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Elements of critical race theory
Essay on critical race theory
Elements of critical race theory
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The lack of diversity inclusion in the media and entertainment has become a major discussion in popular culture over recent years, specifically with the rise of trends such as #OscarsSoWhite. Although Hollywood has come a long way from the days of minstrel shows and having white actors use blackface to portray characters of color, it still has far to go before present-day media becomes truly representative of the diversity of America and the rest of the world we live in. For many years, actors of colors have struggled to find roles in Hollywood that were multidimensional, challenging, and impactful in the overall piece that they are performing in. Black women specifically are often confined to stereotypes such as the hypersexual jezebel, …show more content…
I’m interested in these three shows in particular because I would like to look more critically into the most prevalent representations of black women in the media today and I would like to examine the ways in which they reinforce or challenge certain stereotypes about black women in power. My research question is have the current representations of black women in the media succeed in breaking away completely away from negative stereotypes of black women or do they continue to reinforce …show more content…
The series follows Keating as she teaches a course at Middletown University law school in Philadelphia and the chaos that ensues when she and a group of students get caught up in a murder case of their own. The executive producers for the series include Shonda Rhimes, Betsey Beers, and Peter Novalk. As stated earlier, the show airs on Thursday nights on ABC as part of Shondaland’s network television triple threat and has received both extreme praise and harsh criticism. In terms of ratings, according to an article on Decider.com titled “Why Did ‘How To Get Away with Murder’s’ Rating Drop?” the show was “undoubtedly one of the strongest freshman network dramas of the 2014 and 2015 season” (Cobb). During its first season the show averaged a 2.6 on the Nielsen ratings scale with 9.76 million viewers only falling second to the ABC hit Modern Family. However during season two ratings fell to just over 6.2 million viewers with a 1.87 on the Nielsen ratings scale. With season 3 underway, many are questioning if the show will ever reach the same level of success as its debut seeing as ratings for the season 3 premiere episode topped at about 5.11 million viewers. Like most television programs, How To Get Away With Murder is filmed in various locations throughout Southern California, specifically Los Angeles. A unique part of
Film Historian Donald Bogle, the author of “Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films,” offers compelling and informative examples of various stereotypes of African-Americans performers. He emphasizes on historical characteristics of gifted black actors/entertainers; renovating their roles to disseminate specific representations that are significant to the economics and history of America’s shifting environmental circumstances.
There are many, many forces — physical, historical, cultural, and political — that shape and constrict the life chances of black males in the U.S. Some of these are longstanding legacies that may take generations to shift. But in other ways, the social, economic, and symbolic place of African-American men and boys is recreated and reinforced every day. In particular, public perceptions and attitudes toward black males not only help to create barriers to advancement within this society, but also make that position seem natural or inevitable. Among the most important mechanisms for maintaining (or changing) these perceptions are the mass media with their significant power to shape popular ideas and attitudes.
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
Since many of the roles are given to white actresses, actresses of color are underrepresented in the industry. Only six out of the top 500 box office films feature a woman of color as their protagonist, none which are at the top 200. This only leaves it to around 1% of the protagonist to be a woman of color. As we head towards a better society, more and more examples of media that challenge these statements are being created.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Investigating the Relationship Between Television Portrayal of African Americans and Behavior Responses Toward African Americans
The image of African Americans has been greatly depreciated by the roles they play on television sitcoms. On these shows African Americans are depicted as being maids, clowns, and buffoons. This misrepresentation of African Americans has become common place through out the media. One of the most controversial sitcoms was the Amos ‘n Andy Show. This sitcom included two black comedic men and began the creation of the African American stereotypes that most people have grown accustom to today.
