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The character of prospero in the tempest
The character of prospero in the tempest
The character of prospero in the tempest
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Greenblatt, Stephen, ed. The Norton Shakespeare, Vols. 1+2. New York and London. W.W. Norton, 2008. Print. This book consisted of a variety of William Shakespeare’s plays. The Tempest was the main focus for the presentation. The play demonstrated a love story, some tragedy and magic consisting of many characters such as Prospero, Ariel, Miranda, Caliban, Ferdinand, Trinculo and Stephano. Prospero made a love match with his daughter Miranda and the Prince of Naples, Ferdinand, through his magical powers and the help of his spiritual servant Ariel. Prospero’s used his magical powers to create a shipwreck leading the men from Naples including the Prince stranded on a disserted island. As they embark the disserted island, Caliban who is Prospero’s …show more content…
In the end of the play Prospero throws the book away stating that he is done with all of the magic. In Prospero’s Books the book was burned in the end. As the book burned slowly the film captures the importance of what it means once the book it burned. It signifies that Prospero’s power of magic is gone forever and his life will change. The film had very little speaking throughout and instead used the form of the human body to express feelings and emotions through dance, which is something that was not seen in other Tempest films. Prospero’s Books references back to the importance of all elements of the earth, such as air, fire, wind and water. The film brought to life all of those elements that help mold Prospero’s …show more content…
We as a group took an in depth look at the transformation of the director Julie Taymor turning Prospero into a female rather then the original gender of Prospero who is a male. It was a different approach when analyzing the 2010 version because changing the dominant character into a female made a significant change with the way Prospero was towards not only her daughter Miranda but her spirit as well. Prospera is more motherly and also is more emotional. The film shows how Prospero has genuine feelings for Ariel her servant and there are moments in the film when you can see the two of them very close to the point of questioning their intimacy. The male and female characters towards each other transition the way Prospera feels and expresses emotions. If it were to be a male Prospero the emotional connection would not be as strong and that is one thing that we focused
The Tempest by William Shakespeare is one of the most relevant and studied plays of the Elizabethan period among scholars, from both, ancient and actual times. One of the many readings that have prevailed suggests that the play’s protagonist, Prospero, and his two su-pernatural servants, Ariel and Caliban, can work as a single psychological unit is constantly discussed by the academics. This reading is not new; it has been considered for longer than the idea of The Tempest as an autobiographical allegory, being first proposed by Thomas Campbell in 1838 (Yachnin).
kindness and innocence portray heart" (line 8/9) and this contrasts. to her father who is not as concerned as she is "Tell your piteous heart there's no harm done" (line 14). Prospero's power and control over Miranda is something that really stands out, "obey and be attentive" (line 38) and it is clear that she. respects him, "my dearest father" (line 1.) At first one may presume that Prospero is an evil man for causing the tempest, but I feel that He loves Miranda very much and would do anything to protect her.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Soon after Miranda looks up, she saw the dramatic scene of the shipwreck immediately begins the tense scene that gives off the feeling of despair. Immediately you will see Miranda running across along the beach worrying about the people that were on board on the ship, Miranda begins to look for her mother in order to find out if the people on board of the ship were safe. There is a change of the male Prospero character, in the film version the main character is a female Prospera. Taymor focus on Prospera casting a spell in the middle of the cliff to torment the people in the ship, with no harm done towards the people on board. By giving direction from the camera by zooming in and out of Prospera demonstrating how the choices were to focus on strengths of her character. The choices that were show how Prospera is an independent and strong personality throughout the film. Then we zoom back to Miranda that finally reaches her mother Prospera with concerns and her innocents look on her face. We immediately felt this impression that Miranda has an innocent of a child and Prospera as a sincere but immediately took control of this situation. (Movie: 4:24) The Tempest in Act 1 scene one/two begins the play of the shipwreck, the play heavily focus on the shipwreck at the beginning showing the great deal of the damage the ship
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
Shakespeare’s The Tempest contains many contrasts and mirrors. Prospero’s Dukedom has been usurped, but he in turn steals Caliban’s Island. Prospero’s desire for revenge on his brother is mirrored in Caliban, who desires revenge on Prospero and Miranda. Ariel the airy spirit, who is also enslaved by Prospero, can also be compared and contrasted to Caliban. Prospero disparages Caliban, enslaves him, sends his magic to torment him and generally mistreats him, actions which he justifies because 1) Caliban tried to rape his daughter, 2)Caliban is a witches’ son and 3)Caliban is deformed. Caliban is one of Shakespeare’s most layered characters. This leads one to ask whether Caliban would be evil if given the chance, or if it is his mistreatment at Prospero’s hands which has shaped him? An analysis of the
During Shakespeare's time social classification was much more rigid than today and some members of society were considered superior to other members. Shakespeare provides an example of this rigid social structure through his play, The Tempest. Shakespeare illustrates how superior men differentiated themselves from lesser beings on the basis of race, financial status, and gender. Through the character of Prospero, Shakespeare provides and example of one, who had reason to feel superior, yet treated others equally and with the respect due to them.
There are many elements in Shakespeare's play, The Tempest, which one cannot reconcile with the real world. The main theme in The Tempest is illusion, and the main focus is the experiment by Prospero.
“The Tempest” is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences between the play and the movie and how the spirit Ariel is shown as a white man in the movie. The play starts with the story of Prospero, the Duke of Milan. He gets banished from Italy and was cast to sea by his brother Antonio. He has perfected his skills during twelve years of exile on a lonely island. Prospero creates the tempest to make his enemies’ ship to wreck and lead them to the island. Meanwhile, Antonio takes Prospero’s place and starts to make everyone believe he is the duke and makes an agreement with the King of Naples, Alonso. Besides the drama happening in the island, Prospero forgives Alonso and the others.
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.
Ferdinand and Miranda’s type of relationship shows Shakespeare’s ideas about true love, recognising not just the emotional side of love, but the physical nature too. Miranda promises Ferdinand “The jewel in my dower” which is her virginity, a prized thing in Jacobean times. This knowledge would have been known by Shakespeare’s audience and knowing this helps us to understand Prospero’s protection of his daughter from Caliban.
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.