The Tale of Kieu, called the most important piece of Vietnamese literature, is the story of a young Vietnamese girl's attempt to right the wrongs of her past lives by enduring hardship in this life. She is sold into prostitution and continuously deceived by men promising her love. The only man whose promise of love is not in vain is Kim Trong, the first man to pledge himself to her. Kieu is visited by a ghost who reveals to her the bad karma she earned in a previous life. Following Kieu and Kim Trong's vows of love, he is called off to attend to his family when his uncle dies. Soon after, robbers brake in to steal and vandalize Kieu's house, and they tie up her father and brother. In order to redeem them, Kieu sells herself into a marriage. Unfortunately, the man she marries then turns around to sell her to a brothel. This is the beginning of her life as a prostitute.
One of the most fascinating parts of Du's The Tale of Kieu is the diversity, yet simplicity of the characters. Kieu herself represents a range of characteristics, the most obvious being dedication. Though Kieu's dedication is not shown in a way that Western society would find acceptable, it speaks to the influence of Buddhism on Vietnamese culture. The most important thing in Kieu's life is redeeming herself from her past, even if that means enduring the pain of prostitution, lost love and deception. Certainly there are times that she is saddened by her lot in life, but she presses on to continue her work. This emphasis on Buddhism is one reason why the author chooses a woman as the main character. In the Buddhist faith, a man is closer to reaching nirvana than a woman. A person's final incarnation is as a man. The fact that Kieu is a woman emphasi...
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...past lives any longer. Perhaps she felt the need to attempt to marry Kim in order to see if she had cleansed her past lives as thoroughly as she had hoped. In the book, if it is not one's turn to die, Heaven will prevent it. Kieu at one point tries to kill herself, but she is healed and thanks Heaven for restoring her. The importance of this is that she was not allowed to die. All things, even death, were up to the will of Heaven. Thus, had Kieu's past lives not been redeemed, she may not have been allowed to marry Kim Trong. Heaven may have prevented it as a sign that her work was not done.
The Tale of Kieu provides an invaluable insight into Vietnamese culture, including social ideals and religious values. The issues of marriage, family and Buddhism are relayed clearly and artistically. I feel as though I understand Vietnam better because I have read it.
Kien Nguyen, the author of The Unwanted, is a very interesting character because of the ways he describes the entire situation he is in. As an author, Kien is providing the reader with vivid details and constantly showing terrific scenes. However, as a child and one of the characters in the book, Kien is a very considerate and caring person. Throughout the book, Kien took good care of his younger brother, Jimmy. It showed that even though Kien himself is a child and is still innocent, he took into consideration to protect his younger brother.
From the contrast of the slums of Hanoi and the breathtaking beauty of a natural vista, Huong has revealed the impact of this disparity on her protagonist. The author utilises the connection between the land and the villagers of Que’s birthplace to emphasise the steadiness and support the landscape gives, in times of upheaval, illuminating that it is possible to recover from disaster. Despite Huong’s criticism of Vietnam, she emphasises the resilience of the people of Vietnam and the ability for beauty and hope to flourish through oppression.
Chapter one, The Observers, in the Death of Woman Wang demonstrates the accuracy of the local historian; Feng K'o-ts'an, who compiled The Local History of T'an-ch'eng in 1673. The descriptive context of the Local History helps the reader to understand and literally penetrate into people's lives. The use of records of the earthquake of 1668, the White Lotus rising of 1622 and rebels rising vividly described by Feng the extent of suffering the people of T'an-ch'eng went through. Jonathan Spence stresses on how miserable the two-quarter of the seventeen-century were to the diminishing population of the county. The earthquake claimed the lives of nine thousand people, many others died in the White lotus rising, hunger, sickness and banditry. P'u Sung-ling's stories convey that after the loss of the wheat crops there were cases of cannibalism. On top of all of this came the slaughtering of the entire family lines by the bandits. The incredible records of women like Yao and Sun in the Local History present the reader the magnitude of savagery the bandits possessed. All of these factors led to the rise of suicides. The clarity of events Spence given to the reader is overwhelming.
Karnow, S., & Gropp, G. (1992). In Orange County's Little Saigon, Vietnamese try to bridge two worlds. Smithsonian, 23(5), 28.
