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Poem Analysis On His Coy Mistress By Andrew Marvell essay
Poem Analysis On His Coy Mistress By Andrew Marvell essay
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The Poet's Treatment of Seduction in To His Coy Mistress by Andrew Marvell and The Passionate Shepherd To His Love by Christopher Marlowe
Andrew Marvell the writer of 'To His Coy Mistress' was an English poet
and satirist. He was born in Winestead, Yorkshire, and went to Hull
Grammar School and the University of Cambridge. He was once a member
of parliament in 1659. It was possible that he got married to Mary
Palmer but it remains in doubt.
Other well-known and much-anthologised poems he wrote are: 'The
Garden', 'The Definition of Love', and 'Bermudas'.
Christopher Marlowe was around just under thirty years before Andrew
Marvell. Marlowe was also an English poet and also a playwright. He
was considered the first great English dramatist and the most
important Elizabethan dramatist before Shakespeare. The poem Marlowe
was well known for was 'The Passionate Shepherd To His Love'.
The poem 'To His Coy Mistress' by Andrew Marvell is about a man who is
trying to manipulate and seduce a woman. My first impression of this
...
Comparing The Passionate Shepherd to His Love and Nymph's Reply to the Shepherd. and the stark contrast of the treatment of an identical theme, that of love within the framework of pastoral life. I intend to look at each poem separately to give my interpretation of the poet's intentions and then discuss their techniques and how the chosen techniques affect the portal of an identical theme. The poem The Passionate Shepherd to His Love appears to be about the Elizabethan courtly ideal of living with the barest necessities, like.
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
I know that there is a unique difference between love and lust. In the Andrew Marvell poem “To His Coy Mistress,” I would argue over the issue of love versus lust. In this poem, we are introduced to a man who is infatuated with a young woman and wants to become intimate with her. He tries to pursue this young woman, but the woman is playfully hesitant. The man is trying to explain to the young woman if she keeps being resistant to him, they would never get a chance become intimate. Could it be that the man really does have true love for the young woman? Or is that he is just lusting for her gentle touch?
In this essay, I will compare two poems: “To His Coy Mistress” by Andrew Marvell and “The Ruined Maid” by Thomas Hardy. I will look at the style and the tones that are used in both of these poems in order to compare them. “To His Coy Mistress” is a one-way argumentative conversation featuring one horny young man trying to convince his reluctant mistress to give up her virginity to him before she gets old. He uses the argument that she needs to have sex now because her youth and beauty will fade as she ages. He thinks they should seize the moment because life is short and she would not want to die a virgin, and he will not want her when she gets old.
Christopher Marlowe is a late sixteenth-century writer sometimes placed “close to Shakespeare in his achievement” (Ribner 212); Marlowe's pastoral poem “The Passionate Shepherd to His Love” (1599) was even initially “ascribed to Shakespeare” (Brooke 393). With a different tone than most of his dramatic work, Marlowe's poetry often includes a male and a female character in a real or imagined romantic relationship. “The Passionate Shepherd to His Love” portrays a somewhat powerful male character who performs all of the action, while the female character is portrayed as passive and superficial. Like many of the metaphysical poets of the next century, Marlowe's sixteenth century male character uses rhetoric to seduce the female character (which is paradoxical since the men tend to praise and ideal chaste women), and in the case of Marlowe's Shepherd, the rhetoric he uses tends to focus on superficial promises of idealistic love and pleasure. He enforces the common theme of carpe diem suggesting that there will be immediate gratification of their sexual passions, escaping societal rules and returning to a pristine condition of happiness. Furthermore, the Shepherd is often so preoccupied with convincing his lover “to come live with” him and be his “love” (Marlowe 20), that at times he becomes forceful, sexual and aggressive by using double entendres and hidden sexual images. Thus, in “The Passionate Shepherd to His Love” not only does Marlowe's poetry reinforce gender stereotypes of the male as active and the female as acted upon, Marlowe's male character goes one step further and use aggression to get what he wants from his female lover: her body.
Seduction most commonly refers to the use of sexual desire in order to persuade an object of affection to change their behavior and meet the desire of their seducer. Andrew Marvell’s ever so passionate poem, “To His Coy Mistress”, entirely implies the motive to bed a young lady (531). The question raised however, is just what is the attitude of the speaker towards his mistress? Is he acting out of love or lust? And who indeed is the narrator?
The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.
Reisman, Rosemary M. C, and Robert L. Snyder. Romantic Poets. 4th ed. Ipswich, Mass: Salem
In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and it's foolish for two lovers to postpone a physical relationship.
Andrew Marvell is considered a cavalier poet. He writes seduction poems that represent characteristics of cavalier poets through use of clever, witty, and developed lyrics. Marvell's "To His Coy Mistress" is a seduction poem that contains these elements along with the use of rhyme, meter, imagery, and tone. Marvell creates a seduction poem that argues the desire for sexual gratification with a distinct aggressive tone.
"To His Coy Mistress" is a very interesting poem. The main plot of the poem is about this guy that tries to pick up a girl for the night. The poem does not tell about the setting. I assumed that it was in a bar, because of the way he talked to her and that is where most guys go to pick up a girl for the evening. We see this poem through the eyes of the guy, by doing this Marvell gives a look into his mind and what he is thinking. This helps to bring the reader into the poem. It allows the reader to get into his mind as the poem goes along. We begin to see the guy develop his words more and more until eventually by the third stanza he is pretty desperate.
This poem has been written in the form of a request to the poet's coy (or shy) mistress, the grant his desire for them to make love. He argues that for to delay makes no sense because 'at my back I always hear/time's winged chariot hurrying along near'. Much of his argument is made through a series of hyperbole (h-p rb-l) A figure of speech in which exaggeration is used for emphasis or effect, as in I could sleep for a year or This book weighs a ton. Here he is describing how slow they could move to consummate their love if there were no pressure of time. As all Cavalier poets, he supports the statement of "carpe diem", or "seize the day", that is an extension to the Renaissance code of chivalry.
Winning over a women is not always easy especially back in the fifteen hundreds. In “The Passionate shepherd to His Love” by Christopher Marlowe is about a man trying to win over a woman with all his exaggerated promises and almost perfect world for her. In “ The Nymph’s Reply to the Shepherd” by Sir Walter Raleigh is his response to Marlowe’s exaggerated promises to his love. He writes about how unrealistic Marlowe views are and describes the realistic event that will happen if the woman were to move in with Marlowe.
In the Elizabethan age most love poems had the intent of convincing the receiver of the poem to sleep with the author. Although these poems could be written in various manners they had the same end goal. One type of love poem played to the “Carpe Dium” mentality, in this type the author was more direct about his desire to sleep with the receiver. The poem “To His Coy Mistress” falls under this category. The poem begins with the recognizing her coyness and accepting it, he then compares his love for her “like a plant in growth” (page 276). After he goes on to compliment her:
In many works of poetry, there are numerous ways in which the reader can critique and analyze the poems content, theme, and other related subjects regarding critical approaches. The following paragraphs will demonstrate and analyze examples specifically regarding Marxist/social criticism in poetry. The poem that will be analyzed in this essay is titled "The Passionate Shepherd to His Love" by the sixteenth century poet Christopher Marlowe. My purpose for using these two critical approaches is to throw light onto the historical and social effects and demonstrations of this poem by Marlowe.