In this essay I intend to delve into the representation of family in the slave narrative, focusing on Frederick Douglas’ ‘Narrative of the Life of Frederick Douglass, an American Slave’ and Harriet Jacobs ‘Incidents in the Life of a Slave Girl.’ Slave narratives are biographical and autobiographical stories of freedom either written or told by former slaves. The majority of them were ‘told to’ accounts written with the aid of abolitionist editors between 1830 and 1865. An amount of narratives were written entirely by the author and are referred to as authentic autobiographies. The first of more than six thousand extant slave narratives were published in 1703. Primarily written as propaganda, the narratives served as important weapons in the warfare against slavery. Slave narratives can be considered as a literary genre for a number of reasons. They are united by the common purpose of pointing out the evils of slavery and attacking the notion of black inferiority. In the narratives, you can find simple and often dramatic accounts of personal experience, strong revelation of the char...
At first glance, the book “my bondage and my freedom by Frederick Douglass appeared to be extremely dull and frustrating to read. After rereading the book for a second time and paying closer attention to the little details I have realized this is one of the most impressive autobiographies I have read recently. This book possesses one of the most touching stories that I have ever read, and what astonishes me the most about the whole subject is that it's a true story of Douglass' life. “ Douglass does a masterful job of using his own experience to expose the injustice of slavery to the world. As the protagonist he is able to keep the reader interested in himself, and tell the true story of his life. As a narrator he is able to link those experiences to the wider experiences of the nation and all society, exposing the corrupting nature of slavery to the entire nation.”[1] Although this book contributes a great amount of information on the subject of slavery and it is an extremely valuable book, its strengths are overpowered by its flaws. The book is loaded with unnecessary details, flowery metaphors and intense introductory information but this is what makes “My Bondage and My Freedom” unique.
This lecture provided an overview of development of slave narratives as a genre unique to the United States. It divided slave narratives as a genre into several distinct time periods that were characterized by different literary characteristics. The three temporal divisions of the genre include 1760-1810, the 1840’s, and the 1850’s and beyond.
I will begin with a comparison of the two books, “Narrative of the Life of Frederick Douglass, an American Slave” and “Harriett Ann Jacobs, Incidents in the Life of a Slave Girl” with their title pages. Douglass’s title is announcing that his entire “life” as an “American Slave” will be examined. While, Jacobs’s title offers a contrast and proclaims that this will not be the story of her full life, but a selection of “incidents” that occurred at specific times in her life. Jacobs refers to herself in the title as a “slave girl,” and not an “American slave,”. It is the voice of a woman telling the story of having survived a horrifying childhood and identifies herself as a slave mother. Douglass’ and Jacobs’ works symbolize the pressure between
Just like any other narrative, “Incidents in the Life of a Slave Girl,” by Harriet Jacobs is a narrative telling about a slave 's story and what slaves go through as they execute the socioeconomic dictates of their masters. It is important to note that more than five thousand former slaves who were enslaved in North America had given an account of their slave life during the 18th and 19th centuries. Many of their narratives were published on books and newspaper articles. Most of the stories of these slaves were centered on the experiences of life in plantations, small farms owned by the middle class natives, mines and factories in the cities. It is undeniable that without those slave narratives, people today will not be able to know how slaves
The slave narrative is a genre of literature in which an escaped or freed slave recounts both his or her suffering under slavery and the tribulations of earning freedom. Slave narratives were especially popular in the decades before the Civil War, when abolitionists win the sympathies of Northern audiences frequently promoted them. “History of Mary Prince” by Mary prince is one of the narratives that have left a huge mark on slave narratives.
Many African-Americans went through the tragic hardships of slavery, but not many were able to live through to tell their stories. In the book, The Narrative of the Life of Frederick Douglass, written by himself, the concept of defeating slavery is applied. Douglass was a slave who had the opportunity to educate himself and later free himself from the mistreatment. He was able to then tell his story of what he had been through to hopefully promote change. Douglass writes this narrative to not only make a difference, but to inform the readers of the corruption slavery can cause, by using rhetorical appeals such as ethos, logos, and pathos.
In Narrative of the Life of Frederick Douglass, a slave narrative published in 1845, Frederick Douglass divulged his past as a slave and presented a multifaceted argument against slavery in the United States. Douglass built his argument with endless anecdotes and colorful figurative language. He attempted to familiarize the naïve Northerners with the hardships of slavery and negate any misconstrued ideas that would prolong slavery’s existence in American homes. Particularly in chapter seven, Douglass both narrated his personal experience of learning to write and identified the benefits and consequences of being an educated slave.
