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Essays on the horror film
Essays on the horror film
Essays on the horror film
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In The Ring, a film by Gore Verbinski, Rachel Keller is a journalist who is examining a tape that may have killed her niece and three others who viewed it. The folklore behind the tape is that whoever views it will die seven days after. If the lore behind the tape is true Rachel has seven days to save her, her sons and his father’s life. Rachel believes that if she discovers the history of the tape that she can save them. She uses her background in journalism to find out that the tape was created by a girl named Samara. She was murdered by her mother and threw down a well. Rachel believes that if she saves Samara from the well and buries her she can save them all from dying after viewing the tape. Although Samara is exhumed from the watery grave and buried, the violence does not stop. Her son’s father is killed by Samara and she and her son are saved because they both copied the tape and therefore continue the circle of violence that Samara wants. Two specific claims that are taken from Simon Malpas’s “Introduction” that also appear in The Ring are Metanarratives, and the way we categorize films. A metanarrative is a set of rules we use in a specific field. For example the Scientific method is an example of a Metanarrative in science or the rules of a sporting event provide the metanarrative to the narratives or stories told on the field. When watching the movie we use our judgment of film to categorize it. When it starts off with Rachel’s niece in a room with a friend and the background is filled with rain and thunder, it is safe to assume this is a horror flick. Malpas’s other claim is the use of Grand Narratives. Rachel has the Grand narrative view that she has to keep them alive and that the ring of violence will continue ...
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...el’s grand narrative is how she can keep her son and herself alive. Ultimately, throughout The Ring we can see two of Malpas’s claims. Rachel Keller uses journalism in order to find out details of the mysterious tape that killed her niece and we use our judgment of horror movies to judge the category of film. The Rules of Journalism are the metanarratives Rachel uses to figure out the origin of the tape. The other Malpas claim is that of Grand narrative of keeping her family alive and that violence never ends. Rachel realizes that because her and her son made copies of the supernatural video tape that they will not die. The consequence of them living is putting other people who watch the tape at risk. In the end Samara still gets what she wants and the cycle of violence continues like a ring or circle it comes back to where it started.
1. Sobchack’s argument pertaining to on -screen violence that she wrote thirty years ago was that any violent acts portrayed in movies back then was to emphasize the importance of an element in a story, an emphatic way of engaging the viewers and forcing them to feel what the movie was about. It gave them a sense of the substance of the plot which would allow them to feel for the characters and yearn for good to overcome evil. In other words, the effort made to engage audiences through depictions of violence created violence that was artistic and well done, or as Sobchack writes, violence was “aestheticized.” Violence was incorporated into film in a stylistic way, and even though violence in all forms is offending, twenty five years ago when it was seen in film, it had a greater impact on audiences because it had meaning (Sobchack 429).
The Warrior Ethos, by Steven Pressfield depicts the warrior’s mentality from ancient times to the present through a variety of different aspects and stories. In The Warrior Ethos, Pressfield states that men are not born with the certain qualities that make a good warrior, but instead are inculcated through years of training and indoctrination, stating at an early age. He shows how different societies have been able to instill the same or very similar ideals throughout history while maintaining their own unique characteristics. Things have changed from ancient Sparta, where parents would be enthusiastic about their children going to war, and even more elated upon learning they died valorous in battle. These days, most parents are a lot
In the literature The Cry of Tamar the author Pamela Cooper-White provided an in-depth insight on how the act of violence has received increase attention over time throughout all over the world. I found it really interesting how the different violent acts that have been directed towards women, can all be directed toward really anyone not just women. This text helps the reader understand the acts of violence that are being used against people, and how the church should respond to assist the victims in coping and moving forward to get past these vicious acts. Pamela uses the story of Tamar the daughter of the king of David to help us get a grasp for the type of violence that can take place, shockingly even within a family. I found several parts
"The Use of Force" by William Carlos Williams is a window into one doctor's guilt over the negligent loss of a child patient. This story focuses on the disillusionment caused by his self-pity and guilt. The doctor's guilt triggers a fanciful illusion of "The Use of Force" that gives him giddy delight in his envisioned torture of the young, beautiful girl. His disgust for her uneducated, immigrant parents and their poor, humble surroundings only heighten this image. But his justification of these imagined actions empowers him all the more. He perceives himself above these less than human creatures, as a master lords over his good for nothing dog. In his self-empowered greatness he comes face to face with the greatest flaw any doctor can have, lack of humanity and compassion for those lesser then himself.
