In today’s music industry, it is nearly impossible to avoid mentioning one of the world’s biggest pop superstars, Adele. At 27 years old, the artist has already reached enormous amounts of success and shattered numerous music records, including best selling record of 2015 for 25, her most recent piece of work. Prior to the release of 25, Adele attained similar accomplishments in her albums 19 and 20. All of Adele’s records are named after the age at which the star wrote and recorded the album; this unique naming system allows fans to gain insight into pivotal moments of Adele’s life and see the artist mature through her music. Both 19 and 21 focus on themes of heartbreak and remorse; however, after finding inner peace and solace, Adele channeled …show more content…
For example, in the song “When We Were Young,” Adele says, “It was just like a movie/ It was just like a song/ My God this reminds me/ Of when we were young (CITE). ” These similes portray an underlying theme of nostalgia; by comparing her life to movies and songs, which typically portray picture-perfect moments, Adele is reminiscing and glorifying her childhood years. Adele is also using these similes to show how quickly time elapses. This idea is justified when Marty Berger states, “The song speaks to the haunting truth that life, like a movie or a song, passes before us (CITE).” Adele wishes that she could return to these simpler times and be a young, carefree child once again. In another song, “Remedy,” Adele discusses her feelings of love and devotion by saying, “When the world seems so cruel/ And your heart makes you look like a fool/ …I will be your remedy/ …and I will always love you.” By examining these lines, it is evident that Adele has expanded her music to include multiple dimensions of love, commitment, and affection, primarily for her newborn son. If her son ever feels “like a fool,” Adele will support and love him, which is an idea supported by Clifford Stumme when he states, “The song is a tender promise to be there for those she cares about…. Whether he [her son] feels pain from without or …show more content…
On the record, Adele’s style is raw, authentic, and extremely emotional. This sense of believability was achieved through hours in the studio and lyrics that came directly from the artist’s heart. For instance, after hearing her producer call an early version of 25 “unbelievable”, Adele confessed, “I don’t really believe myself right now… So I went back to the drawing board (CITE).” Starting over from scratch proved to pay off for the artist; in one of her early songs, “Remedy,” the artist gained back her confidence and authentic style because “I [Adele] believed in myself (CITE).” Lyrics such as “When the pain cuts too deep and the night keeps you from sleep… I will be your remedy” show Adele’s deep love and commitment through her poetic, emotional style. According to Brian Hiatt, the song’s style was so convincing that “it made her [Adele] tear up as she wrote it, and it has similar effects on listeners (CITE).” Thus, this authentic, expressive style relates to all generations and has allowed Adele to convey her themes of retrospection, love, and nostalgia with a sense of credibility. While Adele’s songs may be filled with emotion and wisdom (elements that are both rare in today’s pop music industry), the tracks on 25 are by no means old-fashioned. Instead, Adele’s utilizes an up-beat,
On the night of December 13, 2013 Beyoncé, released her fifth self-titled album on iTunes. The album caught many people by surprise because Beyoncé did not set a date for the album, nor did she use any promotion; she did release a video on her Instagram asking her followers if they “were ready”. The buzz spread through social media like wildfire. With no promotion or warning, Beyoncé album took the world by storm and made it for her audience and critics to take in the album and its contents. Many people loved the album for not only its catchy songs, but also the growth and “looser” conservative Beyoncé.
When listening to the song both reflectively and analytically did put a dapper on the initial meaning behind listening to the song, however, the song’s influence and history with my Child Hood prevented this assignment from completely taking my enjoyment and engagement of the song. Through this assignment I have found a new respect for the song and its simplicity and overall appeal with the vocaloid culture that I am involved in both as a listener and an artist. Through this assignment I have also been given a deeper insight into Deco*27 as an artist and how he effectively conveys his music as an art through both the vocaloid system and, in this case, through his own talents as a singer.
In the world of music, billboard and celebrities, Taylor Swift is no guest to the industry that made her famous over the years. From a talented teenage girl from Nashville, to a 25 year old pop queen whose net worth is $200 million. From her talents in her song-writing about love, relationships and guys, she has gained the likes of millions of people all over the world through her music. Her music inspires many teens and young adults through her own personal relationships and feelings that she freely expresses in her songs. With numerous awards for her songs and music videos such as “You belong with me” that won her the best female video at MTV music Awards in 2009, she has become a well known
The personification of the jukebox being the narrator is key because music was an important part of their relationship in the past. The narrator tries to get his attention by playing all the songs that he likes, songs that are associated with love. Her being a jukebox also displays her helplessness and restricted ability to win the affection of her man back. The vivid imagery supplied by the author improves the reader’s understanding of the relationship that the narrator had with the man as a whole. We learn how close they once were, because the narrator notices the little things about the man’s emotions and his attire. The contrast between the narrator and the new woman is important because without it, we would have no idea as to why the man stopped caring for the narrator. We learn by their differences that the man is more in love with the more youthful, appearance oriented woman as opposed to his former, older, less beautiful lover. No matter what the narrator did she couldn’t stop the man from moving on, which is the primary message of this poem. No matter how hard we try, relationships will fade away, and people will move on to something
Canadian filmmaker and cinephile, Guy Maddin once said, “I do feel a bit like Dracula in Winnipeg. I’m safe, but can travel abroad and suck up all sorts of ideas from other filmmakers… Then I can come back here and hoard these tropes and cinematic devices.” Here, Maddin addresses his filmmaking saying that he takes aspects from different film styles and appropriates them into his own work. In The Saddest Music in the World (2003), Maddin uses a combination of French Surrealist filmmaking and classical American Hollywood cinema, specifically melodrama, to create his own style. In an article by William Beard, Steven Shaviro talks about Maddin’s filmmaking, and he links Surrealism and melodrama together saying, “Maddin’s films are driven by a tension between romantic excess [melodrama] on the one hand and absurdist humour [Surrealism] on the other.” In regards to The Saddest Music in the World, the relationship between Surrealism and melodrama is not one of tension, as Shaviro suggests, but one of cooperation. This paper will analyze two films by filmmakers Maddin was familiar with —Un Chien Andalou (1929) by Luis Buñuel and Salvador Dali on the Surrealist side, and All That Heaven Allows (1955) by Douglas Sirk on the melodrama side—to showcase the important elements of each, concluding with an analysis of The Saddest Music in the World in conjunction with both film styles. Ultimately, it will be shown how Guy Maddin combines French Surrealist cinema and Hollywood melodrama in The Saddest Music in the World, to create his own unique film style.
