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Chaucer's view on the characters of Canterbury tales
Chaucer's view on the characters of Canterbury tales
The characters of canterbury tales chaucer
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In Chaucer's Canterbury Tales a storytelling competition is proposed by the Host. In his mind, it was only proper for the Knight to tell his story first. The sneaky Host rigged the drawing of straws and the Knight won the honor of going first. He told a Roman Epic of loyalty and love, set in classical antiquity that portrayed his gallant manner and elevated social class. The Miller's Tale, a parody of the Knight's Tale, came next. The Miller's Tale was more contemporary and left out many of the ideals that were displayed by the characters in the Knight's Tale. This fabliau told by the Miller seemed to debase the Knight's Tale and also to debase the Knight himself.
Although the Knight and Miller's Tales are very similar, it is obvious that they are told by pilgrims of different social rankings. The Knight was chosen to go first because he represented the highest social class in the estates model, which is made up of those who fight. He was a soldier who was fighting in God's name, and for that reason he occupied the highest position in society. He was described as a truly perfect, noble knight: "A KNYGHT ther was, and that a worthy man, That fro the tyme that he first bigan, To riden out, he loved chivalrie, Trouthe and honour, fredom and curteisie. Ful worthy was he in his lordes werre, And therto hadde he riden, no man ferre, As wel in cristendom as in hethenesse, And evere honoured for his worthynesse" (43-50). The Miller was introduced to the reader much later in the General Prologue and was described as being a big-mouth and a cheater. The reader also discovers in the Miller's Prologue that he is very drunk. In his disclaimer he says that he feels he shouldn't be held responsible for anything in the fabliau ...
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...ay, bothe pale and wan, For with the fal he brosten hadde his arm" (3828-3829). These indirect acts of violence resulted from deception, which was common throughout the Miller's tale.
While telling his tale, the Knight kept the rules of the competition in mind, and made it a point to achieve both "best sentence and moost solaas" (798). He achieved this, satisfying all of the pilgrims in the audience. It was fit for the Knight to win the competition. Although some feel the Miller did not quite the Knight, he did achieve what was important to him. This was to mock the Knight's Tale and to mock the Knight himself. In the mind of the Miller, he won the competition, bringing the honorable and worthy Knight down to his level.
Chaucer, Geoffrey. "The Canterbury Tales." The Riverside Chaucer, ed.3. Houghton Mifflin Co.: Boston, MA, 1987. pp. 23-328.
One of the most enduring myths in the Western world is that of Arthur and his Knights of the Round Table. Regardless of the origins of the tales, the fact is that by the time they had been filtered through a French sensibility and re-exported to England, they were representations of not one but several ideals. Courtly love and chivalry and the various components thereof, such as martial prowess, chastity, bravery, courtesy, and so on, were presented as the chief virtues to aspire to, and the knights as role models. Arthur's eventual fall is precisely because of having failed at some level to fulfill these ideals in his life.
In conclusion, the Knight basically go anything he could’ve ever wanted in life. He did crack the code of women, but not on his own although it does make him more wise then most men which still don’t quite get it to this day. The Knight should have been sentenced to death in the very beginning and no, in fact he did not get the punishment he deserved his crime was a very awful one.
The narrator is the first element of humor Chaucer uses in his story. The Miller is rude and drunk but generally a jolly fellow. This sets the tone of story as being fun and even a bit coarse, just like the Miller himself. He tells a few jokes before he tells his story: "One shouldn't be two inquisitive in life? / Either about God's secrets or one's wife. / You'll find God's plenty all you could desire"(53). As well, the Miller wants to punish the Reeve, a ...
The Miller Parodies of the Knight's Tale. Miller parodies the Knight’s Tale in several different ways. He cleverly achieves this through his description of the characters. style in which the story is told and the way in which the characters conduct themselves in the tale.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
Chaucer, Geoffrey. "The Miller's Tale". Reading Chaucer. Trans. Larry D. Benson. Ed. Alfred David, James Simpson. New York, NY: W.W. Norton & Company, 2006.
