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Decision making and its consequences
The love song of j. alfred prufrock symbolism
The love song of j. alfred prufrock symbolism
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Recommended: Decision making and its consequences
“Just Do It.” In 1988, these three words became the slogan of the Nike Footwear Incorporation. Since then, the slogan has been described as one of the best taglines of the 20th century. Its success can be attributed to the fact that it attempts to push people out of their comfort zones and by doing so, aims to evoke a positive result. In other words, it discourages indecision, an affliction under which many fall victim. In the poem “The Love Song of J. Alfred Prufrock” by T.S. Eliot, the main character, Prufrock, greatly struggles with indecisiveness. He over thinks every decision he is faced with and never “just does anything.” Ultimately, this quality of Prufrock’s keeps him from asking a question he sincerely wants to ask and, in doing …show more content…
When one dwells on the risks of an action rather than making a decision to attempt the action, he later develops feelings of self-resentment. In Eliot’s poem, Prufrock’s fear of being misunderstood keeps him from asking a simple question and later leads to his own self-resentment:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
“That is not it at all,
That is not what I meant, at all” (106-110).
Here, Prufrock is procrastinating asking the question by dwelling on the possibility of being misunderstood. However, because being misunderstood does not have any major nor lasting consequences, Prufrock has little to lose by asking what he so badly wants to ask. As it is, Prufrock begins to question himself further because he is not brave enough to ask one simple inquiry. He goes so far as to question
…show more content…
Eliot does an exemplary job of portraying that feelings of resentment often result from indecision. Whether the ensuing resentment be within oneself or directed at others, poor old J. Alfred Prufrock struggles with both forms of bitterness because of his own inability to make a decision and stick with it. Thus, in order to escape a life of bitter indignation, it is vital that one be decisive and sure when offered an opportunity. When life gives you a chance, take it and run. Don’t get caught up in an endless cycle of indecision and resentment, lest you want to end up like poor old J. Alfred
If people are disappointed with themselves and what they have become, then there are naturally two options for remedy. One is to do whatever possible to change themselves and pave a brighter future. The second, perhaps less desirable, is to realize that change is useless or near-impossible, which leads to either finding peace in the way things are or recognizing the hopelessness in the absence of the way things could be. T.S. Eliot’s “The Love Song of J. Alfred Prufrock” reaffirms the uselessness of change (FINISH). This reflective yet despairing poem is the lament of a man who, though he would like to muster up the courage to become something else, is trapped by an inflexible inability to change who he is.
In the poem, “The Lovesong of J. Alfred Prufrock”, the author, T.S. Eliot, uses diction and tone to give the poem life, and to make the character seem as anything but mere fiction. Eliot’s use of diction shows that you should not put things off until later in life because in a flash, you may be nearing the end of your journey of life and lose all opportunity to make yourself happy with the decisions you’ve made over the years. . “ In a minute there is time/for decision and revisions/ which/ in a minute/will reverse” (line 47, 48).
In his poem Eliot paints the picture of an insecure man looking for his niche in society. Prufrock has fallen in with the times, and places a lot of weight on social status and class to determine his identity. He is ashamed of his personal appearance and looks towards social advancement as a way to assure himself and those around him of his worth and establish who he is. Throughout the poem the reader comes to realize that Prufrock has actually all but given up on himself and now sees his balding head and realizes that he has wasted his life striving for an unattainable goal.
