some monstrous, all the while trying hard to avoid complicity in the demonization process Pecola was subjected to. That is, I did not want to dehumanize the characters who trashed Pecola and contributed to her collapse" (211).
Every year, the statue of the Infant King “is carried into the cell of every Carmelite on Christmas.” A decree of the National Assembly confiscated all church goods, including the crown and the scepter of the Infant King. Regardless, the Carmelites carried on the tradition. The statue came to Blanche’s room, and she was moved to tears as she saw the poor Infant King, clad only in a handmade cape. She held the statue and said, “Oh so small and so weak”, Sister Marie corrected her saying, “No, so small and so powerful.” Blanche’s misconception was that the Infant King was only powerful if he was wearing his crown, and as she bent over to kiss it, she noticed his crown was missing. At the same moment, she heard Carmogle being sung in the streets. She immediately dropped the statue and its head broke off. She cried, “Oh, the Infant King of Glory is dead!” From that moment on, Blanche’s demeanor changed, as her hope was shattered, like the Infant King. She now realizes that the good Infant King was not protected from suffering. In fact he embraced suffering to sacrifice for the good of others. She began to accept her condition. Mother Teresa asked Blanche if she still hoped to overcome her weakness, and Blanche replied, “No Reverend Mother… Consider the secret of my name.” Blanche was referring to her religious name bestowed on her by the bishop: “Jesus in the
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
At a time when blue-eyed, pale skin Shirley Temple is idolized by white and black alike,
Has anyone ever deliberately left you? Left you alone, feeling deserted, isolated, and by yourself? Imagine you were abandoned by those who were supposed to love you from the day you were born until this present day. How would that make you feel? In Toni Morrison’s first novel, The Bluest Eye, she examines the causes, effects, and consequences of abandonment through one character, Cholly Breedlove. As well as the ways he eventually destroys himself and also those around him.
"And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). In the novel The Bluest Eye, by Toni Morrison, the main character, Pecola, comes to see herself as ugly. This idea she creates results from her isolation from friends, the community, and ever her family. There are three stages that lead up to Pecola portraying herself as an ugly human being. The three stages that lead to Pecola's realization are her family's outlook toward her, the community members telling her she is ugly, and her actually accepting what the other say or think about her. Each stage progresses into the other to finally reach the last stage and the end of the novel when Pecola eventually has to rely on herself as an imaginary friend so she will have someone to talk to.
Beauty is dangerous, especially when you lack it. In the book "The Bluest Eye" by Toni Morrison, we witness the effects that beauty brings. Specifically the collapse of Pecola Breedlove, due to her belief that she did not hold beauty. The media in the 1940's as well as today imposes standards in which beauty is measured up to; but in reality beauty dwells within us all whether it's visible or not there's beauty in all; that beauty is unworthy if society brands you with the label of being ugly.
Throughout Toni Morrison’s controversial debut The Bluest Eye, several characters are entangled in the extremes of human cruelty and desire. A once innocent Pecola arguably receives the most appalling treatment, as not only is she exposed to unrelenting racism and severe domestic abuse, she is also raped and impregnated by her own father, Cholly. By all accounts, Cholly is detestable and unworthy of any kind of sympathy. However, over the course of the novel, as Cholly’s character and life are slowly brought into the light and out of the self-hatred veil, the reader comes to partially understand why Cholly did what he did and what really drives him. By painting this severely flawed yet completely human picture of Cholly, Morrison draws comparison with how Pecola was treated by both of her undesirable parents.
In Toni Morrison's The Bluest Eye, published in 1970, the struggle begins in childhood. Two young black girls -- Claudia and Pecola -- illuminate the combined power of externally imposed gender and racial definitions where the black female must not only deal with the black male's female but must contend with the white male's and the white female's black female, a double gender and racial bind. All the male definitions that applied to the white male's female apply, in intensified form, to the black male's, white male's and white female's black female. In addition, where the white male and female are represented as beautiful, the black female is the inverse -- ugly.
...omfort and care. The quality of her clothes threatened to derange Frieda and me.” page 63 (Toni Morrison). These sentences say a lot about what and how people perceive others. People are not only judging others by their race in this book but also social class.This connects to Geraldine, who believes a person’s skin tone defines then.Geraldine uses social class to separate black from colored. She calls people “colored” if they aren’t poor and are neat, quiet, sheltered and well-dressed.“Niggers were dirty and loud” page 87 (Toni Morrison).
With The Bluest Eye, Morrison has not only created a story, but also a series of painfully accurate impressions. As Dee puts it "to read the book...is to ache for remedy" (20). But Morrison raises painful issues while at the same time managing to reveal the hope and encouragement beneath the surface.
Throughout The Bluest Eye, Toni Morrison includes a number of background stories for minor characters along with the main plotline in order to add dimension to the novel and further convey the intense racial prejudice felt by almost all African Americans. Her main story tells of the outrageous landslide of wounding events that Pecola Breedlove experiences, a young black girl constantly patronized by her peers, and the things that eventually make her go crazy. The struggle for a deep black skinned person can be significantly different from what a lighter skinned black person feels, and Toni Morrison adds secondary story lines to stress that difference, and the extremes that racism can force people into. The back-story of Geraldine expresses the desire to be white supported by social circumstances, the comparison of how much easier whiter life could be on Pecola and her family, but also the poor results that can come from shying away from one’s own nature and history.
“The Bluest Eye” by Toni Morrison, is a story about the life of a young black girl, Pecola Breedlove, who is growing up during post World War I. She prays for the bluest eyes, which will “make her beautiful” and in turn make her accepted by her family and peers. The major issue in the book, the idea of ugliness, was the belief that “blackness” was not valuable or beautiful. This view, handed down to them at birth, was a cultural hindrance to the black race.