...not change the style of the tale, referring to the tone and language used, but also the way that he appoints this overrated thing that love posses. As in “The Miller’s Tale” does not exist the courtesy or any other important value for society, Chaucer tries to express his own opinion about courtly love through the tale of the Miller saying that this not happen in everywhere or part of the society, demonstrating that the ideals of being a knight is very far away of the convention of what he thinks is valuable to society.
I hope you are having a wonderful second week of class. I was not familiar with the Canterbury Tales before this class. After reading The Miller's Tale along with a few others, I an enjoying them. I agree with your take on the humor and form Chaucer uses in The Miller's Tale. The use of satire in The Miller's Tale is effective for the tone of the tale.
–what profit him to bleed? Shall the dust praise him? Shall the worms declare his truth? Go to him, take his shame away,” (Miller 1104). What’s worth more reputation or life, because for many in Arthur Miller's representation of the early 1690’s
Throughout literature, relationships can often be found between the author of a story and the story that he writes. In Geoffrey Chaucer's frame story, Canterbury Tales, many of the characters make this idea evident with the tales that they tell. A distinct relationship can be made between the character of the Pardoner and the tale that he tells.
So, what we have is a case of an dishonorable knight, who proved his worth in dishonorable battles, and tells stories so packed with chivalrous pomp and circumstance that it actually parodies itself. All I can say is that if Chaucer's Knight truly was an "every knight," as Laura Hodges says, and not a parody of the ideals of the time, I am very glad I live in the 20th century, not the 14th century, and that my life doesn't depend on Knights to keep me safe and happy.
One of Geoffrey's less believable main characters is the Knight, for reasons of chivalry. The knight displays many traits which make him seem almost too good to be true, and a true gentleman that rarely exists in reality. The narrator sums up the knights character by stating that "Though he were worthy, he was wys,/And of his port as meeke as is a mayde." (pg. 5, The Canterbury Tales) The knight holds four main admirable traits, making him the most liked traveler in "The Canterbury Tales," and also amplying the doubt of his realism. The reader is prepared to learn of each of his noble accomplishments and importance when the narrator remarks that" A knight ther was, and that a worthy man,/That fro the tyme that he first bigan/To ryden out, he loved chivalrye,/Trouthe and honour, fredom and curteisye." (pg. 4, The Canterbury Tales) From the characters impressive introduction, it is clear that this man is the most valued and honorable traveler among the group. This perfect gentleman holds a love of ideals that are often not displayed by people. First and foremost, he believes in the ideals of chivalry, and always stays true to its principles. He also feels that one should be honest, truthful and faithful, which many people are not all of these ideals. The knight thinks one should only do what is right, and what will gain him honor and reputation. This character also believes in freedom and generosity towards all, and displays this ideal repeatedly throughout the novel. And lastly, the knight also strongly feels that any proper person should display courtesy and elegance at all times. Another aspect of this character's life which makes him seem too prestigious to be truthful is his impressive military career. He fought in the holy war, known as the Crusades and was involved in 15 "mortal battles." In the prologue, the narrator informs the reader that "Ful worthy was he in his lordes werre,/And therto hadde he riden, no man ferre,/As wel in Cristendom as hethenesse,/And ever honoured for his worthinesse.
In his story titled "The Canterbury Tales" Chaucer seems to truly admire some of the pilgrims while displaying disdain and sarcasm towards the others. The pilgrims that he most seems to admire are the Knight, the Oxford Clerk and the Parson. The knight he seems to admire based on his notation of all the campaigns in which the knight has participated in service to just causes. Chaucer makes mention of the knight 's worthiness, wisdom and humility "Though so illustrious, he was very wise And bore himself as meekly as a maid." (67,68 Chaucer). It seems as though Chaucer admires the knights great ability both in warfare and practicing what he preaches. This can be seen in his description of all those he seems to admire in the tale. The Oxford Clerk
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.