The Themes Of Prejudice And Stereotypes In 'Crash'

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The consistency of individuals’ public performance is conveyed across the structure of emotions. The practices of attitudes, unchanging and closed-minded from the guidance of innovative knowledge, are presented with stereotypes and prejudices. Most biased and unreasonable understanding about changing events does not structure out with reality. Within the social range, stereotypes and prejudices conclude the validation of racial, cultural, class and monetary differences. Prejudices and stereotypes, could express an awareness of oneself and the yearning to obtain acceptance from society.
Stereotypes defined as a restricted understanding of a social entity or setting by which individuals are directed in their behavior, exclusive of a subsequent
Crash expresses interlinking races, occupation and class of whites, blacks, Latinos, Koreans, Iranians, cops, criminals, the rich and the less fortunate, in Los Angeles, California. Their destructive instincts may be involuntary, while their affirmative desires may be threatening. Resulting the characters’ actions in Act I, everyone encounters a “bump in the road” or receives a second opportunity. Some challenge to take it while others brush it aside. The theme of this film is associated with the diversity of prejudice behavior. An enthusiastic African-American carjacker illustrates the provocative black power manifestation of the 1970’s. Stereotyping, for example, the predominantly white female, wife of DA’s proclaims the locksmith as being an affiliated gang member due to his background. The next occurrence was between the cultures of the owner of an Iranian store who understands the safety measure of the locksmith concerning a broken door that would cost additional currency. As stated before, class distinction is another issue within this racial film. For case, the African-American director and his wife are of developed class in parallel of income and education; as well as the African-American law enforcement has provided his own authority into a middle-class stability with a criminal brother and drug addicting

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