as being racist when it came to being seated, the time to get an order placed
In today’s society, pre-existing assumptions and stereotypes of other ethnicities and individuals play a large part in the way we see others. This social construct of stereotypes has placed restrictions on many people’s lives which ultimately limits them from achieving certain goals. In this sense, stereotypes misrepresent and restrict people of colour to gain casting within the Hollywood film industry. The issue of how casting actors to certain roles and how these actors are forced to submit and represent these false stereotypes is one worthy of discussion. White Chicks (2004), directed by Keenan Wayans, illustrates this issue through the performance of Latrell, performed by Terry Crews, and his performance of the hyper-sexualised “buck” will be a prime example in this essay to discuss the racial politics and stereotypes in Hollywood casting.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
One of the factors that heavily influence the continuing propagation of these ideas associated with the sexuality of racialized women is the production and dissemination of media images, symbols and narratives (Brooks & Hébert, 2006, p. 297). As a society who is constantly consuming media culture through various media outlets, television uses a combination of methods in imagery, symbolization, and narration to represent our social realities. Notions of what beauty means are further dictated by fashion and reality television shows, which includes shows that discuss trends, makeovers, modeling, and more. In turn, these television programs often targeted at young women themselves, continue to shape how society views women of color, particularly how women of color are superfi...
Images in media, television especially, are a direct projection of the people who control and project them, which often tends to be white people. “‘We face the problems of images projected by people not of us,’ she said. ‘The media is the most powerful mind-manipulating tool on the earth.’”(Ruby, 18) The perception of black women in the media today can be damaging to the self-image of the young black women of today. During the Black Arts Movement, many artists and poets spoke of how white influence in our lives has created skewed beauty ideals in the African-American community. This white influence tends to harm black women’s images of themselves. Most female images seen in mainstream media are white, thin, tall and just plain gorgeous, making it hard for the average African American woman to relate to. Black television has done well with having different shapes and sizes for women of color to relate to, but that only includes one or two channels on all of television. For example, even though BET was founded by Robert Johnson, a black man, BET is now predominantly owned by white people. “"Day after day, in all forms of media -- print, radio, and television -- we see, hear, and read the perspectives of non-Black women and women of color who are not actively involved in the struggles of Black women -- especially on so-called 'women's issues'.”(Women’s Health Weekly, 546) Large television networks must choose to show things that will not only keep ratings up but also keep people interested in watching their shows. Unfortunately in today’s age and day drama and negativity is what most Americans look to watch. Even though many people feel that these negative things are wrong, we still find ourselves watching and reading about it. The...
Representation for black people in the media is also a effect of White Privilege. The media is biased towards white people. White people dominate commercials and entertainment carriers like acting. Misrepresentation negatively impacts black America’s relationship with law enforcement and the judicial system as well, but it also affects how African Americans are perceived in society. An example of this is the doll test conducted by Doctors Kenneth and Mamie Clark. Drs. Clark used four dolls, identical in every way except for color, as way to test children’s racial perceptions, and prove that media representation is important. the majority of the children preferred the white doll and assigned positive word to the white doll including the black
Seitz argues that M.Ns are happy to help their masters at any time. African-Americans are serving whites to succeed in their life and these mentors willingly serve whites. Seitz states, “Magical Negro”: a saintly African-American who acts as a mentor to a white hero… [their] relationship is that of a master and servant… one that truly lives to serve, has no life to speak beyond his service” (Seitz 357). Years after the end of slavery, blacks are still considered as servants of whites in America. Even though social reforms have ended slavery and the exclusion of blacks from society, whites still consider blacks as their slaves and this has been portrayed ambiguously in many movies. In pro-white popular culture, African-American actors and actresses have not received fair treatment to perform at the highest of their abilities. In today’s modern world, there are roots of racism; popular culture and mass media production are very important key factors in promoting the racial distinction in our society. In this modern world, media and television are a part of everyday life. People have easy access to movies and TV shows; viewers of these shows tend to believe what is being shown. Films and TV shows have played a significant role in reestablishing racism and discrimination in popular culture. Many of the mass media production industries have characterized racial stereotypes. Omi reveals racial stereotypes, “[in
The media and television broadcasting of women is not all negative. But current culture is constantly taking the easy way out. It refuses to explore different ways in which women can be represented. That is why for years to come women will still be seen as motherly, passive and innocent, sex objects, or they are overlooked or seen as unimportant entities. Whether it’s motherly birds on kids TV shows or scantily clad dancers on Monday Night Football, the portrayal of women has yet to catch up with what real life women are like. There are single women, obese women, and smart women. Women who are single mom’s, lesbians, or don’t have any children at all. Women are able to do the same type of work as men without being manly. The day that women are treated as equals on television will whole new level of success for feminism.