The slave narrative genre is an important part of American history. These stories are not only portraits of individual history, but also of American history. By reading the stories of the past we can better determine the path of the future. The personal stories of Frederick Douglass and Harriet Jacobs are two excellent examples of the slave narrative genre in American literature. To be sure, bondage and oppression had a lasting and profound effect on both genders; however, men and women experienced slavery in different ways. By comparing and contrasting “Narrative of the Life of Frederick Douglass, an American Slave” and “Incidents in the Life of a Slave Girl,” we gain very different insights into the truth about slavery from the vantage point of gender.
In, “The Narrative of the life of Frederick Douglass”, readers get a first person perspective on slavery in the South before the Civil War. The author, Frederick Douglass, taught himself how to read and write, and was able to share his story to show the evils of slavery, not only in regard to the slaves, but with regard to masters, as well. Throughout Douglass’ autobiography, he shares his disgust with how slavery would corrupt people and change their whole entire persona. He uses ethos, logos, and pathos to help establish his credibility, and enlighten his readers about what changes needed to be made.
America in the mid to early nineteenth century saw the torture of many African Americans in slavery. Plantation owners did not care whether they were young or old, girl or boy, to them all slaves were there to work. One slave in particular, Frederick Douglass, documented his journey through slavery in his autobiography Narrative of the Life of Frederick Douglass. Through the use of various rhetorical devices and strategies, Douglass conveys the dehumanizing and corrupting effect of slavery, in order to show the overall need for American abolition. His use of devices such as parallelism, asyndeton, simile, antithesis, juxtaposition and use of irony, not only establish ethos but also show the negative effects of slavery on slaves, masters and
In Douglass’ book, he narrates his earliest accounts of being a slave. At a young age, he acknowledges that it was a masters’ prerequisite to “keep their slaves thus ignorant”, reporting he had no true account of his age, and was groomed to believe, “a want of information concerning my own was a source of unhappiness to me even during childhood” (25). This mindset was inbreeded in slaves to use ignorance as control and power. As a child, Douglass is separated from his mother. Thus, he comprehends this is implemented in slavery to disengage any mental, physical, and emotional bond within families and to benefit slave owners concern of uprooting slaves for trade. He illustrates the “norm” action and response of a slave to the master. To describe the typical dialogue, he states, “To all these complaints, no matter how unjust, the slave must answer never a word”, and in response “a slave must stand, listen, and tremble” (38). In the course of his narrative, he describes several excruciating acts of abuse on slaves. His first memory of this exploitation, the lashing of his Aunt Hester, he depicts as, “the blood-stained gate, the entrance to the hell of slavery” (29). Also, he gives accounts of owners’ self-deception tactics, injustices, and in effect, shaping characteristics of prejudice, jealousy, and dishonesty of slaves towards slaves. Likewise, connecting to the reader, slave...
The modern reader knows that a the life of a slave was of no doubt, a difficult one. However, what the modern reader does not know, is what made it so difficult and dehumanizing for them, other than hard work and whippings, the normal cliches thought of when the term “slave” is brought up. Throughout the narrative the reader may realize how the slaves were torn apart(dehumanized) so frequently, whether it be whippings, racial slurs, or the separation of families. A specific point in which this practice of dehumanization is prominent is in the birth of a slave. From the dawn of a slaves birth, the cruel practice commences with the newborn being separated from his mother, and being taken to a new plantation, miles or sometimes even states away.
Douglass’ narrative masterfully argues the dehumanizing nature of the institution of slavery, as well as sets itself up as a foil to the belief that African Americans at the time couldn’t achieve a higher level of human nature. In order to show the ways in which Douglass’ accomplishes this throughout the narrative my paper will show how slavery was dehumanizing in its use of sheer physical violence, the treatment of slaves on the level of livestock or property, and the maintained state of ignorance of most slaves by their masters. While in the second half of my paper I will analyze Douglass’ use of metaphor & personification, imagery & sentiment, and the presentation of his own ideology & philosophical questioning to in fact exemplify the
"I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God? Why am I a slave?” (Douglass 265). This miserable plea for freedom is from the powerful Narrative entitled, The Narrative of the life of Frederick Douglass, An American Slave. In this descriptive story, he shares with the reader the viewpoint of a mixed-race American born man, raised parentless as a slave worker. Douglass’s mother was separated from him at a young age and his father was rumored to be their master, which is not out of the question, as many masters impregnated their female slaves. Douglass grew up not knowing his real age, with very little clothing and no bed to sleep in. In addition, the food was always rationed
At the image of black people at the end of the ninetieth century in America, the novel Beloved is a polyphonic story. The multitude of characters, Sethe, Paul D, Denverrefers to a multitude of voices, internal monologues, memories that intertwine and come together to trace a common past that the reader sees one step at a time. The narrative is not linear and offers the reader a very dense novel. Progressively, the reader discovers the past of the characters and understands their attitude. The reader discovers the tragedy that took place eighteen years ago, just after Sethe’s escape and guesses her reasons without systematic flashback. This polyphony sensation is not a coincidence and reminds one of the first characteristics of African culture: