The Supernatural in Macbeth More than a few elements of the supernatural can be discovered within the action and dialogue of Shakespeare's plays. However, the extent and nature of those elements differs to a large degree. There are traces of it to be found in Henry V, "Pardon, gentles all,/The flat unraised spirit that hath dar'd...to bring forth/So great and object" (Lucy 1). There are also elements of it apparent in Winter's Tale, "What I did not well I meant well" (Lucy 1). The supernatural is used most fearsomely in Hamlet, with the ghost of Hamlet's father representing the most frightening apparition in all of the Bard's plays. However, the supernatural is used to an almost whimsical degree in A Midsummer's Night Dream and The Tempest. In both of these plays the supernatural does not assume an evil demeanor, though it does wreak havoc on the lives of those in its midst. Yet, the supernatural is connected more with a generic nature of chance than one that is pure evil as in Macbeth or pure "foul and most unnatural" as it is in Hamlet (Shakespeare 1078). In A Midsummer's Night Dream there is a great deal of mirth and whimsy and the supernatural elements are more of a mischievous variety than any kind of sinister entities. For example, in keeping with the humorous order of the day within the play, Shakespeare gives us elements of the supernatural that add to the mood and theme of the piece. For instance, we see supernatural forces in characters like Oberon, "a spirit of another sort", lord of the Realm of Dreams who represents the "white light of dawn" (Lucy 8). Queen Mab and a host of faeries also inhabit this realm of mortals who would be fools. The overall effect o... ... middle of paper ... ...nopsis.htm Dec. 20, 1998: 1. "To Strut And Fret Upon The Stage." http://www.io.com/~`jlockett/Grist/English/macbethsources.html Dec. 20, 1998: 1-4. "William Shakespeare's Macbeth." http://www.angelfire.com/biz2/NOTES/macbeth.html Dec. 20, 1998: 1-8. Bloom, H. Shakespeare: The Invention Of The Human. Riverhead Books, NY: 1998. Hodara, S. "A Midsummer Night's Dream." http://web.syr.edu/~shodara/midsummer.html Dec. 20, 1998: 1-6. Lucy, M. "Shakespeare And The Supernatural." http://www.mwsc.edu/~eng368/summer97/public/7.24.97-10.55.59.html Dec. 20, 1998: 1-13. Noda, M. "Weird Creatures And Weird Imagination." http://www.geocities.com/Athens/Delphi/6630/macbeth.htm Dec. 20, 1998: 1-3. Shakespeare, W. The Complete Works Of Shakespeare. Gramercy Book, NY: 1975.
Throughout William Shakespeare's Macbeth, many characters evolve and many disappear into the background. The main character, Macbeth, travels through utter chaos when he proclaims himself monarch. When he first meets the witches of the supernatural, they tell him of the future. One of the themes amplified throughout the play is the circle of life, from the beginning to the end. The visions provided by the three witches begin Macbeth's quest for dominance. The three main effects of this theme are: the death of Macbeth's friends and family. Second, the deaths of his mortal enemies. The last point is the death of himself. The supernatural amplifies the theme of death.
Staging A Midsummer Night's Dream With an Emphasis on the Influence of the Spirit World on the Human World
At the beginning of the play, Lady Macbeth is introduced as a dominant, controlling, heartless wife with an obsessive ambition to achieve kingship for her husband. Her weak, sheltered, unsure and unstable condition is only revealed at the end of the play. However, the audience begins to see hints of this hidden nature by the manner in which Macbeth addresses her. Contrary to her supposed ruthless nature, her husband regards her as a pure being. He attempts to shield her from foreign agencies by saying, “Be innocent of the knowledge, dearest chuck,” (III.II.45). It is only in private that Lady Macbeth shows her weaknesses.
Winston has the courage to talk about overthrowing The Party and Big Brother in front of a telescreen just as he has the heart to sacrifice himself, showing his willingness to sacrifice himself. While joining The Brotherhood he says that he is, “‘…prepared… to do anything which is likely to cause demoralization and weaken the power of the Party’” (172). This exemplifies how Winston
At the beginning of the play, Macbeth is a trusted soldier, who is honest and noble. Unfortunately, he meets three witches who tell him three prophecies; that he will become thane of Cawdor, that he will become king and that Banquo’s sons will become kings. These three prophecies slowly change his opinions on life and turn him into a greedy, dishonest, tyrant, full of ambition. Lady Macbeth’s thoughts change as well when she is told about the three prophecies that were told to Macbeth. In the beginning of the play, Lady Macbeth is ambitious, controlling and domineering. She is the one who encourages him to kill the king, she not only encourages him, she makes all the plans herself, which shows her determination and persistence."Yet I do fear thy nature, it is too full o’th milk of human kindness. To catch the nearest way thou wouldst be great. Art not without ambition, but without the illness should attend it." (Act 1, scene 5). Lady Macbeth is the force behind Macbeth’s sudden ambition and she tries to manipulate him into feeling guilty and unmanly for not following through with the murder, by using her husbands emotions, she manages to convince Macbeth to murder Duncan.
