The War-of the-Sexes in Eumenides
In this essay I will examine the war-of the-sexes taking place in The Eumenides, the final play of The Oresteia. The plot of The Eumenides pits Orestes and Apollo (representing the male gods and, to a certain extent, male values in general) against the ghost of Clytemnestra and the Furies (equally representative of female values.) Of more vital importance, however, is whether Athene sides with the males or females throughout the play.
The character of Orestes is somewhat down-played in The Eumenides and in fact his role is far less significant than that of Apollo. Our first sight of Orestes sees him in a contradictory stance at Delphi, "Orestes holds a suppliant's branch in one hand, wreathed with a shining, pious tuft of wool, but in the other hand a bloody sword - bloody from his mother's wounds or from Apollo's purges, or both, since purging contaminates the purger and Apollo's shrine is polluted either way." (Fagles, R., The Serpent and the Eagle, p. 73, Penguin Classics, 1977.) Orestes admits his guilt (with no small amount of rationalization) but also attempts to place the bulk of the blame on Apollo, "And Apollo shares the guilt - he spurred me on, he warned of the pains I'd feel unless I acted, brought the guilty down." (Aeschylus, The Eumenides, Robert Fagles Trans., lines 479 - 481, Penguin Classics, 1977.) Apollo is representative of the new gods and, more particularly, of Zeus. "In the rapid succession of scenes at Delphi the representatives of the male and female divine forces appear before our eyes in bitter enmity with each other. And, they are indeed only representatives. Apollo speaks with the voice of Zeus... and hence of the Olympian patriarchy..." (Harington, J.,...
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... of Athens - all will praise her, victor city, pride of man." (Aeschylus, The Eumenides, Robert Fagles Trans., lines 919 - 926, Penguin Classics, 1977.) Note she even uses a masculine construction in this statement (I love them as a gardener loves his plants.) And ultimately where actions are used to imply character, Athene's works are all in the interests of the male, when acting in the interests of the female (or, indeed, of herself) she is merely acting with diplomacy.
Works Cited
- Aeschylus, The Oresteia, Robert Fagles Trans., Penguin Classics, (1977).
- Fagles, R., The Serpent and the Eagle, Penguin Classics, (1977).
- Harington, J., Aeschylus, Yale University Press, (1986).
- Sommerstein, A. H., Aeschylean Tragedy, Levante Editori-Bari, (1996).
- Thomson, G., The Oresteia of Aeschylus, Czechoslovak Academy of Sciences, (1966).
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The multi-purpose arena that I have chosen to evaluate is Boston University’s Agganis Arena. This arena is considered to be the next generation of Boston sports and entertainment by incorporating the latest multimedia technologies and providing the finest possible sight lines and views of the action. The arena is located within Boston University's new $225 million John Hancock Student Village, a 10-acre hub of activity designed to be the thriving center of student life and athletics, Agganis Arena is a state-of-the-art, multipurpose sports and entertainment center scheduled to open in January 2005. A 290,000-square-foot premier venue with 6,300 seats for hockey and ice shows, the Arena is expandable to over 7,200 seats for concerts, sporting events, and family shows.
Both Orestes and Apollo publicly state that Orestes’ motivation primarily came from Apollo. For Apollo confesses in the Eumenides, “I share responsibility for his mother’s execution.” (Eum. 585-86). Apollo takes partial blame for the murder of Clytamenstra, for it was Orestes’ fear of Apollo that drove him to commit matricide. While testifying to the jury, Apollo attempts to show that the murder of Clytamnestra and the murder of Agamemnon are completely inequivalent (Hall 260). Agamemnon, the champion of the Trojan War, came home victoriously from a ten-year campaign just to suffer a humiliating death at the hands of his wife. This same woman kills Argo’s king, yet doesn’t receive any punishment for her actions. Since Clytamnestra killed his father Agamemnon, Orestes has another reason to justify his actions. Apollo’s intervention as a witness give Orestes authority over what he says, since Apollo can never tell a lie (Eum.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
The mission that Verizon Wireless pursues is as a leader in communications, Verizon's mission is to enable people and businesses to communicate with each other. We are also committed to providing full and open communication with our customers, employees and investors. That’s just the beginning on their home page. Verizon has other values like customers first because they are ultimately the people that make them. Integrity always at the heart of everything they do. Respect is the critical component at every level of business. Performance Excellent Verizon holds itself to high standard of performance. Accountability holds each other responsible. “Great Companies are judged by what they do, not by what they say” Verizon Wireless
At the beginning of Huck’s moral journey, Huck is no more than a young boy just starting to develop his understanding of what is right and what is wrong. Huck has grown up under the conflicting influences of his abusive, drunk father, Pap, and his guardian, Widow Douglas. The Widow tries her best to educate and civilize Huck, whereas Huck’s father tries to drag Huck down and feels that a son shouldn’t be better than a father. Up to this point in Huck’s life, Huck has never had to think about what is right or wrong; he was always told by the Widow or Pap. Huck’s moral journey begins when Huck breaks free from the influences of the Widow and Pap, and is finally able to begin to decide for himself what is right and wrong as well as to develop his own moral conscience.
