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Movies with psychology concepts
Applying psychological concepts in movies
Movie psychology analysis
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Recommended: Movies with psychology concepts
Taylor White
Mahdi Ahmadi
PHIL 1500
May 10, 2014
The Return
The Return’s primary message can be understood through the divergence of the film’s initial scenes with the ambiguous and enigmatic ending that left me riddled with interior question. At first glance, the film seems to fit into the category of a psychological thriller, but as the film progresses, it becomes apparent that it acts as a metaphor for man’s inherent need for a means of self-definition. Furthermore, the Return was a breath of fresh air in that it exemplified an ambiguous and complex narrative rather than fitting into the stereotypical plotline that seems to define recent movies as ultimately having a happy ending.
The film portrays the undertone of psychological turmoil when a family is estranged from their paternal influence, and this can be directly evidenced through the interactions between the boys and their father. Even though he is present, the specters of the past seem to haunt their relations with both boys longing for contrasting results (i.e. Ivan wanting justification for his father’s absence while Andrei attempts to earn the approval of his father). Throughout the film, the director provides various cues that can act as an adequate means of deciphering what is going on in the movie. This can be referenced in the scene when the boys first gaze upon their sleeping father in the first part of the movie. Subsequently, the boys bolt upstairs to verify their father’s identity by checking a picture that is stashed in some sort of book. Coincidentally, the picture is stashed in a page that depicts the biblical story of Abraham, more specifically the part in which an angel impedes him from sacrificing his own son to God. Moreover, the towers that seem to ri...
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...elf-awareness and confidence regarding his self-perception. Upon the father’s arrival, the two boys act in accordance to their subconscious turmoil with Andrei desperately trying to gain his father’s approval and Ivan scorning the presence of his father in light of his previous absence. Whilst their father’s ethics are questionable, he ultimately succeeds in aiding the boys’ quest for self-awareness via his tragic death. This can be directly evidenced through the actions that the boys subsequently perform after their father plunges to his death in a struggle to reach his defiant son. They exhibit the same sternness of their father in carrying out actions necessary to their survival in spite of the tragedy that occurred beforehand, and as such, they return from the island with a greater understanding of their role within the world as well as their individual selves.
[2] Missing is a rather confusing film to follow at first. Admittedly, I had to view it a few times to understand what was happening. Perhaps the initial feeling after seeing this film is confusion. However, after having watched it a second, fourth, eighth time, what I really felt was anger. Each time I watched the film, the anger and disgust would grow, so much so that it pained me to watch it again. However, in identifying the cause of my anger, I began to realize many things.
Also, in order to fully understand the meaning of this film we must answer two
In conclusion, by using the production elements of both allusion and symbolism; director Tim Burton has created the film in such a manner by making deliberate choices in order to invite a certain response. The film is constructed and given greater depth through the allusion to elements from other genres and ridicules the suburbia’s materialism and lack of imagination, which in turn enhances the invited response.
makes a man’s core, expands the mind, and creates a sense of peace and that’s what this film is
After this event, the reader can really see that deep down, the protagonist loves and cares for his father. As he hears his father enter the house babbling gibberish, he begins getting worried.
