Moliere wrote the play in such a way that it becomes witty, lyrical and even conversational, keeping the audience happy and engaged throughout.
What’s interesting about The Misanthrope is how the playwright approached these themes. For instance, Moliere suggests that lying and deceit are a consequence of civilization. A natural man— a simple man—would not have reason to lie. Civilization has changed the way the world works and unfortunately, dishonesty is a part of that.
Food for thought: in The Misanthrope, however, lying is merely a tool that is not moral or immoral until it’s used in a moral or immoral way.
Another major theme that can be found throughout The Misanthrope is hypocrisy. The moral people are hypocrites, the immoral are hypocrites, heck, everyone is a hypocrite. This play doesn’t give you a choice between being a hypocrite and not being a hypocrite—it simply lets you decide which kind you’re going to be. Thus, the play is written to suggest that hypocrisy
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But the big question is, is love a game, torture or being blind? There’s a lot of talk of love in these comedy pieces, but what makes it so comedic is that no one seems to know and understand what love reallyis. The Misanthrope searches for the proper balance between reason and love. Molière would not likely advocate giving oneself completely over to "the irrationality of love." Some tact and observance of decorum is certainly necessary. But, one must be assertive in satisfying one's emotions. Part of the comedy of the play derives from the romantic dormancy of the suitors. They show up at Célimène's house and essentially sit around and wait on her to bestow her affections upon them. At least Alceste actively discusses his attraction to Célimène, however angst-ridden that attraction may be. Philinte may be the only character who gladly accepts love's irrationality. He and Éliante appear truly happy at play's
When we think about the force that holds the world together and what makes humans different from animals, one answer comes to our minds - that humans can love. Love is a state of mind that cannot be defined easily but can be experienced by everyone. Love is very complicated. In fact it is so complicated that a person in love may be misunderstood to be acting in an extremely foolish manner by other people. The complexity of love is displayed in Rostand’s masterpiece drama Cyrano de Bergerac. This is accomplished by two characters that love the same woman and in the course neither one achieves love in utter perfection.
created the play as a comedy, showing how the world might be in the times of the
In literature, deception can provide motivation for the characters, provide comedy, play a part in the advancement of plot or exist as a sub-theme. The works considered in our studies thus far provide prime examples of the use of deception in the aforementioned ways. This essay will focus on the act or acts of deception in Tartuffe by Molière, Phaedra by Racine, and The Marriage of Figaro by Beaumarchais.
Love is something that is so beautiful it brings people together, but at the same time it can be the most destructive thing and it can tear people apart. Edmond Rostand's play, Cyrano de Bergerac, is a tale of a love triangle between Cyrano, Christian, and Roxane. In the play, Cyrano helps Christian make a false identity about himself for Roxane to fall in love for. Christian had the looks while Cyrano had the personality, together they could make the perfect man. Throughout the play, you see similarities and differences between Christian and Cyrano’s personality, looks, and who they love.
The play "Tartuffe", by Moliere, is a work that was created to show people a flaw in their human nature. There are two characters who portray the main flaw presented in the play. Both Madame Pernelle and Orgon are blinded to the farces of Tartuffe and must be coaxed into believing the truth. The fact that Orgon and Madame Pernelle are too weak to see the truth is an important theme of the play.
Although it is considered wrong to tell lies, it seems that literature has offered us situations where telling lies isn’t necessarily bad. Of course, lying often has a tragic outcome, but not always for the person or people who told the lie or lies. Oftentimes, these unfortunate outcomes are directed at the person about whom the lie was told. Furthermore, these stories have explained that dishonesty can result in success for both the liar and the target. Maybe we have been teaching the wrong values to our children.
Molière’s play “Tartuffe and Oscar Wilde’s play “The Importance of Being Earnest” both demonstrate a comical portrait of hypocrisy. In “Tartuffe”, the main character Tartuffe is seen as a religious hypocrite who takes advantage of Orgon’s wealth and agrees to marry his daughter, Mariane against her wishes. In “The Importance of Being Earnest”, Jack and Algernon both lie about their identity to get the woman of their dreams. The authors use the concept of double personalities in the play to reveal the deceit and lies to represent the theme of hypocrisy. In fact, hypocrisy is not only displayed in the characters but in the play as a whole. Additionally, the plays are both hypocrital in ways that they do not follow the structure of comedy.
A morality play, not unlike some of the popular plays I have seen. I think we all have seen this familiar theme many times over the years. As we head into the Christmas season, where reflective thinking becomes this very theme. I can compare this play with some of these seasonal plays. The play that comes to my mind immediately is, "A Christmas Carol" by Charles Dickens.
Moliere’s Tartuffe is said to depict the true hypocrite because it’s main character Tartuffe, acts like a pious man while his intentions are in fact, very cruel. True to the definition of hypocrisy, Tartuffe’s actions are in complete disagreement with his thoughts. However, contrary to Gilde’s complete description of the word, Tartuffe has not ceased ‘to perceive his deception’. Tartuffe is cognizant of the difference between his thoughts and actions. When the audience is first introduced to Tartuffe, he gives himself away as a pseudo or a man who is not truly pious; “[Observing DORINE, and calling to his manser...
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations.
Alceste, the generous misanthrope who, in spite of his philosophy of life and knowledge of the world’s imposture, loves a heartless coquette.” Moliere found inspiration in his life; “undergoing the discouragement, indifference, toleration, praise, and envy” was the journey of Moliere’ life, and he continued to express knowledge of the world in his literature
There are four main couples in the play, but only three couples we could see the development of their love, they are Rosalind and Orlando, Silvius and Phebe, Touchstone and Audrey. Today, I am going to talk about the contrast of love between these three couples.
... look into the depth of the play, the reader understands that it was not real love reigning in the lives of the young people. Even the name of the comedy confirms this idea. Much ado about nothing - that was the best description of the development of the events. "Every principal person has become involved in an error," said Bertrand Evans. The final marriage was an error, too. Although people have different opinions about real love, there is one thing that is always common about this subject: love comes once, it never leaves, never fades, never causes doubts. When two people experience real love, they fly in the skies, but at the same time they are always ready to stand firm on the ground of every day life. Hero and Claudio never stand firm, when Bene*censored* and Beatrice never fly. Although love is the main topic of the play, it never appears in the plot.
A very intelligent novelist, Oscar Wilde, catches his reader’s attention in his satirical play, An Ideal Husband, through a humorous drama filled with political scandal and blackmail. Wilde sucks his audience into the romantic comedy by placing the reader with the characters throughout all their battles—in which he points out their bad habits and their faults. Wilde accomplishes drawing readers in by creating the satirical message of his play through satirical elements such as exaggeration, sarcasm, and irony. Wilde accomplishes achieving the satirical message that he intended for the readers through his use of exaggeration. He begins by Mrs. Cheveley spitefully telling Lady Chiltern that her “house” is “a house bought with the price of dishonor” and how “everything” in the house has “been paid for by fraud” (61).
He focuses on exposing of the hypocrisy of Tartuffe throughout the story. Orgon has taken Tartuffe in his house, and given him food and shelter. In the family, everyone believes that Tartuffe is a hypocrite and fraud, expected Orgon and his mother; Tartuffe isn’t getting any respect from the other characters, Orgon is wealthy and powerful man, he trusts Tartuffe as holy and righteous man and listens to anything he says in which Orgon looks like fool. He does not even realize that Tartuffe takes advantage of him and manipulates his behavior. The character of Tartuffe contains most essential trait of hypocrisy. Moliere depicts his hypocritical behavior and vice in an exaggerative way, it is effective to criticize and uncover the religious hypocrisy in the society through description of the character