The Mud Turtle Quintet
On Tuesday, March 21, 2017, I had the at most pleasure of attending the Mud Turtle Quintet at the Stafford Center for Excellence for Visual and Performing at the recital hall. The quintet consists of instruments ranging from acoustic and electric guitar, both played by Marc Rosenberg; viola, played by Faith Jones; violin one played by Rachel Shepard; violin two played by Melanie Riordan; and cello, by native Ukraine, cellist Vyacheslav Dobrushkin. The band played unique and emotionally captivating combinations of modern Afro-Cuban or Latin American music for string quartet and guitar
The program was divided into three main pieces; all the movements were from the modern era. The first movement was by Bryce Dissener (b.
Ringing in the New Year, we’ve chosen an individual who has created his own music and created interesting remixes of other songs over the course of (now) 16 years. We enjoy the twists he plays on his music and admire his efforts to take his music to live performance stage. Local to Brick Township, NJ, Brian Stewart (DJversion666) started out, born and raised, in Evansville Indiana, playing in a multitude of bands, playing bass and/or singing various genres of music. Upon moving to Nashville, he has done studio work, laying down bass tracks for commercials and advertisements. Continuing down the path of music Stewart attended Berklee College of Music in Boston, Massachusetts. He combines various genres and ties them all together with an industrial sound.
Various reform movements and revolutions occurred in the time period between the years 1825 through 1850. Justice, freedom, liberty, equality, and the purist of happiness are all democratic values considered to enforce the reform movements of this time period. The democratic ideals tried to cut the social separation and discordance present in America mainly between the south and north sections. Originating from the Second Great Awaking with vast religious reinforcement democratic ideals spread through the new reform movements. Main movements that supported the democratic views included the Second Great Awaking revival, antislavery reform and more equal rights movements for women and men.
Synchromism was the first American Avant Garde artistic movement started in early 20th century Paris by two expatriated artists from the United States, Morgan Russell of New York (1888-1953) & Stanton MacDonald-Wright of Virginia (1890-1973). Artists of the time were always working on new and inventive ways to show the importance of the movement. The two young artists met in Paris and established this movement on the influences of Paul Cezanne, Henri Matisse, and the Post Impressionists movement, which is the idea of color superseding the importance of the subject. They were able to evolve these post-impressionist ideals by implementing the use of Musical Theory, which is a style in which music and sounds would define certain hues and shades in their painting to represent movement, emotion, and expression. Music can be broken down into elements like rhythm, form, and structure while the same can be done with art, and this style bridges the gap between the two disciplines. Russell and MacDonald-Wright incorporated Musical Theory into their artworks in a simi...
The progressive movement of the early 20th century has proved to be an intricately confounded conundrum for American historians. Who participated in this movement? What did it accomplish, or fail to accomplish? Was it a movement at all? These are all significant questions that historians have been grappling with for the last 60 years, thus creating a historical dialogue where in their different interpretations interact with each other.
George Helmholtz, as the head of the music department at Lincoln High School, is very determined with his regular students and the gifted musicians of the band. Each semester and year at school he dreams of “leading as fine a band as there was on the face of the earth. And each year it came true”. His certainty that it was true was because he believed there was no greater dream than his. His students were just as confident and in response, they played their hearts out for them. Even the students with “no talent played on guts alone” for Helmholtz.
This piano concerto adheres to the tradition way of composing a piece in this genre as it consists of three movements:
The history of the Concert Band and Wind Ensemble will be reflected through a timeline of events, including an analysis of significant events, groups, composers, and advancements. When society envisions a Wind Ensemble, talented musicians, grand music halls, and difficult arrangements typically come to mind. However, a modern-day Wind Ensemble includes a variety of musicians, each with positive and negative aspects. In society today, music is greatly appreciated and accepted. It is considered an honor and a privilege to expose our ears to the music.
On Friday November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra but as a special the Slippery Rock University Concert Choir was also there.
The Scooby Doo gang is made up of 4 kids and a dog who go and solve mysteries together. Each member plays a very important part in the gang. Let’s talk about two of them. The first one is team leader Fred Jones and the other one is the one who is bait for the trap that is Norville Shaggy Rogers. Both of these members are different in many ways, but they are also the same. For the gang to work properly they need both members.
On Wednesday, May 23rd, I attended the College Choir concert in the Reamer Campus Center. The choir performed a variety of songs, ranging from pieces in Latin to traditional American folksongs. Two of the pieces featured solos, and one even featured percussion instruments. Mrs. Elinore Farnum provided piano accompaniment for each of the songs, and performed beautifully. I was extremely impressed by the talented choir members and their ability to sing such a varied range of songs.
...frican American Musicians as Artists, Critics, and Activists. Berkeley, CA: University of California, 2002. 54-100. EBSCOhost. Web. 8 May 2015.
Compared to all the other concerts that I have gone to, the Ron Eschete Trio concert was a definite change in atmosphere. On February 23, 20001 I attended a concert held at Ahmnson Building in Los Angeles County Museum of Art, featuring Ron Eschete on seven string guitar, Todd Johnson on six string bass, and Paul Humphrey on drums. It was three hours long, from 5:30 to 8:30. I arrived there little late because it said to be held on times mirror central court but it was actually playing at lower level of Ahmnson Building.
The band attests an easily bent temperament when digging “Triste Beleza”, an illustrative bossa nova appointment propelled by Stryker’s luxurious acoustic guitar voicings, Stewart’s gentle brushwork, and Diaz’s fortifying conga
The house lights fade. Full focus is now on the stage. Instrumental music (Alive Again Intro) plays. The sold out crowd at Concert Hall Boerjerij, in the Netherlands, springs to it's feet. Loud Cheers and applause follow. For they know what's next. For in their immediate future, one of the most talented / tightest progressive rock bands in today's current music scene, will entertain and dazzle them for the evening. And that they do. Ladies and Gentleman may I introduce; The Neal Morse Band. In concert, promoting their newest studio creation; The Neal Morse Band - The Grand Experiment (2015).
On November 10, 2016, I attended a concert at Washburn. The concert I attended was located at White Concert Hall. It consisted of a baritone opera singer from California state University, a soprano singer, and a piano player. Dr. Anthony Radford was the name of the guest baritone singer from California. The soprano singers name was Dr. Andrea Gibson. Lastly the solo piano player’s name was Patricia Gibson.