The Namesake Essay

1409 Words3 Pages

WR098
Layan AlSharif
Essay 3
Outlooks on Modern Marriage The modern concept of marriage is different than what it was many years ago. The realities of love and marriage are constantly being challenged by highly educated and working women. Jhumpa Lahiri, through her novel The Namesake, narrates the story of the Gangulis: a Bengali family who immigrates to America. Ashima, the mother, gives birth to Gogol who represents the second generation of the immigrant family. The novel examines one outlook on modern marriage: using love to satisfy temporary needs rather than having a relationship dependent on actual feelings of trust and loyalty. Lahiri shows this outlook by providing a detailed view into Gogol’s series of unsuccessful romantic relationships, …show more content…

Unlike his parents, he uses love as a mean of rebelling against his past and trying to form his own identity. Gogol’s love life is intense and filled with openly sexual relationships with three different women. As Gogol grows older and passes through different life stages, his outlooks on life and self-identity change. Therefore, the women he is attracted to represent his development; each signify a stage in his identity crisis. Gogol’s first relationship is with Ruth. This relationship represents Gogol’s life stage as a college student at Yale. In this new place, where he is nervous about introducing his origins, and fears being rejected as an immigrant, Ruth “expresses interest, asking about his visits to Calcutta” (The Namesake,111). He feels closely attracted to her as he “begins to meet her after her classes, remembering her schedule” (The Namesake,113). The identity she represents is that of a typical Yale student, and therefore, he finds himself attracted to her. However, when she returns from a trip to England, she is back with a new identity; one full of British phrases which does not fit Gogol’s identity. Their relationship ends as they both realize that they have …show more content…

Their entire definitions of love and marriage are being re-examined as we pass from one generation to another. The outlooks on modern marriage are introduced by Lahiri, Larson, and Guest. Lahiri shows how love these days is used as a temporary satisfying tool. Larson suggests that marriage is not required anymore, in contrast with the past, and Guest proves that marriage does not guarantee happiness. We live in a world where divorce is widespread, and many suggestions are being made to update the traditional family and marriage model. The future of the concept of marriage is hard to predict, and young adults are confused on the idea of marriage, but who can blame

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