War of the Worlds is an out of the box radio play that changed the world of mass communication forever and allowed the entire nation to see power of imagination and the unique power of radio over its audience. The creators of this nationwide hysteria were Orson Welles and the Mercury group. Orson Welles was a famous American actor, producer, director and radio broadcaster. In an effort to increase the shows audience, Orson Wells catered the idea of a Halloween public scare. The War of the Worlds radio play was a dramatization of H.G. Well’s novel The War of the worlds (1898 novel relating the story of an alien invasion on Earth) and performed as a scary Halloween episode on of the radio show Mercury Theater On The Air. The episode was aired over the Columbia Broadcasting System (CBS) on October 30th, 1938. The first two thirds of the 62-minute broadcast were presented as a series of simulated news bulletins, which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Orson Welles’s scripted act was so convincing that the broadcast caused hysteria throughout the nation as several listeners believed that the nation was actually being invaded by Martians in a seemingly unstoppable attack. Many people were terrified by the news, and they left their homes in panic and fled. The aftermath of the broadcast was so disastrous that even Welles and his team were shocked. This 1938, 62 minute broadcast truly changed the meaning of mass media and everybody came to realize the true potential and power of mass communication.
Orson Welles’s and his team had written the script for their radio play War of the Worlds, by taking author H.G. Well’s novel The War of the worlds (1898 novel relating the story ...
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...cation and allowed them to see how media can be manipulative. Analyzing the results of this piece of media, we can say that the War of the Worlds radio broadcast had revolutionized mass communication and started a new era where the media was forced to focus on the public’s demand. In the days following the adaptation, however, there was widespread outrage in the media. The program's news-bulletin format described as cruelly deceptive by newspapers (which were losing their revenue to the new radio shows) and public figures, leading to an outcry against the perpetrators of the broadcast and calls for regulation by the Federal Communications Commission. Overall, listening to this old radio show made me realize how dangerous one-way communication can be, hence if today’s media outlets want to be successful, they should try to be non-manipulative and honest to the public.
Apocalypse Now is a very vivid and sometimes disturbing film centered on the Vietnam War. Because it was based on Joseph Conrad's novella Heart of Darkness, it is possible to draw some parallels between the two. Both can be interpreted as metaphors for a journey through the inner self, and each has its own singular message to convey. Apocalypse Now very perspicuously depicts the fact that men have hearts of darkness, and it explores the evils of war. At the same time, however, it seemingly glorifies some aspects. The anti-war sequences were often brutal and portrayed destruction as a result of the human condition. The film Apocalypse Now, directed by Francis Ford Coppola, can be interpreted both as pro-war and anti-war in its intent, although the latter is a more valid interpretation.
Without a doubt, war is an experience that can define a person, for good or bad. In the case of author Kurt Vonnegut, his experiences in World War II greatly affected his writing. Most of his works in his long bibliography of novels, articles, short stories, and plays have some sort of reference or allusion to war or other world conflicts. Kurt Vonnegut uses his novels Cat’s Cradle and Slaughterhouse-Five to preach against war by stringing together loose and outlandish story lines in a satirical and melancholy fashion.
In “Wires and Lights in a Box,” the author, Edward R. Murrow, is delivering a speech on October 15, 1958, to attendees of the Radio-Television News Directors Association. In his speech, Murrow addresses how it is his desire and duty to tell his audience what is happening to radio and television. Murrow talks about how television insulates people from the realities in the world, how the television industry is focused on profits rather than delivering the news to the public, and how television and radio can teach, illuminate, and inspire.
War of the Worlds by H.G. Wells is a fiction story written about war and mankind’s coming of age. It is also a philosophical novel with many deep meanings underlying the shallow looking one-hundred-eighty-eight page book.
H.G. Wells, author of mind blowing novel The War of The Worlds, used foreshadowing and both external and internal conflicts to show the theme those humans should not assume that they are the superior race. Wells was the author of more than 100 books, almost half of them nonfiction, published over a span of 52 years.
