The Satire of Cat's Cradle
Cat's Cradle is, "Vonnegut's most highly praised novel. Filled with humor and unforgettable characters, this apocalyptic story tells of Earth's ultimate end, and presents a vision of the future that is both darkly fantastic and funny, as Vonnegut weaves a satirical commentary on modern man and his madness" (Barnes and Noble n.pag). In Cat's Cradle, Kurt Vonnegut uses satire as a vehicle for threatened self-destruction when he designs the government of San Lorenzo. In addition, the Bokonists practice of Boko-maru, and if the world is going to end in total self destruction and ruin, then people will die, no matter how good people are and what religion people believe.
An example of satire that Kurt Vonnegut uses is when he designs the government of San Lorenzo. San Lorenzo is a small island somewhere in the Caribbean. The people in San Lorenzo are doomed to failure no matter what leader they have, and they have always been this way. San Lorenzo, in the novel, is pictured as one of the most unsuccessful and useless places on earth. The people there are very poor, do not have much to eat, and do not have any motivation left at all, "Johnson and McCabe had failed to raise the people from the misery and muck" (Scholes 133). Thus, that is why they do not care anymore who there leader is going to be, because they know that they are going to fail anyway, "Everybody was bound to fail, for San Lorenzo was as unproductive as an equal area i...
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...e to his Novels. Port Washington, NY/ London: Kennikat Press, 1977.
Barnes and Noble. "The Synopsis." Cat's Cradle. http://coe.ilstu.edu/labschool/uhigh/english/S1Vonn/vonnpage.htm
Meeter, Glenn. "Vonnegut's Formal and Moral Otherworldliness: Cat's Cradle and Slaughterhouse-Five," in Jerome Klinkowitz & John Somer (eds.), The Vonnegut Statement. USA: Delacourte Press/ Seymour Lawrence, 1973, 204-220.
Reed, Peter J. Kurt Vonnegut, Jr. USA: Warner Paperback Library, 1974.
Scholes, Robert. "Cat's Cradle and Mother Night", in Robert Merril (ed.), Critical Essays on Kurt Vonnegut. Boston, Massachusetts: GK Hall & Co, 1990, 74-82.
Vonnegut, Jr., Kurt. Cat's Cradle. Harmondsworth, Middlesex, England: Penguin Books, 1983.
I think that the satire alone in Cat's Cradle is enough to encourage humanity to make a better world. Vonnegut makes things seem funny in the book that really are not funny in real life, such as an atom bomb, a father who ignores his child and everyone else, and an island where people are hung for practicing a certain religion. The book is amusing, but it made me think about what the world would be like if it really was that way. It would be horrible, and definitely nothing to laugh at.
Satire can be defined as any work in which a human vice or folly is attacked with irony or sarcasm. An example of satire can be found in the song "When the President Talks to God" by Bright Eyes. In this song, the lyrics lay out hypothetical conversations between the President and God, which mocks current President George W. Bush and his use of strong religious influence while in office.
Vonnegut, Kurt. Harrison Bergeron. New York: The Magazine of Fantasy & Science Fiction, 1961. Print
... see things more rationally led to a mechanical philosophy which contradicted the major concepts concerning witchcraft. It is therefore inevitable that the developments throughout the period led to a decline in witchcraft as they largely focused on increasing awareness throughout society and thus leading to wide spread questioning about magic and witchcraft. This questioning created a situation in which witchcraft prosecutions were much rarer and took much longer to reach. Finally, therefore the changes in attitudes across the period were the most important consequence of the factors described and led to the decline in witchcraft prosecutions.
The term witchcraft is defines as the practice of magic intended to influence nature. It is believed that only people associated with the devil can perform such acts. The Salem Witch Trials was much more than just America’s history, it’s also part of the history of women. The story of witchcraft is first and foremost the story of women. Especially in its western life, Karlsen (1989) noted that “witchcraft challenges us with ideas about women, with fears about women, with the place of women in society and with women themselves”. Witchcraft also confronts us too with violence against women. Even through some men were executed as witches during the witch hunts, the numbers were far less then women. Witches were generally thought to be women and most of those who were accused and executed for being witches were women. Why were women there so many women accused of witchcraft compared to men? Were woman accused of witchcraft because men thought it was a way to control these women? It all happened in 1692, in an era where women were expected to behave a certain way, and women were punished if they threatened what was considered the right way of life. The emphasis of this paper is the explanation of Salem proceedings in view of the role and the position of women in Colonial America.
The witch hunts in early modern Europe were extensive and far reaching. Christina Larner, a sociology professor at the University of Glasgow and an influential witchcraft historian provides valuable insight into the witch trials in early modern Europe in her article 'Was Witch-Hunting Woman-Hunting?'. Larner writes that witchcraft was not sex-specific, although it was sex-related (Larner, 2002). It cannot be denied that gender plays a tremendous role in the witch hunts in early modern Europe, with females accounting for an estimated 80 percent of those accused (Larner, 2002). However, it would be negligent to pay no heed to the remaining 20 percent, representing alleged male witches (Larner, 2002). The legal definition of a witch in this time, encompassed both females and males (Levack, 1987). This essay will explore the various fundamental reasons for this gender discrepancy and highlight particular cases of witchcraft allegations against both women and men. These reasons arise from several fundamental pieces of literature that depict the stereotypical witch as female. These works are misogynistic and display women as morally inferior to men and highly vulnerable to temptations from demons (Levack, 1987). This idea is blatantly outlined in the text of the 'Malleus Maleficarum' written by James Sprenger and Henry Kramer in the late fifteenth century. This book is used as the basis for many of the witch trials in early modern Europe (Levack, 1987). The text describes women as sexually submissive creatures and while remarking that all witchcraft is derived from intense sexual lust, a women is thus a prime candidate for witchcraft (Sprenger & Kramer, 1487). In this time period, men are seen as powerful and in control and thus rarely...