Personal Development, one of the core values at Saint Leo University, plays an important role in students’ daily lives. From the moment you step foot on campus to the day you graduate, you automatically become a different person. As a first year student, you are entering a new life and not knowing what to expect. Once you are in college, it is the start of a new chapter. You will become more mature and all the obstacles that you will go through will make you a different person. In order to have a successful Undergraduate experience, it is crucial to have a balance between personal life and school. Your personal development will strengthen your academics and the community. The Campus Life Handbook states, “Saint Leo University stresses the development of every person’s mind, spirit, and body for a balanced life. All members of the Saint Leo University community must demonstrate their commitment to personal development to help strengthen the character of our community” (Saint Leo 1). Based on the Saint Leo core values, personal development, responsible stewardship, integrity, respect, and community exemplifies Medea’s character as a Hero devolving throughout the play.
Stonehenge, called the most photographed site in the world, draws nearly a million visitors a year, almost half of them from the united states (Wendy Mass 9) After Stonehenge has mystified an impressed generation of visitors and scholars who traveled to Salisbury plain in Wiltshire, England, 80 miles west of London, to marvel at the wonder of this ruin (Wendy Mass 8) but why is this ruin so magnificent? What draws so many people to it? Is it because the question of who built it and how it was built still lingers in the minds of many today. These questions have kept the mystery of Stonehenge alive for thousands of years, and the combined investigative efforts of historians, geologists, engineers, archaeologists, astronomers, chemists, and philosophers have continued to uncover more questions than answers (Wendy Mass 8)
Did you know Venezuela is officially called the Bolivarian Republic? Venezuela is a country located on the northern coast of South America. The capital and largest city of Venezuela is Caracas (officially called Santiago de Leon de Caracas), which is home to nearly two million people. Venezuela was founded on July-5-1811. One of the beautiful place or view in venezuela is Angel Falls. Angel Falls is the world's highest waterfall (with a height of 979 meters and a plunge of 807 meters.) The flag was designed by Francisco de Miranda and the his design was also the inspiration for the flags of Colombia and Ecuador. I chose these three feature from the flag of Venezuela which are the horizontally striped yellow-blue-red national flag, the arc of eight white stars in the centre and the national coat of arms of venezuela in the upper corner.
In modern day society, female gender roles are defined in several of forms; ranging from the stereotypical concept of women being the primary caretakers to women being the dominant sex. After analyzing two sources of past literature, two iconic women represent personas of both social standings. In the literary works “Genesis” of The Hebrew Bible; along with, “Lysistrata” by Aristophanes, impactful phenomena take place in the era of these women.
In Aristophanes play Lysistrata, the women of Greece take on the men to stop the raging war between the Athenians and the Spartans. To stop the war, the women withhold sex from their male counterparts, and take over the Acropolis for themselves. The women are indeed triumphant in their goals to stop the war, and the Athenians and Spartans come to an understanding. What is blatantly ignored, however, is that Aristophanes creates a gender war that, although seemingly rejoices the actions of the women, instead mocks the women’s power-struggle in a male dominated society, focuses on the male-privilege seen throughout the entirety of the play, and should be disregarded in the fact that this play is not even from a women’s perspective.
When a person is accused of a crime they are either found innocent or guilty. This is the basic idea of justice and it is what many feel needs to happen if someone has done something controversial. In the play The Oresteia by Aeschylus, the story of Clytemnestra guilt or innocents is questioned. She does many things that people are not too happy with and those controversial actions throughout the story, mainly in the first part Agamemnon get her into the trouble. As we explore the case that builds against her innocents by exploring the killings of Agamemnon and Cassandra and the boastful expression about the killings.
“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women.
Centuries of traditions has enabled men and women to define gender roles in society. Although some critics declare gender roles do not exist today, others believe they do. In society, men and women are defined by gender roles throughout their activities and emotions. A doctor is typically portrayed by a male while women rear the children and cook for the men. However, although still in existence, today these roles are less obvious but tend to have similar meaning when compared to the past. In ancient Greece, women suffered great hardships. Currently, females work, vote, and run for office. In comparison to ancient Greece, these activities are a phenomenal leap from being under the direct supervision of a male husband.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.