The Sad and the Beautiful In 1997, millions of people gathered into movie theaters to watch one of the most tragic movies of all time: Titanic. Undoubtedly knowing what they will get, the people were willing to go and watch over three hours of a painful story that would end up with over a thousand people dying. Hardly no-one, however, would have been willing to witness the sinking ship in the North Atlantic Ocean – not even safely on the rescue boats. This inconsistency between the experiences looked for in real life and on the screen is commonly referred to as the paradox of tragedy (Smuts, 39). What drives us to seek negative feelings on the screen? Titanic won 11 Academic Awards and therefore it is safe to say that it has a vast artistic …show more content…
Courageous is the word to describe Jack Dawson’s personality after Titanic starts sinking as he fearlessly sacrifices his life in order to save the life of his loved one. This virtuous and honorable act is the main point for a Stoic who explains the beauty of Titanic. Courage is virtuous, virtue is honorable and being honorable is beautiful. According to the standard definition of beauty, there should be pleasure in this chain of arguments. However, there is no need for it as the Stoics can explain the beauty of Titanic without pleasure. The Stoic philosophy can explain the success of at least one tragic movie in a satisfactory way. Conventionally good-looking actors were chosen instead of the ugly ones as aesthetic beauty is a preferred indifferent. However, the key to success was the honorable and virtuous acts that the movie captures. In contrary to Titanic, in The Baseball Diaries, less significant good than virtue, namely a handsome actor, deceived the movie makers until the box office decided that good looks is “less important than they had expected” (sourcebook …show more content…
Most of us will not experience as tragic fate as the passengers of Titanic, but letting go a person you love after a break up or saying last goodbyes to your parents are surely sorrowful. These are incidents that can drag one into deep depression if he has not learned how to handle negative emotions. If Jack Dawson did not have to die in order to save the life of his lover, would Titanic be as popular as it is? The action would still be honorable as he had saved a life, but there would have not been a lesson taught about loss. The movie would not have a cathartic element without the death of Jack. Aristotle writes in the Poetics that catharsis is the purification of negative emotions, “pity and fear” (sourcebook, 96). According to Smuts, this purification means that the viewer becomes immune to negative feelings (50). The viewer not only becomes less sensitive towards negative feelings, but the process also teaches him how to handle the negative emotions in the case of a real situation. If Jack Dawson had survived, only the Stoic viewers would have gathered into the theaters to enjoy the virtuous story. However, the majority of the people seek something more than virtues, thus, adding the lesson about human loss made Titanic a huge hit. A Stoic philosopher might have been able to predict The Baseball Diaries to flop, but a Peripatetic made Titanic a hit. Beauty of Titanic derives from the virtuous story; the cathartic
Tragedy acts as an antidote to human fallibility; it also warns individuals of the dire consequences of follies in a way that comedy cannot. It accentuates how a character of high rank falls from grace due to his or her character flaw. More importantly, the downfall evokes pathos, which results in the viewers’ emotional cleansing and purging. In Richard Van Camp’s short story, “Mermaids”, the main character “Torchy” is a native Indian who struggle to find a goal in life. To cope with the loss of his brother and his traumatic life, he abuses alcohol and drugs.“Mermaids” is not considered as a tragedy since the main character does not fulfill a noble tragic hero, he does not go through peripeteia, and the ending of the story does not let the
Heroes in literature and history, more often than not, meet tragic ends, unless they were created by Walt Disney. These particular people are often seen as someone who is apart from the masses in morals and attempt to accomplish a higher calling for the common good. The problem with this type of hero is that they are destined for suffering.Two such characters exist in classic literature, Winston Smith of George Orwell’s 1984 and Hamlet of William Shakespeare’s “Hamlet, Prince of Denmark.” Hamlet is the true classic tragic hero, though, because he is of noble birth, possesses high moral standards, completes the task he is given to better the world, and causes tragedy in both his life and the lives of others.
To begin, I will give a brief overview on the effect emotions have on our media viewing experience. In particular, I will be examining the work of Noem Carroll and Carl Plantinga. Second, I will give a brief overview of the research that connects political humor viewing to positive outcomes including increased political knowledge, and the ability to learn various view points as well as greater understanding of one’s own viewpoint. Though, I understand that their is a raging debate between cognitivist and non-cognitivist. My goal is not to take a position on the debate, but I am merely going to give a brief overview of the literature on film and emotion. On one hand, Carl Plantinga argues that emotions can be defined as "Concern Based Construals.” To highlight this meaning, let us imagine that as I am writing this paper, I hear loud noises, as this is going on, unconsciously, my heart rate increases and respiration increase and I begin to develop the emotion of fear. This is similar to Noel Carroll’s theory of emotion, if not complimentary to Plantinga’s view. Carroll would say that emotions act as searchlights to help us focus on the perceptions necessary to deal with the current experience. Plantinga would concede that many of the affects associated with emotions occur in the cognitive unconscious. So, Plantinga is not saying that, “Emotions are mere judgements,” As Robert Solomon would claim, but emotions are driven by experience based on one’s personal perception. In other words, Plantinga is saying the these construals are based on one’s personal experiences, whether conscious or not. However, something should be said about Construals in of itself, th...
“A Worn Path” told the story of an old woman named Phoenix Jackson. She had to make a long, adventurous journey to town in order to receive medicine for her grandson who had fallen ill. Phoenix Jackson was determined to reach her destination, and she did not let anything stand in her way. Throughout her voyage, she displayed characteristics of being brave, unselfish, and senile.
