The Role Of Umuofia In Things Fall Apart By Chinua Achebe

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The fictional village of Umuofia, created by Chinua Achebe in his 1958 novel, Things Fall Apart, feels very real to readers, who invest in the lives of the protagonist, Okonkwo, and his family members, as they struggle in a pre-colonial Nigerian state. Readers internalize the novel in its three parts: the first being the story of Okonkwo’s rise within the Umuofian clan, the second being his downfall and exile from the clan, and the third being Okonkwo’s return to Umuofia and the impact of white missionaries on the survival of the Ibo culture within the clan. Throughout each section of the novel, readers see how the state leaves its “footprint” on the individuals of the Umuofian clan, and the events of their daily lives. Most present throughout Things Fall Apart, is Chinua’s depiction of religious and magic practices and the ways they shape the lives the Ibo people of Umuofia. While institutions such as gender roles, government, and use of coercion appear in the novel, all of which are created by the cultural norms established by the state’s religious beliefs; every decision, custom, and routine of the Umuofian clansperson is one of a religious essence. Ultimately, the institutions that appear in the Nigerian state of Umuofia are dictated by religious beliefs of the clan members, and these beliefs create the rise and fall of the state that Achebe describes in his novel.
Throughout the novel, readers get an understanding of the religious and magical practices within the Umuofian clan, and especially the way these practices impact the created gender roles of the clan. Achebe depicts an African state that utilizes an established gender binary to keep control of political stability. The religious beliefs of the clan instill values of...

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...of the question of whether “Achebe's novel imitates or subverts European models” in its writing style. Obumselu believes that Achebe could have used an African art form to tell Nigeria’s story, rather than writing a novel, a western practice. Obumselu wonders whether or not Achebe can write in English vernacular prose, or the "colonizer's tongue" without "reproducing some of their stereotypes" (Sickels). Other critics, however, think that Achebe’s writing style is specific to Ibo culture, in that it "replicates, evokes and simulates oral events in a raw form, drawing on traditional Igbo oral culture” (Sickels). Many African writers have been influenced by Achebe and Things Fall Apart, but whether or not this novel represents true African art, or is just a view of African history through the lens of Western-style literature, is still debated amongst critics today.

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