The Picture of Dorian Gray is a novel written by Oscar Wilde that stimulates the idea of aesthetics and morality especially during Victorian England. The novel encompasses ideas around the issue of devotion to art, which was at the time Wilde wrote the novel was very prevalent. The preface begins with Wilde reflecting on art, the artists as well as the importance and usefulness of the two. His conclusion to this idea is rather shocking, as he writes “All art is quite useless.” This line brings about shock yet truth behind what people thought of art during the Aesthetic Movement in Victorian England. Wilde’s belief is that real art does take any part in molding the social and moral identities or society because real art is just supposed to …show more content…
During Wilde’s time the aesthetic philosophy wasn’t just concerned with art, but rather concerned about life and how to live life. In that case aestheticism urged one to follow whatever behavior needed to get the maximum amount of beauty as well as happiness. This philosophy also says that to the aesthete life should mimic the art. Their lives should encompass great amounts of beauty and happiness. The only thing life needs to be is beautiful and beyond that, it is useless unless it is concerning the person that is living and experiencing the life. Truly it is my belief that rather than Oscar Wilde trying to promote the aesthetic lifestyle he is instead critiquing it and picking it apart piece by piece. The sudden rise and fall of Dorian Gray is a metaphor about morality because it critiques the philosophy that aestheticism promotes, which is that one should follow their impulses thoughtlessly and with no worry about consequences. Clearly one starts to see Dorian becoming corrupted by the philosophy regarding …show more content…
He promotes the philosophy with such sophistication yet boldness and still manages to persuade Dorian to trust the principles as well as make the reader captivated yet irritated by his verbose words. The reader would be making a clear mistake to interpret this novel as Wilde recommended aestheticism. To the person mesmerized by beauty and art, the aesthete, there is no difference or distinction between an immoral or moral act. There is however a distinction between an act that increases ones happiness and beauty or decreases it.With the aesthete, there is no distinction between moral and immoral acts, only between those that increase or decrease one’s happiness; yet, Dorian Gray refutes this idea, presenting a strong case for ingrained immorality that comes from living purely aesthetic lives. Dorian Gray the character, embodies the lifestyle the aestheticism philosophy promotes by striving for personal satisfaction and indulgence. But while enjoying the indulgences of life, his behavior ultimately kills not only himself but also others. In the end, Dorian dies unhappier than ever, which is definitely the opposite of what aestheticism aims for one to achieve. Rather than Wilde advocating for aestheticism in purest form The Picture of Dorian Gray is a novel that emphasizes the dangers
...s to live and experience as much as you can in the short time you are allotted. He shows how art can help an individual experience moments of exhilaration, but he also warns that one should connect to the innate beauty of art rather than impose their own morality into art. Though Dorian Gray fails to separate his own morality from art he is the character that most accurately illustrates Pater’s philosophy. Henry does illustrate the ideals of Pater’s philosophy through his dialogue, but the reader must not ignore Basil’s firm belief against Henry’s dedication to the words that he preaches. As Dorian embodies the ideals of Pater he also shows the dangerous side of Pater’s philosophy. Pater’s philosophy is not naturally corrupt, but when Dorian chooses to ignore morality through the murder of Basil he shows the wicked extremes to which Pater’s philosophy can be taken.
The classic novel by Oscar Wilde, The Picture of Dorian Gray inspires beauty, and romance. The main focus of the novel is aesthetics, a philosophical view detailing the nature of creation and appreciation of art and beauty. The tragedy of the young Dorian Gray after becoming misled by his companion, Lord Henry Wotton, is one that causes many to reform ideas on life and purpose. Lord Henry believes in hedonism, a thought stating that pleasure is the only true good; he declares, “The only things worth pursuing in life are beauty and fulfilment of the senses” (Wilde). This outlook is tempting for many persons, including that of the title character, Dorian Gray. In contrast to Lord Henry is an artist named Basil Hallward, whom perceives Dorian to be his muse; serving as inspiration, and purpose. Basil has many moral traits including trust, compassion, and kindness. His infatuation with Dorian causes him to change his art and style, composing an exquisite painting of the young boy. Basil states, “the work I have done, since I met Dorian Gray, is good work, is the best work of my life…his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently.” (Wilde). Dorian becomes so mesmerized by the beauty of the picture and the words of Lord Henry that he wishes for the picture to depict his sins and age, rather than his physical being. To the surprise of the young Dorian, his wish becomes fulfilled. This theme shares similarity to the Faust story, as the title character exchanges his soul for pleasures
The Supremacy of Youth and Beauty - The first principle of aestheticism, the philosophy of art by which Oscar Wilde lived, is that art serves no other purpose than beauty. Throughout The Picture of Dorian Gray, beauty reigns. It is a means to revitalize the wearied senses as indicated by the effect that Hallward's painting has on the cynical Lord Henry. It is also as a means of escaping the brutalities of the world, as Dorian distances himself from the horrors of his actions (not to mention his consciousness) by devoting himself to the study of beautiful things: music, jewels, rare tapestries. In a society that prizes beauty so highly, youth and physical attractiveness become great commodities. Lord Henry reminds Dorian of as much upon their first meeting, when he laments that the young...