The speaker also manipulates time to bring out his or her message. Lines 3, 8, 11, 21, 34, and 36 all contain some order of either “spring summer autumn winter” (3), as in lines 11 and 34, or “sun moon stars rain” (8), as in lines 11, 21, and 36. As the order of these seasons changes, it indicates the passage of time. This manipulation of time draws attention away from these lines and towards the lines with deeper meaning hidden within. However, there is another form of time: the progression of life. The speaker comments on the growth of children in terms of their maturity levels and how as they get older, children tend to forget their childish whims and fancies and move on. He or she says that they “guessed (but only a few / and down they forgot as up they grew” (9-10). He or she then goes on to say that “no one loved [anyone] more by more” (12), hinting at a relationship in development, foreshadowing a possible marriage.
Song lyrics have set off a great generation of our leisure time than reading poetic devices, therefore song lyrics are better than poetic devices. Song lyrics have dropped numerous lines that attach to us now a days and make us listen to the line over and over unlike poetic devices. Song Lyrics have so much meaning by word choice and by relations.”Mr. Rager” by Kid Cudi, is about people fed up with society and plan on taking a journey. “Dreams” by Edgar Allen Poe, is about a man who dreams of a greater life. Mr. Rager, the song by Scott Cudi, has a better meaning than Dreaming, the poem by Edgar Allen Poe, by personification, allusion, and symbolism.
Earlier this year (DATE???) alt-rockers Cake topped the Billboard 200 chart with their first album in seven (???) years, Showroom of Compassion. The album sold 44,000 copies the first week of its release, a record low for the number one hit. At the same time, Britney Spears' single “Hold It Against Me” scaled the digital song chart with 411,000 copies sold. The two charts illustrate the change in the way we listen to music. The Internet—as it did for almost everything—has radically affected the way people get music.
Many say that music has evolved over the years. This essay shall explore the elements of two versions of one song. It shall discuss the correlations and disparities of these songs and confer how it has been revolutionised to entertain the audiences of today.
In 2013, the self-titled visual album BEYONCÉ sold almost eight hundred thirty thousand digitally in the first three days, while her sixth number one and second visual album, Lemonade, only sold four hundred ninety thousand digitally in the first week. Although Beyoncé’s second visual album wasn’t numerically successful, both show a vulnerable, an artistic, and a controversial side of Beyoncé. Both albums have surprising visuals and stunning lyrical content with either an obvious meaning or a meaning we have yet to figure out, such as the famous line, “You better call Becky with the good hair.” (Beyoncé, “Sorry”). BEYONCÉ and Lemonade show that Beyoncé tries to better herself as an artist and make herself more vulnerable.
The life of an adolescent varies from day to day. For every good thing, most likely there is a bad thing. This doesn’t always happen, but this constant changing of moods can greatly affect the stress one feels. Adolescents will look for some form of relief, this often being music. Turning on the radio while doing homework can help people stay relaxed and get through an assignment. Drifting off for thirty minutes while you listen to your favorite band on a pair of headphones can be the cure also. It is not what an individual turns on that matters, as long as it is what they like. Not everyone is going to listen to Top 40 music, but a majority will so we focus on the top five songs. The top five songs of today do not differ that much thematically from when I was fourteen with the most common theme being love.
Music defines our culture. As Americans, we listen to music while we drive our cars, are at work, doing housework, studying, etc. We have songs for special occasions: Christmas, Hanukah, birthdays, weddings, parties, etc. We have taken songs from the various cultures that make us diverse: Arabic, German, Mexican, Native American, etc. We have many genres: country, hip-hop, rap, pop, blues, jazz, rock, heavy metal, etc. And although we may think of music as simple and easy, looking at all this makes one realize how diverse and complex our music truly is. Two things that contribute to this diversity are theme and symbolism.
The differences in the two song show that there are many differences between music in the 1980s and 2000s, especially, if the two music is not from the same genre. Although these two song differ in persuasion and the moment in which they were written, they are all meaningful for their audience that appreciates their
For many of us, one of the most accurate and effective ways to express the feelings that really matter to us is through music. We don’t only grow to attached to songs that are catchy, but also those with lyrics that we can relate to. It is not uncommon to feel like sometimes, artists can convey the way we feel better than we could ourselves. The storybook-like lines you read at the start of this page are a collection of lyrics
When Selena’s voice sighed, "And I still can’t believe that you came up to me and said I love you," she was consoling hearts, letting them know that love does come true. To the listeners that do not have someone in their heart, "Dreaming of You" is a beautiful song that still touches the senses. Music can move a person in incredible ways, whether by healing, inspiring, saddening, or even angering. But when a song touches in a positive way, it imprints a lasting memory of itself in the heart and soul.