Cat's Cradle by Kurt Vonnegut is a satire on the state of world affairs in the 1960's. Vonnegut made a commentary in this book on the tendency of humans to be warlike, belligerent, and shortsighted. The main character of the book, the narrator, is certainly not a protagonist, although the modern reader craves a hero in every story and the narrator in this one is the most likely candidate. Through the narrator's eyes, Vonnegut created a story of black humor ending in the destruction of the earth.
In this paper, I will explore many aspects of the outbreaks of the witch accusations and witch trials which plagued England and the rest of Europe from approximately 1450 to 1750. Though numerous theories have been provided as to the reasons for these hunts and trials, there are three which are the most prevalent, and able to support themselves. These three theories are the topics of: gender, as a stepping stone towards the oppression of women; social class, as a relief of tension and stress formed by the socio-economic gaps between the wealthy and the poor; and finally religion, as a result of the encouragement to conform more steadily towards one religion. I chose to argue towards the third theory I have stated, that of the religious changes facing England at the time. Throughout the three hundred years that the perceived problems of witchcraft haunted this nation, the religious momentum swayed back and forth many times. My decision to support the religious theories attached to witchcraft may not be as traditional as most student’s. It was a decision based more upon the motives and not so hidden agendas that the theorists who were (obviously) not present at the times of the trials. Historical fact has been in debate for as long as history has been recorded, because everything written or spoken is rhetoric, and this impossible to escape from. Therefore, in order to defend my decision to choose religion, I will be adopting a new historicist point of view for the first few paragraphs of this paper.
The epoch of Medieval European history concerning the vast and complicated witch hunts spanning from 1450 to 1750 is demonstrative of the socioeconomic, religious, and cultural changes that were occurring within a population that was unprepared for the reconstruction of society. Though numerous conclusions concerning the witch trials, why they occurred, and who was prosecuted have been founded within agreement there remains interpretations that expand on the central beliefs. Through examining multiple arguments a greater understanding of this period can be observed as there remains a staggering amount of catalysts and consequences that emerged. In the pursuit of a greater understanding three different interpretations will be presented. These interpretations which involve Brian Levack’s “The Witch-Hunt in Early Modern Europe,” Eric Boss’s “Syphilis, Misogyny, and Witchcraft in 16th-Century Europe,” and Nachman Ben-Yehuda’s “The European Witch Craze of the 14th to 17th centuries: A Sociologist’s Perspective,” share various opinions while developing their own theories. The comparison of these observations will focus upon why the witch trials occurred when they did, why did they stop when they did, why did the witch trials occur when they did, and who was persecuted and who was responsible for the identification and punishing of witches.
Although witch trials were not uncommon in Puritanical New England, none had reached such epidemic proportions as Salem. In 1691 the mass hysteria began when several young girls dabbled in witchcraft and began acting strange. When villagers took notice the girls were seriously questioned and so they began naming people, mainly woman, who had supposedly bewitched them (Boyer, p66). Several other who had been accused were woman displayed ‘unfeminine’ behavior and those who
In the late fifteenth and late seventeenth centuries, it was believed that witches were amongst towns, usually deemed as herb gatherers, gypsies, and any women ‘suspiciously attuned to the natural world.’ When churches realized witches were living amongst them, they quickly decided to kill all ‘suspicious’ women, including midwives, who would use special medicines to relieve the pain of childbirth, usually seen as an act of witchcraft. Many of the women accused were not witches but were assumed as one. Three major reasons for the persecution of individuals as witches were religious, social, and moral factors, which showed that people needed something to turn to in time of instability, looking for a scapegoat out of fear, to explain why things
Witchcraft was relentlessly thought as the work of the devil with only sinful and immoral intentions. Julio Caro Baroja explains in his book on Basque witchcraft that women who were out casted from society and unable to fulfill their womanly duties became witches as a way to compensate for her failed life. They were thought to be a threat to society as they dwindled in evil magic. This misunderstanding may have originated from the literary works of Heinrich Kramer and James Sprenger, in their published book, “Malleus Maleficarum”. Accusations of being adulterous, liars and dealing with the devil materialized because of the...
While reading the texts on which hunts in the 15th century it becomes clear that the reason witch hunts existed was because of the extreme dislike for women at this time. The reading titled “The Malleus Maleficarum” was a popular text in Europe in the 15th century that goes into detail on some of the reasons why women are more likely to be witches. In the beginning, the text states that women “know no moderation in goodness or vice”. The text explains this by stating that women are very easy influence into becoming a witch which implies that women tend to struggle thinking for themselves. The text continues to list off reasons that women are more likely to be witches stating that women are “liars by nature”, have “weak memories” and are “very
Several of Kurt Vonnegut’s novels include philosophies and/or “religions” of Vonnegut’s own invention. Take, for instance, the “latter-day Jonah” character of Malachi Constant, who serves as a Messiah for an invented religion in The Sirens of Titan (Freese 148). Also worth mentioning is the fabricated religion that exists on the poverty-stricken island of San Lorenzo, outlined in Vonnegut’s fourth novel, Cat’s Cradle (150). Although Vonnegut demonstrates similar tendencies in many other novels, one novel’s philosophy stands out in particular: Slaughterhouse-Five. Unanimously considered to be Vonnegut’s grand opus, Slaughterhouse-Five contains a philosophy that combines and fictionalizes aspects of Vonnegut’s own life—including his war experiences and spiritual beliefs—and loosely connects the two in a manner that resembles a cause-and-effect pattern.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.