Hamlet: Driven by Madness?
Hamlet is one of Shakespeare’s most esteemed pieces of literature, which has been studied in depth by many scholars. The plot of Hamlet follows a strain of madness that begins when Claudius murders King Hamlet and ends with the tragic deaths of almost every main character of the play. Hamlet is a unique revenge tragedy in its behavior of madness because Hamlet’s madness is equivocal. Whereas in other various revenge tragedies the protagonists are unequivocally insane. For some unknown reason, Hamlet plays with the idea of insanity putting on an “antic disposition” as he says. Madness in Hamlet is one of the many central themes in which Shakespeare depicts the chaotic turmoil in Hamlet’s family and the court of Denmark.
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Linda Welshimer Wagner, author of Ophelia: Shakespeare’s Pathetic Plot Device, suggests that Ophelia’s only reasoning for being role of the play was to play on the audiences emotions. “It would appear that Ophelia has two primary purposes in her ingenuous role- that of providing a convenient hinge for several of hamlets analytical scenes, and of providing the already-mentioned emotional impact for the audience.” During the course of the play, Ophelia displays a transformation from being Polonius’ apprehensive daughter who lacks will power of her own, to the seducer on a mission who suddenly reveals the lewd part of her nature and, at last to the crazy woman who profusely expresses her demoralized feelings and sorrow with lyrics and songs. Disoriented by her failed love with Hamlet and mourning her father’s passing, Ophelia’s madness holds justification in the ruined mind without God and the reconstruction of her unconventional subjectivity. Ophelia’s madness is considered as the means to convey her real being without the patriarchal control. Ophelia’s character is used for exploitation and manipulation for the personal gain of Hamlet, …show more content…
These two altered interpretations reveal the ambiguity and give of Ophelia’s madness. Regardless of the fact that Ophelia is commonly considered a minor character in Hamlet, her madness and death actually present additional layers behind her timorous and submissive appearances. With her alteration from the submissive daughter of Polonius to the mad woman who speaks of vulgar connotations at the court, Ophelia’s madness displays her inner demons and troubles that she fails to ease. The change of Ophelia’s character from the submissive girl to the frantically mad woman is divided into three parts. Before Hamlet visits the chamber, Ophelia plays the role of a coy lover and a naive daughter. During this phase, Ophelia is controlled by Polonius’ will; Ophelia is occupied by the-Name-of-the-Father. Between the chamber visit and Hamlet suggesting Ophelia become a nun, she begin to display her vulgar self in an attempt to seduce Hamlet like her father and Claudius advise. In the last phase, her heartrending fate finally forces her to face her real inner self that she constantly denies. Hidden by the appearance of a faithful daughter to Polonius, Ophelia experiences a transformation from a passive, weak woman to a woman who finally finds herself and her voice. Like Hamlet, Ophelia uses to her
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what if going on around him. Most importantly, Hamlet does not think like that of a person who is mad. Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his fathers murder.
One of the most analyzed plays in existence is the tragedy Hamlet, with its recurring question: "Is Hamlet’s 'antic disposition' feigned or real?" In truth, this question can only be answered by observing the thoughts of the main characters in relation to the cause of Hamlet real or feigned madness. In the tragedy Hamlet, each of the main characters explains Hamlets madness in their own unique way. To discover the cause behind the madness of Hamlet, each character used their own ambitions, emotions and interpretations of past events. Characters tried to explain Hamlet's "antic disposition" by means of association to thwarted ambition, heartbreaking anguish, and denied love. In the workings of their thoughts, the characters inadvertently reveal something about their own desires, emotions and experiences to the reader.
Throughout the novel, William Shakespeare takes his readers through many twists and turns and several of the characters exhibit odd or unnatural behavior, most noticeably Hamlet. However, it leaves readers questioning whether Hamlet’s “antic disposition” is genuine or if it is fabricated. Many may argue that Hamlet is truly mad since it eventually results in his downfall, but there are several reasons suggesting that Hamlet’s madness is feigned. While he appears to be a lunatic on the outside, Hamlet is sane, as seen through his ability to investigate his father’s murder, gain new information, plot against other characters in the novel, and discover the truth.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
In Lewis Carol’s, Alice in Wonderland, he tells of the meeting between two of his characters, Alice, and the Mad Hatter. Carol writes about the struggles the young girl Alice has with him due to the fact that he appears to be entirely crazy, though the question stands if there is some method to his madness. Playwright and actor, William Shakespeare, uses this controversial connection between real madness and loss in his play Hamlet, portrayed in his characters Hamlet, and his crazed actions towards his loved ones, in Ophelia and her reaction to the death of her father, and lastly, in his character Laertes and his quick, rash reaction to act upon his desire for revenge.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
The tragedy of Hamlet by William Shakespeare is about Hamlet going insane and reveals his madness through his actions and dialogue. Hamlet remains one of the most discussed literary characters of all time. This is most likely due to the complex nature of Hamlet as a character. In one scene, Hamlet appears happy, and then he is angry in another and melancholy in the next. Hamlet’s madness is a result of his father’s death which was supposedly by the hands of his uncle, Claudius. He has also discovered that this same uncle is marrying his mom. It is expected that Hamlet would be suffering from some emotional issues as result of these catastrophes. Shakespeare uses vivid language, metaphors, and imagery to highlight how Hamlet’s madness influences several important aspects of his life including his relationships and the way he presents himself.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character. All examples of madness begin and end with death.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
Ophelia is manipulated by Hamlet to display to the King and the rest of the court that he is in fact mad. When Hamlet enters her room wearing disheveled clothing and acting quite strange towards her, he knows that Ophelia will tell her father and the King. Ophelia then reports this strange occurrence to her father, telling him about his strange composure of taking her “by the wrist and” holding her hard and then “shaking” when he was about to let go. (Act 2, Scene 1 Lines 86-91) The team of Polonius and the King also exploits Ophelia in order to dig deeper into Hamlet’s madness.
In the play Hamlet, the author, Shakespeare portrays madness or insanity through most of its characters. What is madness, it is a state of mind in which doesn’t let ones ideas flow normally or think with a clear mind. In this case it is evident that there is something wrong with almost all the main characters. All the characters in the play in some form or fashion display madness either through thoughts, actions or words.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.