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Aspects of love in shakespeare
The power of love in othello
How is the love in othello presented
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The Meaning of Love in Othello
The Bible says that 'all else is redundant without love', a most profound and relevant statement underlining the tragedy of Othello; in the absence of love, the Moor's fortunes plummet, so that he loses not only his respect and his posting but his life and that of his wife also. However, to truly understand the depth of this tragedy, it is essential to understand from where Othello, the protagonist, is coming before the arrival of his peripiteia, his falling out of love and into jealousy. It is therefore vital to understand the meaning of love in Othello, not only to fully portray Othello's fall from grace, but to understand many of the actions and views of the other characters in the play. It also enables the reader to understand what Shakespeare is trying to say about the world in general through his use of love.
There are in Othello, as in life, many different types of love, with some characters displaying different sorts of love depending on with whom they are sharing their love. Probably the most obvious love is between Othello and Desdemona, characterised by their happiness to see each other after Othello's separation due to the storm:
Othello: O my fair warrior!
Desdemona: My dear Othello!
Othello: ... O my soul's joy,
If after every tempest come such calms
May the winds blow till they have weakened death.
The emphatic language and hugely powerful imagery (the calm after the storm, the winds blowing until they weaken death, the examples) employed by Othello, as well as the short exclamations on first seeing each other indicate a feeling of true delight to once again be in one another's presence. However, and this is evident in the extract above, Othello and Des...
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...ty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego:
Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.
Kermode, Frank. “Othello, the Moor of Venice.” The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA: Houghton Mifflin Co., 1974.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Muir, Kenneth. Introduction. William Shakespeare: Othello. New York: Penguin Books, 1968.
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996.
http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
Wright, Louis B. and Virginia A. LaMar. “The Engaging Qualities of Othello.” Readings on The Tragedies.
Ed. Clarice Swisher. San Diego: Greenhaven
The book explained that being overweight medical expenses are likely to be higher than normal. (Harvey & Allard , 2012, p. 232)
His name was Isaac Leslie Hore-Belisha (1893-1957). Isaac was the son of a Sephardic Jew and became a major in the Royal Army Service Crops during World War I. As a college student, he was educated at Clifton and St. John’s College. He also became first post war president of the Union. Hore-Belisha, furthermore, worked as a journalist for Beaverbrook until winning Devonport for the Liberals in 1923. Isaac then went on to dividing the Liberal Party by organizing a new National Liberal Party to support The Ramsay Macdonald-Baldwin National Government. Hore-Belisha soon became a big name in the government as he became Financial Secretary to the Treasury. That position impressed Chamberlain, which would prove good later. Isaac then became Minister of Transport (1934-1937), in which he reduced road accidents by simply introducing a driving test, a Highway code, and pedestrian crossing.
According to deontology, people have an obligation that is imposed upon them by the duty to perform certain actions without due consideration on their consequential outcomes, (Braswell, McCarthy & McCarthy, 2011). This explains the instances where it is morally justified to perform a certain action whose pain is greater than the collective pleasures that can be derived from it, (Braswell, McCarthy & McCarthy, 2011). One of the major contributors to the deontological ethical theory is Emmanuel Kant. Deontologists include other ideologies that are inherently lacking among the consequentialist theories, particularly the utilitarianism. These aspects include the duty to act as well as a consideration of the intention to do what is right against what is wrong, (Braswell, McCarthy & McCarthy, 2011). Deontological theorists argue that good intentions or good will is what informs the moral worth of an action and not just a consideration of the
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
The love between Othello and Desdemona is a great venture of faith. He is free; she achieves her freedom, and at a great cost. Shakespeare, in creating the figure of her wronged father, who dies of grief at her revolt, sharpened and heightened, as everywhere, the story in the source. Her disobedience and deception of him perhaps cross her mind at Othello’s ominous ‘Think on thy sins.’ If so, she puts the thought aside with ‘They are loves I bear you.’ . . . Othello is a drama of passion and runs to the time of passion; it is also a drama of love which, failing to sustain its height of noon, falls at once to night. (141)
In the play Hamlet by William Shakespeare, the character Horatio plays a quintessential role in gaining a deeper understanding on the perplexing tragic hero, Hamlet, from the perspective he has about him. Horatio’s sensible ideology becomes apparent as he takes on the role of the spokesman of common sense, attempting to advise the stubborn tragic hero about his destructive journey towards revenge. Additionally, because of the true friendship Horatio presents Hamlet, it leads him to confide in Horatio about his secrets and plans, thus highlighting his essential role in bringing out Hamlet’s true intentions. Hamlet’s death becomes more meaningful as a result of Horatio’s approval of Hamlet and the devotion he shows Hamlet until the end, which
As explained in the last paragraph, love is one of the major emotions in Othello. In the play, the actions committed by characters consumed by love are greatly amplified. Two characters that exemplify this are Othello and Desdemona. Throughout the first two acts, some of their actions are unrealistic for a couple in love. Take this quote, for example: ?Brabantio: Raise all my kindred! Are they married, think you? / Roderigo: Truly I think they are. / Brabantio: O heaven! How got she out? O treason of the blood!? (I:i:166-168). Othello and Desdemona are so consumed by love that they elope with no intention of telling anyone else, as evidenced by Brabantio?s reaction in the quote. They just acted according to their love without thinking of the effects of their elopement. Roderigo is also a prime example of how an emotion like love has near complete control of the characters? actions in the play. Roderigo is in love with Desdemona, and it seems that his actions are almost solely dri...
Horatio is Shakespeare's utilitarian character. Horatio serves as a foil to Rosencrantz and Guildenstern, prompts Hamlet to disclose his feelings, gives vital information in the form of exposition (verbal or in a letter) or verification of Hamlet's reality, and helps to build the suspense of the play. The only emotional aspect of his character is that he remains alive, and serves as a vehicle for Shakespeare's moral of Hamlet.
Throughout literature, there a character who provides a moral compass for other characters. In William Shakespeare's Hamlet, Horatio’s character seems fairly simple: somewhat of a “yes-man” to Hamlet, often agreeing with anything Hamlet says. However, at the end of the play we understand his significance, as he is one of the last survivors. This transition is unexpected because for most of the play, Horatio is a reserved character and doesn’t speak very often. Despite this, it is clear that Horatio and Hamlet’s friendship is extremely deep, and Hamlet trusts Horatio more than anybody. At first, the relationship is one of a prince and an advisor, but as the play goes on we realize they are in fact close friends. Horatio is much more than a “yes-man” to Hamlet, even though this may not be visible for most of the play. This friendship is due to three of Horatio’s characteristics: trustworthiness, loyalty, and admiration, which make him an ideal friend to Hamlet. These traits also inspire confidence in Horatio from other characters in the play. Even Shakespeare shows that he values Horatio by allowing him to survive at the end of the play.
Shakespeare, William, and James K. Lowers. Othello: Commentary, Complete Text, Glossary. Lincoln, Neb.: Cliff's Notes, 1968. Print.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
Second, a human must be able to love. Without love, there is no suffering. Love does not have to mean sexually, it can mean a mutual bond between friends, family, and for oneself. In William Shakespeare’s Othello, Othello’s love for Desdemona is a strong, passionate love as is Desdemona towards Othello. Desdemona says:
- - -. Othello. 1968. Ed. Kenneth Muir. The New Penguin Shakespeare. London: Penguin Books, 1996.