The Sunflower written by Simon Wiesenthal, give us a memorable invitation to change places with the author "You, who have just read this sad and tragic episode in my life, can mentally change places with me and ask yourself the crucial question, "what would I have done?'"(Wiesenthal 98). this question is really hard, almost impossible to answer without an argument, taking me to create a great dilemma for some reasons such as, I have never been in a situation like Wiesenthal, I am not a Jew, even I am not a religious person, and another one is that, I couldn't see the faces of both Karl nor his mom when they were talking with Wiesenthal. This means that I cannot imagine the horror that Wiesenthal lived in the holocaust, or the face of Karl's mother. Even though, I shall …show more content…
Due to the fact, that for me it's really hard to answer Wiesenthal's question, because I believe that the answer to this question is a case of religion and morality where some people may argue in a religious way as Edward H. Flannery "Jesus answer to the question of how many times one must forgive. Should it be "seven times"? Speaking out of his Jewish traditions, his answer was "seventy times seven times", a metaphorical way of saying "always'"(Flannery 137). in making this comment, Flannery argues in a Christianity way, that absolution is required when ask on deathbed, that's mean that anyone has to forgive anyone even if he doesn't want to do it. I could agree with Flannery, if Karl knew the religion of Christianity and if he believed in Jesus he deserved was forgiven. However, we don't know the intensions of Karl, because Wiesenthal didn't say anything to Karl, which leads to reflect
It is interesting to read the connections of Night, by Elie Wiesel because they include the experiences of the Holocaust from other people's’ points of views. In A Spring Morning, by Ida Fink, it is shocking that the innocence has been stripped away from the child as the speaker reveals, “Fire years old! The age for teddy bears and blocks” (Wiesel 129). This child is born innocent, she has not harmed anyone, yet she has to suffer. Reading about the Holocaust is difficult, I wonder how others had the motivation to live during it. The description of a little girl getting shot is heartbreaking as the speaker explains, “At the edge of the sidewalk lay a small, bloody rag…. He [Aron] had to keep on walking, carrying his dead child” (Wiesel 133).
Irish Playwright, George Bernard Shaw, once said, “The worst sin toward our fellow creatures is not to hate them, but to be indifferent to them; that's the essence of inhumanity.” Inhumanity is mankind’s worse attribute. Every so often, ordinary humans are driven to the point were they have no choice but to think of themselves. One of the most famous example used today is the Holocaust. Elie Wiesel’s memoir Night demonstrates how fear is a debilitating force that causes people to lose sight of who they once were. After being forced into concentration camps, Elie was rudely awakened into reality. Traumatizing incidents such as Nazi persecution or even the mistreatment among fellow prisoners pushed Elie to realize the cruelty around him; Or even the wickedness Elie himself is capable of doing. This resulted in the loss of faith, innocence, and the close bonds with others.
Simon Wiesenthal’s book The Sunflower: On the Possibilities and Limits of Forgiveness spoke to me about the question of forgiveness and repentance. Simon Wiesenthal was a Holocaust prisoner in a Nazi concentration camp during World War II. He experienced many brutal and uneasy experiences that no human being should experience in their lifetime and bear to live with it. Death, suffering, and despair were common to Simon Wiesenthal that he questioned his own religious faith because he asks why would his God allow the Holocaust happen to his people to be slaughter and not do anything to save them. During Simon Wiesenthal time as a Jewish Holocaust, Simon was invited to a military hospital where a dying Nazi SS officer wanted to have a conversation. The Nazi SS officer told Simon his story of his life and confesses to Simon of his horrific war crimes. Ultimately, the SS officer wanted forgiveness for what he done to Simon’s Jewish people. Simon Wiesenthal could not respond to his request, because he did not know what to do with a war criminal that participate in mass genocide to Simon’s people. Simon Wiesenthal lives throughout his life on asking the same crucial question, “What would I have done?” (Wiesenthal 98). If the readers would be on the exact situation as Simon was
In Simon Wiesenthal’s The Sunflower, he recounts his incidence of meeting a dying Nazi soldier who tells Simon that he was responsible for the death of his family. Upon telling Simon the details, Karl asks for his forgiveness for what he helped accomplish. Simon leaves Karl without giving him an answer. This paper will argue that, even though Karl admits to killing Simon’s family in the house, Simon is morally forbidden to forgive Karl because Karl does not seem to show genuine remorse for his committed crime and it is not up to Simon to be able to forgive Karl for his sins. This stand will be supported by the meaning of forgiveness, evidence from the memoir, quotes from the published responses to Simon’s moral question, and arguments from Thomas Brudholm, Charles Griswold, and Trudy Govier. The possibly raised objection, for this particular modified situation, of forgiveness being necessary to move on from Desmond Tutu will be countered with the logic of needing to eventually find an end somewhere.
There are many heroic individuals in history that have shown greatness during a time of suffering ,as well as remorse when greatness is needed, but one individual stood out to me above them all. He served as a hero among all he knew and all who knew him. This individual, Simon Wiesenthal, deserves praise for his dedication to his heroic work tracking and prosecuting Nazi war criminals that caused thousands of Jews, Gypsies, Poles and other victims of the Holocaust to suffer and perish.
Imagine being trapped in a ghetto, seeing communities leaving in trains, families being split up, never to see each other again.. The emotions that each and every Holocaust survivor must’ve gone through is overwhelming. Some things that are taken for granted, will never be seen again. While reading the two texts, Night by Elie Wiesel and “I Never Saw Another Butterfly” by Pavel Friedman, The two predominant emotions that prevailed most to Holocaust victims and survivors were hope and fear.
