The Magnetism of Polar Opposites

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How can a man entangled in the dangerous crimes of smuggling, so engrossed with his past love that he lost her, and shed his own blood due to a misunderstanding ever be forgiven? In other words, should he be condoned for his acts, or should he forever be in Hell and forgotten? One might acknowledge the fact that this man's past, behavior, and intentions are unknown, therefore standing in either a positive or neutral view. Another might add that sins can never be forgiven, no matter what reasons had caused them, leaning toward a negative standpoint. Jay Gatsby, a character in F. Scott Fitzgerald’s novel The Great Gatsby, is much like the preceding man described, having faced the shame and committing the same dishonorable acts, and is often criticized by those in a negative standpoint. However, within the text, Nick Carraway, the narrator of the novel, plainly states, “Gatsby turned out all right at the end” (6). Nick knew all about the immoral deeds Gatsby had carried out, so how could Nick make this claim in honor of a dead man? The answer is quite simple: Nick realized Gatsby’s incorruptible dream was the most admirable feat out of all the characters in the book, something that not only made Gatsby respectable to Nick, but great. Nick is the traditional realist, the only character with personal integrity. Nick has encountered many dreamers who have sought him as a confidant to their “intimate revelations” (6) and “secret griefs” (5) chiefly because of his nature to bras a tolerant good listener. After those encounters, he finds that these consultation of secrets “are usually plagiaristic and marred by obvious suppressions,” wanting “no more riotous excursions with privileged glimpses into the human heart” (6). Nick realizes all t... ... middle of paper ... ... in The Great Gatsby so the two characters can emphasize their goals by working together, which in this case was Gatsby's reunion with Daisy. With the Nick's realization of Gatsby being a genuinely good-hearted man who wanted nothing else but love, he forever sides with him against the other shallow, careless characters. Omitting the fact Gatsby died as an effect of dreaming so much, Nick, on his own accord, tries to dream himself simply because Jay Gatsby made a hopeful future seem so ideal and attainable. Once Nick realizes he can't do exactly that, he gives up, throws everything away, and is left only with memories that eventually matured him to tell his story, to tell his reasoning how and why Mr. Gatsby ended up so respectable and great in his eyes: Gatsby had an incorruptible dream of love, and that was what had completely magnetized Nick to his polar opposite.

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