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Frankenstein and human nature
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Recommended: Frankenstein and human nature
Do you ever feel that you're at the top of the world to the point that you feel like your immortality will trump anything that gets in your way? “Failure will never overtake me if my determination to succeed is strong enough.” (Og Mandino). Fortunately, this quote from Og Mandino reveals the egotistical traits’ of Macbeth hails him the Thane of Cawdor, and Victor who controls life by re-animating the deceased. To put things briefly, Victor Frankenstein and Macbeth’s ambition fuels their hunger for more power which creates negative consequences through the development of these two characters.
To begin with, Frankenstein was most certainly blinded by his ambition throughout his life in Marie Shelley’s “Frankenstein”. Victor is trying to defy
He turns away the peace given to him by nature just to satisfy his desire for revenge, and becomes a broken being. Mary Shelley demonstrates in Frankenstein what happens if someone strays too far from nature. Shelley purposely shows the destructive nature of science in her novel, highlighting the strife that her society is going through. Her society, disillusioned by war and the devastation that new technologies caused, wanted to go back to their roots in nature, and her novel pushes at that idea. Shelley’s example of Victor’s and the Creature’s downfall warns us of the dangers and temptations of science.
In the stories Frankenstein by Mary Shelley, and A Midsummer Night’s Dream by William Shakespeare, there are characters that have similarities, and also share some differences. In the book Frankenstein, the character I chose is the monster, and the character I chose from the book A Midsummer Night’s Dream is Oberon. I chose these individuals because they are both out for revenge, they both are cruel, but they also differ. Their differences are that Oberon has a wife, but the monster does not. The monster was created by Victor Frankenstein, but Oberon was born.
The thirst for power and knowledge is what drives the characters in this novel. Victor Frankenstein comes off as a sincere person but only because of the state in which we find him but, overall he is driven by his work and his appetite for power and knowledge. Dr. Frankenstein is a man crazed with his own ambition that recklessly desires the god-like powers of creation. In the beginning of the novel, the audience does not have a lot of information on Victor. The reader’s first impression on Victor is that he is vulnerable, weak, and favorable but something about him was just not right. The audience’s opinion differed from Walton’s, for example in this quote: “My affection for my guest increases every day. He excites at once my admiration and
death is near. He tries not to show now that he is scared. "If this
He says, “If the study to which you apply yourself has a tendency to weaken your affections, and destroy your taste for those simple pleasures in which no alloy can possible mix, then that study is certainly unlawful, that is to say, not benefiting to the human mind” (Shelley 34). In the beginning Victor has the philosophy that if and study weakens your “affections”, then it is “certainly unlawful”. This ironic philosophy serves to illuminate that Victor Frankenstein knew the consequence of acquiring knowledge in secret. Although Frankenstein’s personal is the adhesive to bind his egotistical fault, he takes little notice to the knowledge he has about the consequences of his endeavor. This ironic foreshadow, depicts the consequential outcomes of his weakening relationships and his deprecating social health.
Victor Frankenstein, blinded by pride, remained unaware of how his experiment would affect not only him, but the world around him as he formed his new discovery. His secret to creating life only caused more life to be lost. Because of Victor’s reckless behavior, he caused the depressed and lonely world around his own creation, one who, in the end, Victor did not want to take responsibility for making, no matter how remarkable. The Creation, a being of unfortunate circumstance, exemplifies how knowledge has dangerous and everlasting effects if not used safely or for good intentions. Unfortunately, The Creation leaves his own damage behind as well, again showing how knowledge is harmful, by killing Elizabeth, Victor’s wife, Henry Clerval, his dearest friend, and other members a part of Victor’s family and friends. This demonstrates how knowledge, if not used wisely, can lead to death and suffering. The power of knowledge, in Mary Shelley’s writing, is a gift bestowed on those who can handle the power responsibly, as opposed to using it for selfish boasting. In contrast, she uses these two characters to show the importance of being knowledgeable in both science and responsibility and the unforgivable mutilation that comes if you fail to overcome
He created a life, and then spontaneously he quickly decided to run away from his creation. Victor’s actions after creating what he created were really irresponsible, and did not correctly took care of the circumstance’s he put himself in. The creation was never actually evil, but he felt abandoned by what could had been called his father. Frankenstein, the monster, was only a seeker for companionship. He strongly desired to feel loved, rather than abandoned. Society’s evil behavior toward the monster is what altered the monster’s conduct and followed to how he acted.
All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course, the first action and link in the chain is started by Victor Frankenstein. Victor’s life starts with great potential. He comes from a decently wealthy family whose lack of love towards each other never existed. He is given everything he needs for a great future, and his academics seem to be convalescing.
Although some critics say that the monster Victor has created is to blame for the destruction and violence that follow the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being. This is obviously something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and finding out what he is doing. At the end of Mary Shelley's Frankenstein, Victor says:
As he dove deeper into studying life and death and created the monster, the darkness the knowledge produced consumed him. All of his energy was directed towards his quests, to the point where he “seemed to have lost all soul or sensation but for [that] one pursuit”, consequently placing him in an abnormal place mentally, emotionally, and even physically (line 30-31). Although Victor describing his creation process as something he was wholly devoted to can arguably be justified due to the common believe that full dedication to one’s craft is needed to be productive, Frankenstein looks back on his devotion with trembling lips, showing even his recognition of the negative impact the dangerous studies had on him. Frankenstein’s inclusion of his feelings of regret and fear in the retelling of his experience show his awareness of the transformation he endured due to the knowledge. The acquisition of the dangerous knowledge created a deep infatuation in Frankenstein, causing him to neglect his family, his friends, and even himself until his work was
In Frankenstein, Victor Frankenstein is consistently reckless and does not care about the consequences, who he hurts or if what he is doing is wrong. Victor is so ambitious about resurrecting a body he does not think about any consequences. When Elizabeth and Henry visit Victor, Victor denies them and tells them he has to work on his experiments. Elizabeth and Henry are hurt that Victor is choosing science above going out with them. This encounter shows us that Victor's ambitions are his number one priority in life, and he will focus on them before anything else. When Victor and Fritz first start up the machine, Fritz shuts everything down because he realizes that what they are doing is wrong.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
Victor Frankenstein's upbringing in a perfect society ultimately led to the destruction of his life which coincided with the lives of those emotionally close to him. Victor was raised in an atmosphere where beauty and physical appearance define one's quality of life. This superficial way of life results in a lost sense of morals and selfishness, which in turn produces a lost sense of personal identity. This can cause a feeling of failure and resentment in the later stages of life which, in Victor's case, can be externalized into a form of hatred directed toward himself.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
In the beginning of the novel Victor learns about the death and anatomy of humans and tries to create and bring someone to life. After a lot of work he successfully created Frankenstein, he saw a horrific sight, “His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a luscious black and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion and straight black lips” (55). At this moment Victor knew there was something wrong and that he had messed up, “the beauty of the dream vanished, and breathless horror and disgust filled my heart” (55). This part allows the reader to know Frankenstein is not human and he has supernatural