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
For example in the poem he says, “…Time to turn back and descend the stair, With a bald spot in the middle of my hair- [They will say: “How his hair is growing so thin!] My morning coat, my collar mounting firmly to the chin, My necklace rich and modest, but asserted by a simple pin- [They will say:” But how his arms and legs are so thin!”]…” This quotation is an example of Prufrock overthinks situations. He wants to go to the party and ask a question but cannot stop thinking about if he will be judged by the people at the party because of his hair balding and thin body. But a typical person today would acknowledge the fact that the people who will attend the party will be concerned with the party they are attending rather than minor details on him. This is another instance where Prufrock is not typical of people today. People today do tend to over think things but Prufrock takes it to another level with overthinking about things normal people wouldn’t and allows it to affect each choice he makes even the simplest ones in his
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
Eliot and Kafka characterize their respective characters as having negative self-images, a prior lack of success, and as being fundamentally lonely. Prufrock views himself as undesirable, and his self-image seems to grow worse with age. While Prufrock has the chance early on to make something of his life, he sits in a room, presumably one in which there is a display of artwork, and “the women come and go / Talking of Michelangelo” (ll. 13-14). Prufrock goes by unnoticed next to what could be the beautiful works of Michelangelo. It can especially be presumed that he feels inadequate next to the Statue of David, a sculpture for which Michelangelo is famous. As time goes on, his feelings of inadequacy increase when he begins to fear what others will think of his aged appearance, for “They will say: ‘How his hair is growing thin!’” and “They will say: ‘But how his arms and legs are thin!’” (ll. 41, 44). Prufrock’s lack of self-confid...
Many Young people in my generation are not sure what they want to do with their lives. They view leaving home and meeting new people as a horrible undertaking. They stress about every detail of their lives and act like if they mess up one small detail then the entirety of their lives will be over. In a way, they can relate to T. S. Elliot’s poem, The Love Song of J. Alfred Prufrock. The narrator, Prufrock, stresses over every little decision he makes. Some may say he stresses over fear of rejection, the way he looks or some say he may just be blatantly indecisive. Throughout the poem, Prufrock talks about how he does not want to go down to the party because he is worried about
In T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” the author is establishing the trouble the main character, Prufrock, is having coming to terms with middle age. He is deeply distressed over the fact that he is growing old, and feels that the prime of his life has passed him by. His preoccupation with time throughout the poem characterizes his fear of aging. He is a man experiencing a mid-life crisis, brought about by his perception of aging and his own feelings of inadequacy.
The Lovesong of J. Alfred Prufrock, by T.S. Eliot, is the story of the life of a man. It tells of a man reminiscing over his life, regretting decisions that he made. Of a man who is thinking back on his life, and toward the end, it is told how the man is closely approaching death. He wants to be able to escape it, but alas, cannot, and, in the end, he dies. In The Lovesong of J. Alfred Prufrock, T.S. Eliot expresses a sense of regret using literary devices, such as imagery, metaphors, and allusion.
The first core issue present in the poem is a low self esteem or insecure sense of self. Most of the poem is centered around the speaker’s indecisiveness and low self confidence. An unknown and overwhelming question is introduced in the first stanza and is revisited later on through “A hundred indecisions. . . a hundred visions and revisions” (Eliot). According to the chapter on Psychoanalytic Criticism, “This core issue [insecure sense of
J. Alfred Prufrock is a man who has chosen to live in a world where only things he believes are true. He believes that there will be time for him to be with society, the women that he desires will all ignore him and instead speak of men that are young, tough and strong. Throughout the poem, Prufrock is ultimately searching for the meaning of his existence. The plethora of allusion that Elliot utilizes in this poem help to unravel the undermining message and thoroughly understand Prufrock’s paralysis.
One of T.S. Eliot’s earliest poems, “The Love Song of J. Alfred Prufrock”, is a prime example of a text that takes a turn inwards in terms of conveying the experience it presents. The poem provides a look into the distressed mind of an archetypal modern man of the times. It does this using the speaker’s stream of consciousness presented as a dramatic monologue. Prufrock, the poem’s speaker, seeks to advance his relationship with a woman who has caught his eye. He wonders if he has “the strength to force the moment to its crisis” (Eliot, 80). Prufrock is so entrenched in self-doubt that he is uncertain whether he is capable of having a relationship with this woman. His knowledge of the world he lives in and his circumstances keep him from attempting to approach this prospective lover. He contemplates the reasons for which he believes he cannot be with her and scolds himself for even thinking that it was possibl...
In this passage, it's clear that Prufrock desires a woman's attention but doesn't think he will ever have it. This pessimistic outlook gives no hope at all and is just depressing.