In the novel Paradise of the Blind, Doung Thu Huong explores the effect the Communist regime has had upon Vietnamese cultural gender roles. During the rule of the Communist Viet Minh, a paradigm shift occurred within which many of the old Vietnamese traditions were dismantled or altered. Dounh Thu Huong uses the three prominent female characters – Hang, Que and Aunt Tam – to represent the changing responsibilities of women in Vietnamese culture. Que, Hang’s mother, represents a conservative, orthodox Vietnamese woman, who has a proverb-driven commitment to sustaining her manipulative brother, Chinh. Aunt Tam embodies a capitalistic
In his last chapter O’Brien weaves a tale of when he first fell in love at the age of nine and how, although she has now departed the land of the living, he can still remember her and keep her alive through telling stories about her. In just the same way he can honor and remember those lost in Vietnam by recounting their exploits. These stories, regardless of their historic accuracy, serve to awaken the memory and kindle the emotions so that the dead may live on in the memories of those who loved them. That is the power of a story.
Coming of age is essential to the theme of many major novels in the literary world. A characters journey through any route to self-discovery outlines a part of the readers own emotional perception of their own self-awareness. This represents a bridge between the book itself and the reader for the stimulating connection amongst the two. It is seen throughout Paradise of the Blind by Duong Thu Huong, Hang’s coming of age represents her development as a woman, her changing process of thinking, and her ability to connect to the reader on a personal level.
Lastly, June and her mother Suyuan relationship is a culmination of all of the mothers and daughters relationships. Growing up they never saw eye to eye, they were blinded by what they assumed the other wanted of them. Each woman thought she had a role she needed to play in order to make everyone happy. The mothers felt as if their daughters were ashamed of them and the daughters felt as if they couldn’t measure up as perfect Chinese daughters and were thus a disappointment to their moms. All of the women were lost within what they thought was their feminine place in society.
Ukiyo is a culture that strives to live a strictly pleasure-seeking routine. The largest flaw in this way of life, as Saikaku points out, is that its superficial nature forces people to live lives as meaningless and fluffy as its name, the “Floating World,” suggests. It is shallow in the physical sense, in that it focuses primarily on “beautiful” external appearances, and in the metaphorical sense, whereby individuals never really make deep-seated connections to anyone because of their addiction to finding these so-called pleasures. One particular character that Saikaku satirizes to embody this superficial nature of Ukiyo is the old, rotting woman found on the verandah in the episode of “A Monk’s Wife in a Worldly Temple.” He cleverly employs situational irony with this character to prove his point, as it is expected for the archetypal old woman to pass moral lessons to the younger generation. By the character’s own, sorrowful admission she claims that she “can’t forget about sex” and is going to “bite right into” (Saikaku 614) the protagonist; completely the opposite of what the audience expects her to say. This satire highlights the extent to which the Ukiyo lifestyle socially conditions individuals; the old woman is so far gone down that path that she no l...
...as Mary Ann in the novel show that women can do so much more than sew and cook. Without women, all wars would have been a lot harder. Although men tend to keep a macho facade in order to calm others (such as the women in their lives), inside they may be like glass, easy to break. A society set on the ideal stoic, fearless warrior who acts ruthlessly and saves the damsel in distress (also showing that women are weak) obviously is one where doomed to sexism. Without the comfort and inspiration, men would have deteriorated in the face of death. All and all, women provided the needed comfort, nursing, “manpower”, and love that the soldiers of Vietnam need, something that helped them endure the havoc of war. O’Brien’s expert use of the feminist lens allows the reader to know that women indeed were a powerhouse in the Vietnam war, without whom, men would have perished.
Death, it cannot be prevented from happening, no matter how many bullets you carry, or how high you get. Kiowa, an Indian, a soldier, a warrior, he is just there, in Vietnam, at war, carrying on a tradition, carrying the distrusting feelings of the white man and most important carrying the pride of his people.
While traditional Confucianism plays a large role in the problems faced by the Kao family, it is the combination of both Confucianism and modernization that brings the family to its knees. Chueh-hsin is a huge factor in the novel for many reasons. It is because of him that his little brothers Chueh-min and Chueh-hui realize how unfair the old system of arranged marriage was. They witnessed their older brother Chueh-hsin go along with tradition and release a lake of tears over the years because of his willingness to let his elders determine his future instead of himself. Chueh-hsin was in constant reflection of what he should have done to save his happiness and the joy of the woman he loved, Mei. In the end Mei is so overwhelmed with unhappiness that she stops treating herself well, gives up in life and withers away and dies.
This book was given to me by a good friend who knew that I had an interest in Asia. I chose to read it because it was a true story and was told that it was a good read.
2. Journey from the Fall. Dir. Ham Tran. Perf. Kieu Chinh and Long Nguyen and Diem
The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation Kofi in disgrace shoots himself whiles Anowa too drowns herself.