George Orwell’s 1984 is a classic dystopian novel about the author’s predictions for American society in the future. The book follows the story of Winston Smith, a 39 year old lower-class member of the Outer Party in Oceania, London. Winston hates everything about the Party, Oceania’s totalitarian government, such as constantly being watched through an in-home telescreen, which cannot be shut off. He hates his thoughts being monitored by the Thought Police and the overall lack of personal freedom and privacy. Winston’s intolerance for being controlled drives him to keep a diary containing all of his negative, criminal thoughts about the government. The control exercised by the Oceanian government is extensive, but it does yield a benefits, such as being able to control what the citizens’ opinions about the leaders.
We are first introduced to Lady Macbeth at the beginning of Act 1, scene 5, through the letter that Macbeth sends her. This shows her to be his, ‘dearest partner of greatness’ and that he has no secrets from her. The witches’ prophecies intensify her ambitions for her husband, to be the King of Scotland. Lady Macbeth is the one who encourages him to kill the king and she not only encourages him, she makes all the plans herself. We see how clever she is and how she understands her husband well, she knows he has great ambitions, but she also knows that he is honourable and mentally weak:
Myths and religions often include divine or devilish beings with incredible powers. William Shakespeare incorporated witches with bizarre powers in his play, Macbeth. These witches possessed devilish powers to set the course of events in the plot and added to the flavor of the story. The witches' powers included omnientness, vision and apparition creation, and the ability to set the conditions for disaster, and the utilization of these abilities sets the movement of the play.
Magic affects both the plot and the environment of William Shakespeare’s play “A Midsummer Night’s Dream,” as it influences the thoughts and actions of the characters through most of the play. Through its power, magic confuses the characters and creates conflicts between them, but it also solves the conflicts. The character’s use and misuse of magic lead to some of the ridiculous moment of the play.
In general terms, corruption is the act of corrupting or of impairing integrity, virtue, or moral principle. In politics, corruption is the misuse of public power and image.Whether it is realized or not, no country is wholly free of the disease of corruption, and if it is allowed to develop and become significantly strong, it can obstruct the good processes of governing and deteriorate the fabric of society. It can become a barrier to continual development and make it so that essentially no room remains for justice to succeed. In Shakespeare’s Hamlet, the destructive force of corruption is clearly exemplified through the abundance of imagery concerning decay, death, disease, sickness, and infection as the play progresses. The first and foremost example of this corruptionis the murder of King Hamlet and the resulting incestuous marriage of Gertrude and Claudius, which forms the foundation for corruption becoming a regular happening in the state of Denmark.The disease of corruption in the play stems from Claudius and slowly spreads through Elsinore and eventually results in the collapse of Denmark, which is signified by the takeover of the castle and land by Fortinbras, the nemesis of Hamlet and the Norwegian Crown Prince.Through the characters of Polonius, Claudius, Ophelia, and Hamlet, the evolution and disease-like spreading of this corruption can be observed.
The supernatural, is an integral part of the plays of William Shakespeare. In addition, the supernatural is, in fact, an integral part of the structure of the plot of Hamlet. The supernatural appears in Hamlet in the form of a ghost. The role of the supernatural is very important.
In the English Renaissance, there was a strong belief in the existence of the supernatural. Thus, the supernatural is a recurring aspect in William Shakespeare 's Macbeth and is an integral and important part of the plot. The role of the supernatural in Macbeth is to bring out emotional reactions within Macbeth that cloud his judgement, affecting his actions which ultimately leads to his downfall. This is demonstrated through the ambiguous prophecies of the witches, the supernatural phenomenon that Macbeth sees, and the apparitions that foreshadow how he will meet his end.
To conclude Shakespeare used the supernatural, to show how easily someone’s fatal flaw can be exploited to bring them to an end. This is extremely relevant to his audience at that time as well, no one knows, but Shakespeare could have been a non believer in the supernatural and wanted to show it as a figment of the mind, that can only result in insanity or he could have believed the popular opinion that the supernatural did exist and caused terror and evil throughout that period. Either way he wrote Macbeth in such a way to leave questions about the supernatural in peoples mind.
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.
The supernatural was a popular element in many of the plays written in Shakespeare's time (including Hamlet) and everyone of Shakespeare's time found the supernatural fascinating. Even King James I took a special interest in supernatural and written a book, Daemonologie, on witchcraft. It must be remembered that, in Shakespeare's day, supernatural referred to things that were "above Nature"; things which existed, but not part of the normal human life and unexplainable. The play Macbeth involves many supernatural actions that act as a catalyst for suspense and thrill, insight into character, foreshadowing of future events as well as making connections with the theme.