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Literary devices and their effects
Symbolism in the sun rises essay
An essay into literary devicees
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Earnest Hemingway is one of the most revered and debated writers of all time. He authored many great novels including: For Whom the Bell Tolls, A Farewell to Arms, The Old Man and the Sea, and The Sun Also Rises. He was a true master of the English language, and his unique skill set becomes apparent in each of his works through the use of his exemplary literary knowledge. Hemingway shows an exceptional utilization of literary devices in his well acclaimed novel, The Sun Also Rises. From the bull-fights of Pamplona to Lady Brett Ashley, Hemingway fills the story line with seemingly endless examples of symbolism giving each of the characters and figures its own specific purpose and underlying meaning.
Imperialism in The Sun Also Rises is shown through the character of Lady Brett Ashley. She has a way of collecting men like land: the more she can accumulate, the more powerful she becomes. Like a conquering army would move from country to country after each victory, she moves from man to man after they fall to her power. Peter L. Hays writes, “Thus, a spirit of rebellion from domination by exacting masters, a need to be free from the control of others, runs through the novel, as Jake seeks to separate himself from Brett’s hold on him”(238). Throughout the novel, Jake Barnes strives to fall out of love with Brett and free himself from her power. Meanwhile, she continues to instill infatuation for herself in other men, thus creating for herself the resemblance of an imperial power. This is also shown by Hays when he writes, “The imperial force in The Sun Also Rises is Brett, and the first “territory” we see controlled is Robert Cohn. He falls under the sway of Brett’s sexual power, a new fief for her feudal empire” (239), and then ...
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...Imperial Brett in The Sun Also Rises.” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews. Fall 2010, Vol. 23, Issue 4, p238-242. Web. 27 March, 2011.
Hemingway, Ernest. The Sun Also Rises. New York: Charles Scribner’s Sons, 1926, 1954. Print.
James, Henry. "Symbolism." in American Writers Classics. Ed. Jay Parini. Vol. 1. New York: Charles Scribner's Sons, 2003. 332-334. Web. 29 Mar. 2011.
McCormick, John (with Mario Sevilla Mascarenas). The Complete Aficionado. Cleveland: World, 1967. Web.
Shams, Ishteyaque. “Symbolism in The Sun Also Rises”. Studies in American Literature. Ed. Mohit K. Ray. Rajouri Garden, New Delhi: Atlantic Publishers and Distributers, 2002. 124-unknown. Web. 2 April 2011.
Stoneback, H. R. “Hemingway and Faulkner on the Road to Roncevaux”. Hemingway: A Revaluation. Ed. Donald R. Noble. Troy, New York: Whitston, 1983, 135-163.
Author: Walter Benn Michaels is the chair of the Department of English at the University of Illinois at Chicago teaching literary theory, and American literature. Michaels has also has multiple essays and books published such as Against Theory, The shape of the Signifier, and Diversity's False Solace
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
“Symbolism.” Dictionary of World Literature: Criticism - Forms - Technique. Ed. Joseph T. Shipley. New York: Philosophical Library, 1943. 564-9.
Throughout The Sun Also Rises, Hemingway paints a tragic picture of young adults being haunted by the lasting effects of post traumatic stress disorder onset by their participation in World War I and the restrictions it placed on their ability to construct relationships.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
The Sun Also Rises was one of the earliest novels to encapsulate the ideas of the Lost Generation and the shortcomings of the American Dream. The novel, by Ernest Hemingway, follows Jake Barnes and a group of his friends and acquaintances as they (all Americans) live in Paris during 1924, seven years after World War I. Jake, a veteran of the United States, suffers from a malady affecting his genitalia, which (though it isn't detailed in the s...
The 'Secondary' of the 'Secondary' of the 'Secondary' of the 'S Perkins, Kenneth. A. Symbolism in Hawthorne, New York. Berkeley: n.p., 1914. 24+ years of experience in the field. Print.
Many of the social normalities these people had before they left for war, were abandoned. People exchanged their proper ways for more relaxed ideals. In this new society people were more able to express themselves, how they wanted to. One of the best shifts that happened in this new era was with women. Before World War One, women were considered submissive to men. They did not have duties outside of daily house work, and children. However after World War One people returned to women who had taken on more manly roles. In The Sun Also Rises, Hemingway uses women to show these challenges of society. Take Brett Ashley, before the war she would have been considered a rebel, and unattractive to most men, but after the war he attributes take on a whole new light. Brett is in control of her surroundings and this control gives her options that many women before had not experienced. This independence can be seen in her promiscuity. When Jake confronts her about this behavior she makes no excuse but rather says “ Oh well. What if I do” (Hemingway 27). This reaction is something new. Post World War, many women began reject the social norms that had been set for them. Unlike the women in e.e. Cummings poem The Cambridge l...
The Cambridge Companion to Ernest Hemingway; edited by Scott Donaldson; Cambridge U. P.; New York, NY; 1996
Love is a universal language; it is something that everyone understands. It does not necessarily have to be spoken of; instead it can be shown through people’s action. In most novels love is an unseen character yet it plays this strong force that moves the story along. Ernest Hemingway writes about a group of people who are trapped in a wearisome game of love. In The Sun Also Rises Jake Barnes, the protagonist, is a journalist whose war injury causes him to be handicapped. He is madly in love with Lady Brett who loves him in return. However, they cannot complete their relationship because of Jake’s injury. Therefore all he can do is helplessly watch as Brett dates other men. Their forbidden love is similar to the story of Romeo and Juliet, however this novel tells us about the scary ventures of love. Hemingway uses dialogue, imagery and omits description of the characters’ emotions to show the tragedies of love.
Kennedy, X. J., & Gioia, D. (2013). Symbol. In J. Terry, K. Glynn & D. Campion (Eds.), Literature: An Introduction to Fiction, Poetry, Drama, and Writing (7 ed., pp. 234-245; pp. 250-256). Upper Saddle River, NJ: Pearson Education Inc.
The setting for this novel was a constantly shifting one. Taking place during what seems to be the Late Industrial Revolution and the high of the British Empire, the era is portrayed amongst influential Englishmen, the value of the pound, the presence of steamers, railroads, ferries, and a European globe.
The pivotal character of Ernest Hemingway's novel, The Sun Also Rises is Jake Barnes. He is a man of complex personality--compelling, powerful, restrained, bitter, pathetic, extraordinarily ordinary yet totally human. His character swings from one end of the psychological spectrum to the other end. He has complex personality, a World War I veteran turned writer, living in Paris. To the world, he is the epitome of self-control but breaks down easily when alone, plagued by self-doubt and fears of inadequacy. He is at home in the company of friends in the society where he belongs, but he sees himself as someone from the outside looking in. He is not alone, yet he is lonely. He strikes people as confident, ambitious, careful, practical, quiet and straightforward. In reality, he is full of self-doubt, afraid and vulnerable.
# “Symbolism.” The Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford/St. Martin’s. 2002. 220.
Ernest Hemingway's The Sun Also Rises (1926) has been considered the essential prose of the Lost Generation. Its theme of alienation and detachment reflected the attitudes of its time.