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
The satirical novel “The Picture of Dorian Gray” written by Oscar Wilde depicts the detrimental effect of pure aestheticism that enacts upon people through the life of Dorian Gray. The beauty of art to Dorian has greater important than anything imaginable -- even his soul. I think the most intriguing element in this novel is how a pure aesthete can transform himself to a immortal narcissist. Dorian began as a very young, beautiful, and innocent man who attracts everyone with his looks. Everyone praised him for his good looks. The first signs of Dorian gaining or showing narcissist views is when he first saw the portrait that Basil the artist painted. Dorian is extremely jealous of the artwork’s ability to maintain its beauty for eternity while
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
The novel, The Picture of Dorian Gray, by Oscar Wilde shows the life of three men who are affected by art in the Victorian society. In Victorian times men were expected to provide for himself and his family, accumulate wealth, exemplify good morals and prove his masculinity. If a man did not show one of these qualities in the Victorian time his masculinity would be questioned. In the novel these men show three different sides to masculinity. Each character finds himself unhappy with the role he is forced to play in order to prove his masculinity. For them it seems in order to be successful or achieve happiness they must push past the gender roles society has placed on them. Basil Hallward represents the artist, Dorian
...y others to be a devoted aesthetic due to his concerns to consumerism and fashion, but not a feminist (Mintler 139). Thus, the neglect of women in Dorian Gray is evident and Oscar Wilde had more pursuit over aesthetics than the feminist movement, which is reflected by Dorian’s means of aesthetic pursue over the care of women.
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
The Picture of Dorian Gray, written by Oscar Wilde, is considered a story of moral corruption, by standards of 19th century victorians. Basil Hallward, a well-meaning artist presents the beautiful Dorian Gray with a portrait of himself. Befriending a man named Lord Henry and absorbing much of his character by indulging in many pleasures, Dorian wishes that significantly alters his life. "If it were I who was to be always young, and the picture that was to grow old! For that I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that" (Wilde pg.109). The devil that Dorian sells his soul to is Lord Henry, who is a very real and influential character, but also as a voice within him. Dorian continued to lead a life of sensuality which he learns about when he receives a yellow book from Lord Henry. Dorian's devotion to pleasure consumes his entire existence until he’s left in a state wondering about his purpose, expressing Wilde’s opinion about the point of a piece of art.
Though Wilde wrote in the preface to this book that, "To reveal art and conceal the artist is art's aim", we can still trace the shadow of the author himself in all of the three major characters. Basil Hallward, the artist who painted the picture of Dorian Gray, probably has a homosexual attachment to the young Dorian. And as a homosexual himself (or to be exact, bisexual, because he also loved his wife and two sons), Wilde here might be commenting on the enforced secret homosexuals' lives in the late nineteenth century. Seemingly striving after impersonality and aesthetic perfection in his work, Basil feels the greatest anxiety of having put "too much of himself" into his picture of Dorian (Chapter 1, page 20) that he can't exhibit it. To display his work of art in public would, in a sense, amount to exposure of Basil's attraction to Dorian Gray.
In the novel The Picture of Dorian Gray by Oscar Wilde the eponymous character Dorian follows the lifestyle of New Hedonism. This lifestyle advocates a complete abandon to your impulses, and does not believe in following social dictates or morals. The book illustrates the long-term effects of new hedonism, showing the destruction and death Dorian creates due to following this creed, eventually leading him to complete madness and his own destruction.