In Simon Wiesenthal’s The Sunflower on the Possibilities and Limits of Forgiveness the author is asked to fulfill a dying solider last wish to forgive him because of the crimes he has committed against the Jewish people of the Holocaust. When Wiesenthal is asked for forgiveness, he simply leaves the room. Wiesenthal states that the encounter with the dying man left “a heavy burden” (Wiesenthal 55) on him. The confessions in which he admitted to have “profoundly disturbed [him]” (Wiesenthal 55). As Wiesenthal tries to make sense of what he has encountered he begins to make excuses for why the man might have done what he did. He say...
“The Perils of Indifference” In April, 1945, Elie Wiesel was liberated from the Buchenwald concentration camp after struggling with hunger, beatings, losing his entire family, and narrowly escaping death himself. He at first remained silent about his experiences, because it was too hard to relive them. However, eventually he spoke up, knowing it was his duty not to let the world forget the tragedies resulting from their silence. He wrote Night, a memoir of his and his family’s experience, and began using his freedom to spread the word about what had happened and hopefully prevent it from happening again.
The unimaginable actions from German authorities in the concentration camps of the Holocaust were expected to be tolerated by weak prisoners like Wiesel or death was an alternate. These constant actions from the S.S. officers crushed the identification of who Wiesel really was. When Wiesel’s physical state left, so did his mental state. If a prisoner chose to have a mind of their own and did not follow the S.S. officer’s commands they were written brutally beaten or even in severe cases sentenced to their death. After Wiesel was liberated he looked at himself in the mirror and didn’t even recognize who he was anymore. No prisoner that was a part of the Holocaust could avoid inner and outer turmoil.
Edward H. Flannery, an author of a philosophical essay in the sunflower Symposium is a Roman Catholic priest. The page number he is found in pg. (135). Flannery argues that Simon Wiesenthal should have forgiven the dying S.S soldier because Simon Wiesenthal has previously written earlier that he still thought about the Nazi soldier which convinced Edward that he still thought about the Nazi soldier which convinced Edward. H. Flannery that Simon Wiesenthal shows remorse for not forgiving the dying soldier. For example, Edward. H.Flannery argues “His subsequent behavior gives eloquent testimony to the ambivalence that posses him. His decision to visit Karl’s mother gives evidence of his uncertainty and guilt feelings and the actual meeting gives
Eliezer Wiesel loses his faith in god, family and humanity through the experiences he has from the Nazi concentration camp.
I think he felt that if he got your forgiveness then he could die in peace for all the bad he had done. A lot of Jewish people had died due to what Hitler ordered everyone in Germany army to do. Albert Speer was a high-ranking Nazi member and he was also Hitler’s minister and even though he knew he was going to jail no matter what was said at the Nuremberg trials he had confessed to all the things he had done. According to Speer “My moral guilt is not subject to the statute of limitations, it cannot be erased in my lifetime” (245). In making this comment, Speer knew that even though he was punished with twenty years of imprisonment that they only punished his legal guilt. Speer was haunted by the things he had done and he knew that he did not deserve anyone’s forgiveness. Even Speer, Hitler’s minister, knew that no one in the German army deserved anyone’s sympathy or
The position to choose between forgiving one’s evil oppressor and letting him die in unrest is unlike any other. The Sunflower by Simon Wiesenthal explores the possibilities and limitations of forgiveness through the story of one Jew in Nazi Germany. In the book, Wiesenthal details his life in the concentration camp, and the particular circumstance in which a dying Nazi asks him for forgiveness for all the heinous acts committed against Jews while under the Nazi regime. Wiesenthal responds to this request by leaving the room without giving forgiveness. The story closes with Wiesenthal posing the question, “What would you have done?” Had I been put in the position that Wiesenthal was in, I would ultimately choose to forgive the Nazi on the basis
Although our past is a part of who we are nowadays, we will never be happy if we can never let go of the painful feeling attached to our suffering. In addition, “suffering pulls us farther away from other human beings. It builds a wall made of cries and contempt to separate us” (Wiesel 96). We should not be afraid to let go of our haunting past and grow closer to others because “man carries his fiercest enemy within himself. Hell isn’t others. It’s ourselves” (Wiesel 15). The wise advice this book gives its audience is one reason it won a Nobel Peace Prize. The books are also part of a very famous Holocaust trilogy, which is one reason it has been so widely read. In addition, it blends everyday stories with Holocaust stories.Therefore, readers are very compassionate towards the narrator and readers create a bond with this character due to his hardships and the similarities he shares with us. Lastly, Day speaks to the needs of the human spirit by intertwining a love story. Readers wonder if his girlfriend will change his attitude towards life because he tells the doctor, “I love Kathleen. I love her with all my heart. And how can one love if at the same time one doesn’t care about life” (Wiesel
A film bursting with visual and emotional stimuli, the in-depth character transformation of Oscar Schindler in Schindler’s List is a beautiful focal point of the film. Riddled with internal conflict and ethical despair, Schindler challenges his Nazi Party laws when he is faced with continuing his ambitious business ideas or throwing it all away for the lives of those he once saw as solely cheap labor. Confronted with leading a double life and hiding his motivations from those allegiant to Adolf Hitler and the Nazi Party, Schindler undergoes numerous ethical dilemmas that ultimately shape his identity and challenge his humanity. As a descendent of a Jewish-American, Yiddish speaking World War II soldier who helped liberate concentration camps in Poland, this film allowed for an enhanced personal