Often when we think about the Titanic the first thought that comes to the mind is the film “Titanic” which was produced in 1997, 85 years after the disaster struck. It starred Kate Winslett (Rose DeWitt Bukater), Leonardo DiCaprio (Jack Dawson) And Billy Zane (Cal Hokley) as the main characters. The film is about a love triangle between the three main characters. This movie was produced by James Cameron who put enormous amount of research about the shipwreck of the titanic in order to depict the turn of events in his film. Amongst the purposes of his research he wanted to accurately depict the ship wreck itself from the very instant the ship hit the iceberg to the very last part of the ship that was subdued into the water. Another very significant part of Cameron’s research was to understand the socio-economic status of the passengers which will be discussed in detail later. Although historians have criticized certain aspects Cameron’s film the accuracy in which he depicts certain aspects such as the socio-economics of the passengers can’t be ignored.
It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea...
…The tragic feeling is evoked in us when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing -- his sense of personal dignity. …The underlying struggle is that of individual attempting to gain his "rightful" position in his society. … Tragedy…is the consequence of a man's total compulsion to evaluate himself justly.
We live in a society where a life of another human being is losing value by the minute, murder is almost more common than marriage, and monsters no longer lurk under our beds but inside us. Even sadder, this is acceptable; this is our normal. When we are children, we have an indescribable innocence; we are invincible. As we grow up, life happens, and we go through hardships that break us. Stephen King says it best with the words “sometimes inhuman places create human monsters” (Stephen King, The Shining) It is in the battle of finding ourselves in the process of trying to pick up the broken pieces. We tend to feel our losses more intensely than our gains- the exact reason we often see the walls we build from our past and not the strength gained in our experiences that aid us in our futures. We all have both good and evil in us, and we become the one we choose to act on. The majority of us choose to represent our good side, the more socially acceptable choice, but some fall victim to their darkest self. However, in order to survive in our society, we generally act on the good in us, and in order to maintain the good, we must feed the bad sometimes. This Is why I agree with Stephen king on his view of why people like horror movies?
We all have cravings, be it for snacks or sweets, there is always something we desire. We crave horror in the same way. In Stephen King’s essay, “Why We Crave Horror Movies,” he argues that people need to watch horror films in order to release the negative emotions within us. King believes that people feel enjoyment while watching others be terrorized or killed in horror movies. King’s argument has elements that are both agreeable and disagreeable. On one hand he is acceptable when claiming we like the thrill and excitement that comes from watching horror movies; however, his views regarding that the fun comes from seeing others suffer cannot be agreed with because the human condition is not as immoral as he claims it to be.
“Courage - a perfect sensibility of the measure of danger, and a mental willingness to endure it.” Courageous people understand the danger that they face when they act how they do. That is what courage is all about. Many historical events occur due to people having the courage to do what they think is right, or because of those who use their courage to do what they want. Having the courage to stand alone in one’s beliefs may be one of the hardest thing a person can do.
Hardy uses strong meaningful diction to convey his thoughts of the sinking of the Titanic. Words such as “vaingloriousness”, “opulent”, and “jewels in joy” illustrate Titanic for the reader so that he/she can picture the greatness of the ship. Phrases such as “Lie lightless, all their sparkles bleared and black and blind” describe what the Titanic looked after the sinking, loosing all of its great features. Hardy’s use of strong, describing diction depicts his view of the ship, before and after.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
The appeal of horror film is effective due to the traits of the human mind. Filmgoers of horror leave theaters with a positive train of thought, yet the negative nature of the content presented points to psychological factors which cause their enjoyment. Answers are found by looking at the psychological factors, how an individual processes emotional arousal, identifies with issues that they consider relevant, and perceives reality, help to explain why films presenting such horrific imagery excites many people. Many horror franchises create a level of violence and gore that is offensive to most, yet viewers continue to swarm theaters, making the horror film industry extremely profitable. Graphic horror cinema relies on shocking imagery as much as storytelling to create an effective type of entertainment. The subject matter, alone, does not provide enough attraction to bring back viewers. When looking at the psychological drivers behind the films, it can be seen that the composition addresses a level much deeper than the entertainment that makes horror
Within the context of film industry, the film Titanic by James Cameron belongs to epic romance/ disaster genre. The film, released in 1997, was a global box office hit because the director provided equal importance to history, fiction and romance. To be specific, one can see that the film’s plot is based upon the history of RMS Titanic. On the other side, the main characters including the protagonist and the heroine (Jack Dawson and Rose DeWitt Bukater/Dawson) are fictional characters. Besides, the element of romance between the main characters (Jack and Rose) is the film’s main attraction. Thesis statement: The critical analysis of the film Titanic proves that the innovative mode of storytelling (flash back and other techniques), Acting, Cinematography, Editing, Sound, Style and Directing (equal importance to fictional and historical characters), Societal Impact, and Genre (epic romance/disaster) are the most important factors behind the film’s success as a historical/fictional masterpiece (special references specific shots, scenes, characters, stylistic devices and/or themes).
Now you stand up, brush the flecks of popcorn off your shirt, and leave the theatre. Tomorrow, when you tell your friends that the movie was exciting, thrilling, and heart-stopping you’ll most likely be describing one thing - violence. Never mind the unanswered questions of identity; it’s the gun that made your heart race, the blood that made your hair stand on end. Does this mean you can’t be thrilled without violence? Certainly not. What it means is that violence does thrill. Aside from being a biological fact, it also happens to be one which filmmakers have learned to expertly exploit. When properly employed, almost any object or action can set the heart thumping and send a chill down the spine, but to do so requires greater-than-average skill on the part of writers, directors, and actors, whereas simple violence requires relatively little of these things. What motivates filmmakers to put in all that effort to replace a “cheap thrill” with a sophisticated one? Why do extremel...