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Literary devices in the lottery shirley jackson
Literary devices in the lottery shirley jackson
Literary devices in the lottery shirley jackson
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Topic/ Thesis Statement: Don’t judge a book by its cover, some people are not who they claim to be, or looks can be deceiving. This story revolves around a character known as Miss Adela Strangeworth whose ancestral home is Pleasant Street which also happens to be the setup used to develop the story. However she is from the initial stages of the story portrayed as an old lady that is relatively calm and harmless especially with regards to the lives of her neigbours. She is portrayed in the story with the author as a proud lady who believes in the fact that she owns her town perhaps a factor that is evidenced by the way she interacts with the members of her community. Her constant conversations with the members of the community perhaps paint her as a relatively calm, loving and caring lady to the members of the community. The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays. Another factor that clearly brings out the theme is the fact that she claims that orderliness of family roses is her pride. However she may not necessarily be that orderly as depicted in the development of that story. The author of the story Shirley Jackson uses the author and her ambiguous cha... ... middle of paper ... ... anonymously and delivered in a way that they cannot be retraced back to her. Were it not for the unfortunate incident of her unknowingly dropping one of her letters, no one would ever be able to retrace the funny incident back to her. Works Cited Michelson, D. The historical reception of Shirley Jackson's "the lottery". In: KURZBAN, Robert; PLATEK, Steve. 18th annual meeting of the Human Behavior and Evolution Society at the University of Pennsylvania and Drexel University. 2006. Miller, J. Chilling fiction… The Wall Street Journal. New York, October 29, 2009. Morgan, J. The biology of horror: gothic literature and film. Carbondale, IL: Southern Illinois University Press, 2002. Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
Rochette-Crawley, S. (2004) James T. Farrell. The Literary Encyclopedia. April 2, 2004. Retrieved on May 13, 2009 from http://www.litencyc.com/php/speople.php?rec=true&UID=1487
Yarmove, Jay A. "Jackson's The Lottery." Explicator. Vol. 52. Taylor & Francis, 1994. 242. Academic Search Complete. Web. 16 Feb. 2014.
Shirley Jackson wrote many books in her life, but she was well known by people for her story “The Lottery” (Hicks). “The Lottery” was published on June 28, 1948, in the New Yorker magazine (Schilb). The story sets in the morning of June 27th in a small town. The townspeople gather in the square to conduct their annual tradition, the Lottery. The winner of the lottery will stoned to death by the society. Although there is no main character in the story, the story develops within other important elements. There are some important elements of the story that develop the theme of the story: narrator and its point of view, symbolism, and main conflict. The story “The Lottery,” by Shirley Jackson, argues practicing a tradition without understanding the meaning of the practice is meaningless and dangerous.
The outspoken narrator of Eudora Welty's "Why I Live at the P.O.," known to us only as "Sister," intends to convince us--the world at large--that her family has "turned against" her, led on by her sister, itella-Rondo. To escape her family, she explains, she has left home and now lives at the P.O., where she is postmistress. As she delivers her monologue, the narrator reveals more about herself than she intends. We see her as a self-centered young woman who enjoys picking fights and provoking melodramatic scenes in which she is the center of attention. Not too far into the story, we realize that others in the family behave as melodramatically as Sister does, and we begin to wonder why. The story's setting may provide the answer: In a small town in Mississippi, sometime after World War II and before television, entertainment is scarce. The members of this family cope with isolation and boredom by casting themselves in a continning melodrama, with each person stealing as many scenes as possible.
Abrams, M. H. et al. The Norton Anthology of English Literature. Vol. 1. Sixth Edition. New York: W.W. Norton, & Co. 1993. 200-254.
Some people feel justified for their actions, even though they know what they are doing is unethical. In Shirley Jackson’s Short story “The Possibility of Evil” the main character named Miss Adela Strangeworth is like this. Miss Strangeworth is indirectly characterized as being egocentric, sanctimonious, and for being self-indulgent.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Abrams, M.H., et al. ed. The Norton Anthology of English Literature. 6th ed. 2 Vols. New York: Norton, 1993.
Jackson, Shirley. "The Lottery." Gioia, Dana and R.S. Gwynn. The Art of the Short Story. New York: Pearson/Longman, 2006. 390-396.
Jackson, Shirley. "The Lottery." Literature: Structure, Sound, and Sense. 5th ed. Ed. Laurence Perrine. San Diego: Harcourt, Brace, Jovanovich, Publishers 1998.
Abrams, M.H. and Greenblatt, Stephen eds. The Norton Anthology of English Literature: Seventh Edition. New York: W.W. Norton & Company, Inc., 2001.
Shirley Jackson was a criticized female writer that wrote about US’s scramble for conformity and finding comfort in the past or old traditions. When Jackson published this specific short story, she got very negative feedback and even death threats. In the fictionial short story, The Lottery, by Shirley Jackson, a drawing takes place during the summer annually in a small town in New England. In this particular work, the lottery has been a tradition for over seventy years and has been celebrated by the townspeople every year. In detail, Richard H. Williams explains in his “A Critique of the Sampling Plan Used in Shirley Jackson’s “The Lottery””, he explains the process of how the lottery works. “The sampling plan consists of two
Jackson, Shirley. “The Lottery.” A Portable Anthology. Ed. Janet E. Gardner. Boston: New York: Bedford/St Martin’s, 2013. 242-249. Print.
Jackson, Shirley. "The Lottery." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 989.
Jackson, S. (1948). The Lottery. In X. J. Kennedy, D. Kennedy & M. Muth (Eds.), The Bedford guide for college writers (6th ed., p. 257). Boston, MA: Bedford/St. Martin’s.