It not only opens the eyes of the audience, but it also allows one to quickly learn from Chris McCandless’ mistakes and unintentionally harbor a great deal of respect for the naïve adolescent. Though one may not take such extreme measures to live in the Alaskan wilderness with no supplies, it serves as an emotional punch for life and its casualties. The end the film expresses both the fear and elation of life as individuals struggle to find his/her own path instead of what society tries to dictate to us. Overall, McCandless teaches us that human life cannot be ruled by reason and this unfortunately disestablishes our ability to have any certainty in life. What is the point of knowing exactly how your life will play out? Sean Penn accurately portrays these thoughts and feelings in the astonishing film “Into the
Thus Tevye takes his family towards the screams. A girl no older than 14 lies on the ground her pale face and hair blending into the pure white snow. Golde shields her daughter as any mother would do as a possibly dead child lays ahead. Tevye warily walks and kneels so he is level to the girl he reaches out to touch her out she wakes in tizzy. Arms flailing and tears streaming down her face Tevye carefully asks if she is ok. To which the mysterious young girl replies by saying she does not know. Tevye confused by this says how does she not know if she is ok. Golde now unshielding her children steps forward and grabs Tevye's arm and sees how frightend the child is. Golde waltzes up to her and introduces herself asking the young girls name. No reply, again Golde asks the child looks up and says I don’t remember queing the start of the song “In my Dreams.” Tevye and Golde make eye contact Tevye’s constant conflict takes over. Again “ Tevye’s Monologue” commences as he is unsure of whether he should take Anya in but the torah is meant to be a unifying force and the poor girl should have some structure. Golde questions Tevye by saying will we pass on our traditions to her? Anya is placed on the wagon and the family continues on their way traveling past St. Petersburg on to
Perhaps an even stronger testament to the deepness of cinema is Darren Aronofsky’s stark, somber Requiem for a Dream. Centering on the drug-induced debasement of four individuals searching for the abstract concept known as happiness, Requiem for a Dream brims with verisimilitude and intensity. The picture’s harrowing depiction of the characters’ precipitous fall into the abyss has, in turn, fascinated and appalled, yet its frank, uncompromising approach leaves an indelible imprint in the minds of young and old alike.
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
He does not know anything that is happening around him because of the protection his mother has placed upon him. Later in the book, he befriends Shmuel, a Jew of the same age who is currently in Auschwitz, the largest Jewish concentration camp. They are separated by a fence. This fence represents the barrier that people placed between Germans and Jews because they are of different race and religion. When they lift the fence to be together for the first time, this represents the overcoming of the barrier because they have created a love for each other that nobody could take away. Even though the death of the 2 boys was not necessarily a happy ending, it showed that friendship is the only thing that brings people together that well or that
Provide a paragraph ONLY summarizing your understanding of the film. In this summary, address the main theme or idea of the film as well as any underlying themes that are conveyed during the production. In other words, what primary message was conveyed to the audience IN YOUR OWN WORDS via the production of this film? (Note – I have seen all of these films – thus, this section should be one paragraph only – the majority of your critique should include your responses to Items 3 & 4).
It subtly exposes the tragedies that people with instinct of self-interest could control their own fate in the unpredictable future, while others who paralyzed in past success and unrealistic fantasies could not. It also shows how those who were unable to update themselves from 1.0 finally became the prey of those 2.0, 3.0, 4.0 and so on. It is a story about self-interest is the winner.
...is on a downhill trend from the beginning, even his very tone expresses his desires and sadness. He is a little boy with a big crush in an even bigger world, where thing don’t always go as expected. The boy acknowledges this in his innocent heart and soul, at the carnival, when he is deprived of accomplishing his biggest and most important journey; bringing his love something very special from Araby. This task was extremely vital to him, and it was left uncompleted. The reason that the boy could not get to Araby on time was because his uncle arrived home late, because he had forgotten about him. That was a very cruel thing to do knowing how important this was for his nephew, he reminded his uncle many times. The uncles response was “ The people are in bed and after their fist sleep now( )”. The motif of decay is seen in some symbolism too. The apple tree in the wild garden is symbolic to the tree of knowledge. However, the tree in the story is wild, meaning that knowledge is limited in the neighborhood. For example, when the previous owner, the priest, of the boy’s house had died, he had given all his money to charity and left his sister with nothing but old and used furniture.
The final logic of plot that must be explained at the end of the story is Pyotr's confrontation with his guilt-ridden, contemptuous father before he leaves for Moscow. The intent to reconcile father's financial loss is expressed through Pyotr's coaxing rhetoric and judgemental approach to his father's daily attitude at the table. Finally, the room is brightly lit, not by the family's ability to regroup--their affections were a bonfire now--but by a single, dazzling beam of sympathy to Pyotr, when his father says "Good-bye...the money is on the round table."
Unlike any other movie, Gasper Noe’s Irreversible (2002), with his own unusual but unique way of telling a story, shows how violence roots from love, how pain roots from pleasure, how imagination roots from reality and how death roots from life. This movie focuses Marcus and Pierre’s battle with the illusion of justice to avenge Marcus’ girlfriend, Alex, from her atrocious fate. And beginning this with the ending, Gasper Noe has created not just a realistic and powerful movie but has explained, as well, what it means