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Relationship between desdemona and othello
Relationship between desdemona and othello
Relationship between desdemona and othello
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The Relationship Between Othello and Desdemona
We first learn of there being a relationship between Othello and
Desdemona when Iago and Roderigo are telling Roderigo (Desdemona's
Father), that ''an old black ram is tupping your white ewe''. This is
referring to Othello and Desdemona having sexual intercourse, and
shortly after hearing this, we become informed that Desdemona is ''Tying
her duty, Beauty, Wit, and Fortunes In an extravagant and wheeling
stranger''. This suggests to us that Desdemona is considering the idea
of marrying Othello. This thought is confirmed at the beginning of Act
one Scene Two, during a conversation between Othello and Iago, and
then further on in the scene when Iago informs Cassio that Othello ''hath
boarded a land carack:'' We meet Othello on the night of their
wedding, which they are spending in an inn called the 'Sagittary'. On
this same night, we learn that Othello and Desdemona's Marriage is not
approved of by Brabantio, and that Desdemona has had many possible
suitors but has turned them down. In general, when we look at the
scene, which is set for us, many people may have feel that this is an
unnatural marriage. There are a couple of reasons for this:
(a) The fact that their marriage was in secret - Othello had no right
to marry Desdemona without getting Brabantio's permission. Othello and
Desdemona should have known that Brabantio would be angry at the
marriage because he had not been asked for it's permission, and had no
idea of it's possibility. In the time of this play being written,
Othello had no right to choose her own husband, and from what we learn
her father had turned down many suitor's ...
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... healthy relationship, both sexually and mentally. They
have an active sex life, but do not depend on this aspect of their
relationship to hold them together, as they also both enjoy the
company of each other as well. The relationship between Desdemona and
Othello is a good one, which in theory should last. Sadly, there are
many aspects from the people around them, which in the end begin to
ruin this happy, and relationship. As I have mentioned before, the
fact that Othello is black, and that he so much older than Desdemona
both affect the reactions of other people towards their relationship.
The aspect that Iago is angry at Othello for selecting Cassio as his
lieutenant instead of himself, causes Iago to place doubt in Othello's
mind, which in the end results in the tragic downfall of this
perfectly good relationship.
In this quote, Roderigo talks about his misery. He talks about how he has went all this way to Cyprus, spent all of his money, and got beat up. In return, he has got nothing. The reason why Roderigo went through all of this is just for Desdemona. Through all of these actions, Roderigo clearly shows that he loves Desdemona and is desperate to make Desdemona love him. He went through all of these tough times just in hope of getting Desdemona.
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
Dual Nature of Characters in Othello Many of the characters in Shakespeare's tragedy, Othello, are duplicitous to the extent that how. they are perceived in public is not how they behave in private. The perception of the public plays.
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
In the Shakespearean tragedy Othello the number and description of themes is open to discussion. With the help of literary critics, we can analyze this subject in detail.
The Relationship Between Othello and Iago In this scene Iago persuades Cassio, who is on watch, to drink, knowing that he is not a drinker and that he will be easy to antagonise. Roderigo provokes Cassio into a fight and Othello, hearing the disturbance, arrives to find the nobleman Montano seriously injured. Cassio gives no explanation, Montano pleads self-defence, and say that Iago knows best, so Iago is ordered to speak, ' Iago, who began't? " This passage starts with Othello, who appears to have interrupted someone, as there is a line break.
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
There were only two things keeping Othello with the people of Venice as a black man and those are having the opportunity to be the husband of Desdemona and also being there as the general of the army. In addition, the fact that Desdemona confirmed and expresses her love for Othello before her father and the Duke strengthens Othello as well.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
Bezawit Legese, Audrey Oduro Engl 112N Mrs. Tobin December 9, 2014 There was no gate between heaven and hell None was ready to hit the bell The true love brought a lot of mess
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
William Shakespeare’s tragic drama Othello boasts quite a little list of abnormalities in both occurrences and personal behavior.