Throughout one's life, one experiences many emotions and undergoes many changes. Changes that are not always apparent, changes that cannot always be reasoned or changes that reflect greatest in behavior, ones that are dependent on the environment. In Deanna Wilkinson's Guns, Violence, and Identity among African American and Latino Youth, Wilkinson studies the role of violence and guns in the construction the social identity of minority youth. Wilkinson studies 125 violent African American and Latino males aged 16 to 24 in New York City, analyzing 306 violent situations of which 151 involve guns.
Since the first day they met, everyone knew that Katie and Ted would stay together forever. He was always telling everyone how he loved her and that she was the perfect wife and mother. However, behind closed doors was another story. Ted was not a kind man in “his” house, he was verbally abusive and constantly accusing Katie of cheating on him. These fits of rage were promptly followed by flowers and apologies. Katie was abused by Ted, however, she did love him and he did promise never to hurt her again.
Before a person reaches the age of 18 they will have witnessed over 40,000 murders, and over 400,000 other acts of violence. One research study concluded that just one hour of television everyday will increase the chances of a person committing an act of violence by four times. Violence depicted in movies will leave an impression on the viewer and the feelings they had about violence will slowly and subtly begin to change as the person becomes desensitized to violence. Witnessing repeated acts of violence raises a person’s level of hostility and lowers empathy. The violence that is portrayed in movies and television has long been known to influence crime and violent behavior in our society.
During a freedom march on May 29, 1964 in Canton, Mississippi a boy by the name of McKinley Hamilton was brutally beaten by police to the point of unconsciousness. One of the witnesses of this event, and the author of the autobiography which this paper is written in response to, was Anne (Essie Mae) Moody. This event was just one of a long line of violent experiences of Moody’s life; experiences that ranged from her own physical domestic abuse to emotional and psychological damage encountered daily in a racist, divided South. In her autobiography Moody not only discusses in detail the abuses in her life, but also her responses and actions to resist them. The reader can track her progression in these strategies throughout the various stages of her life; from innocent childhood, to adolescence at which time her views from a sheltered childhood began to unravel and finally in adulthood when she took it upon herself to fight back against racial prejudice.
It has been said of Anton Chekhov, the renown Russian short-story writer, that in all of his “work, there is never exactly a point. Rather we see into someone’s hear – in just a few pages, the curtain concealing these lives has been drawn back, revealing them in all their helplessness and rage and rancor.” Alice Munro, too, falls into this category. Many of her short-stories, such as “Royal Beatings” focus more on character revelation rather than plot.
Everyone experiences anger at some point in their life. We all have those topics that if it gets brought up we automatically go into our defense mood, whether it be sex, religion or politics . We all have had those skeletons in our closets that we don’t like to bring out. Commonly anger and aggression are used together but they aren’t the same thing according to the Interpersonal Conflict textbook, “Anger differs from aggression is an attack whereas anger is the feeling connected to a perceived unfairness or injustice. Anger can help people set boundaries when they need to be set and to right wrongs.”
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.
The collection of stories in The Aleph as a general theme, tend to employ lots of physical violence. Whether that comes in the form of executions, knife-fights, political killings, or revenge, many of these tales are in the lean, machismo, cold-hearted tradition.
When one hears the word violence one typically thinks of sordid images. This is because violence has developed a negative connotation. When one thinks of violent acts or cruel methods like coercion it is frequently correlated with evil. But there are instances in which there is a need to commit brutalities in order to put an end to catastrophes and help the good prevail. Many posit the notion that nothing good will ever come from violence while neglecting the positive things that have emerged from it. It may seem illogical but since kindness is often abused one needs to resort to violent means to demand justice and peace. Violence is gradually converting into a virtue as it becomes an imperative component in making progressive reforms. In order for one to triumph one must be dauntingly assertive even if it means turning to violence. Using forceful tactics should not necessarily make one malicious if the reasons behind them are benevolent. Violent acts are justified as long as they’re done for the greater good, solve disputes, and serve justice. And what better way to prove this than with legit historical facts.