Looking the historical moment we are living at, it is undeniable that the media plays a crucial role on who we are both as individuals and as a society, and how we look at the...
The Martians in the book The War Of The Worlds that was written by H. G. Wells were on the quest to Earth for resources to help them survive. At first landing and reading their spherical vehicles that were armed with both a heat ray gun and smoke gun, began to lay waste to mankind. Throughout the book, it is from the point of view of the narrator and what he experiences and sees on the Martians destruction of the world he knows. While Earth gives as much defense as they can, it cannot stand up against the great power of the Martians great vehicle’s destructive weapons. Towards the end of the book, mankind resorts to hiding in the shadows of this deadly terror and like the narrator, in a hole. Several days pass until the narrator comes out of his hole to see that the alien force has been eradicated by a bacteria that their body’s immune system was not able to save them.
October 30, 1938, was a time during the Great Depression which lead into multiple hardships and times of unease. Orson Welles decided to broadcast a revised version of the book, “War of The Worlds”, but implemented that the radio play was occuring in real time to make the play more exciting. Unfortunately, some citizens believed that the radio play was an actual phenomenon that was occurring worldwide. This frightened many people around the world. Orson Welles is guilty of violating the Clear and Present Danger Clause because he did not care he wasted citizens money, ruined lives, and scared citizens.
All The Light We Cannot See: Radio A spark ignites life within the embodiment of a metal case. As Werner, one of the main characters in the novel “All The Light We Cannot See”, mends the copper conduits a spark pulses through wire, circuitry and antenna. The sparks bend into vitality, crafted outside it’s engineered purpose. The vitality manipulates electromagnetic waves producing sound and thought.
In both of the stories both authors had the same mind set on the story but with different twist on it. In “Zero Hour” the authors used kids as a way to get the aliens on to earth but in The War of the Worlds the author just had a regular invasion. Both Ray Bradbury and H.G Wells portray life during an alien invasion with characters that deal differently with the invasions and write about events that put characters in danger.
My thesis statement is that the world of the worlds is stupid and the text in out-of-date. The structure of this book was set on the year of 1898. One of the languages that is not how we talk is on page four “It is possible that the infusoria under the microscope do the same.” Who use the word infusoria anymore? When you read the book what did you think? When my brain thinks of this book it thinks of “oh my gosh really”. On page seventy-eight the narrator says “ hist” as in a whisper. “Hello it is not hist it is pist not hist”. Really you need to think Mr. H.G. Wells. Then he uses “vast”. What in your right mind would make you put the vast as a word in a book? On the page one-twenty-nine he put “what the devil it is”. Really who would say that my brain even tells me not to say that? You just do not just go outside and say “Hey honey, what devil it is”. What. If you haven’t got my point yet then you should look in a dictionary and
World War II? What could have been so bad as to inspire a book of this
Stanke, Jaclyn. On the Air with the Cold War. War of the Black Heavens: The Battles of Western Broadcasting in the Cold War. Humanities and Social Science Net Online. July 1999. Web. 15 Dec. 2013.
In the article “Hate Radio” by Patricia J. Williams, the writer says that radio is a powerful source of media. It has influenced a lot of people. The power of media can change the course of history. The hosts on the radio such as Rush Limbaugh and Howard Stern were also influencing a lot of people. The theme was not merely the specific intolerance on hot topics such as race and gender, but a much more general contempt for the world, a verbal stoning of anything different.
Impact of the Radio The invention of the radio had an immense impact, revolutionizing the unity of society. “I live in a strictly rural community, and people here speak of ‘The Radio’ in the large sense, with an over-meaning,” said E.B. White in 1933. “When they say ‘The Radio’ they don’t mean a cabinet, an electrical phenomenon, or a man in a studio, they refer to a pervading and somewhat godlike presence which has come into their lives and homes” (Lewis). The radio became a mighty weapon whose power involved spreading ideas to millions of listeners, who may otherwise never have heard those inspirational messages. Religious fanatics used to stand at the back of churches shouting radical nonsense, while others would ignore it.