Is a play without actors a play? Possibly. However, not all plays would survive without actors- especially actors that contribute to the mise en scene of the play. Neither The Lion King, Sleep No More, nor Miss Saigon would be the masterpieces they are without their ensemble breathing life into the scenes and transforming a script into art. One incredibly unique play, in the case of mise en scene, is The Lion King. The beauty of this particular show is the jarring realization that the placement of props tended to be sparse. For someone who has not seen the performance, this might seem like an impossible scenario. After all, The Lion King is known for being a Broadway hit and you cannot become a Broadway hit by having no props, right? Turns …show more content…
With Miss Saigon, there are more props on stage as compared to The Lion King, however, many of the props double as two different settings based on which characters are present at the time. For example, Dreamland doubles as an unnamed building during the day and an underground brothel during the night. It is possible for audience members to determine whether Dreamland is the brothel or not by the presence of bargirls and/or American military men. The duty of differentiating parts of the set is not the only way actors in Miss Saigon contribute to the mise en scene of play. They are also used in splitting the set and creating location. One scene in Act I has Kim and Ellen both singing about their love for Chris. The kicker is that they are both in drastically different locations during this musical number. Kim has been left behind in Saigon, or Ho Chi Minh City as it is now known, and Ellen is in bed with Chris in America, Atlanta specifically. The way audience members can distinguish the separation between the two sets is all because of the actresses (and some set elevation). Ellen had never been to Vietnam, while it is revealed a little earlier in the play that Kim never got to leave Vietnam. Miss Saigon has a variety of locations that the play flits to and from in order to give an encompassing view of the narrative. Without the actors standing fast in their respective locations, it would be incredibly difficult for the audience to keep track of what is occurring, where it is happening, and to
Elie and Liesel live and survive during the time of World War II. Both characters face the harsh reality of the terrible period of time they are living in. The memoir, Night and the movie, “The Book Thief” share similarities and dissimilarities that make Elie and Liesel both stand out. Due to the loss of family, determination to live, and fear helps both of them survive the war, but depends on the different reactions, mistreated for different reasons, and hope.
“The Sleep” by Caitlin Horrocks is a short story, written in the first person. In this short story the Rasmussen family lives in a small town called Bounty, which seems to be someplace that is very dark and cold in the winter season, most likely someplace north. The Rasmussen family are going through hard times with the sudden death and the tragic loss of Al’s wife and their children’s mother. The family decides to take the winter season off from work and school in order to sleep, Al seem to believe that this will help heal the family. The people of Bounty see how well the sleep worked for the Rasmussen family, so some of them decide to do the same thing the next winter season. People usually sleep when they are depressed, the
The Big Sleep Movie and Novel & nbsp; On first inspection of Raymond Chandler's novel, The Big Sleep, the reader discovers that the story unravels quickly through the narrative voice of Philip Marlowe, the detective hired by the Sternwood family of Los Angeles to solve a mystery for them. The mystery concerns the General Sternwood's young daughter, and one Mr. A. G. Geiger. Upon digging for the answer to this puzzle placed before Marlowe for a mere $25 dollars a day plus expenses, Marlowe soon finds layers upon layers of mystifying events tangled in the already mysterious web of lies and deception concerning the Sternwood family, especially the two young daughters. & nbsp; When reading the novel, it is hard to imagine the story without a narrator at all. It certainly seems essential for the story's make-up to have this witty, sarcastic voice present to describe the sequence of events. Yet, there is a version of Chandler's novel that does not have an audible storyteller, and that version is the 1946 movie directed by Howard Hawks. & nbsp; Hawks' version of The Big Sleep is known to be one of the best examples of the film genre-film noir. "
...wed this particular component to make differences to such challenges from one dance to the next. This was possible due to Fagan’s approach to choreography that are different compared to another choreography that was designed to other Disney films turned musicals i.e. Beauty and the Beast and Little Mermaid. These two notable musicals have taken the stages of Broadway by storm. However, there is an ingredient missing to those shows that Taymor was able to capture from beginning to end with the Lion King. The Lion King musical gave the critics an idea how actors are moving across the stage, embodying the human and animal aspects of all characters from an animated element. It was a risky challenge that Fagan took by radically going from the negative into the positive using dance and movement vocabulary to balance structure and pacing of the highly successful musical.
The initial interaction between Lucy and Cheng Huan at the store creates an interesting dynamic of uneven attraction. Objects and figures within the frame emphasizes this fact, such as an unconscious Lucy in the center. The organization of objects, and set-pieces in the shot is referred to as the setting. As an integral component in mise-en-scene, setting helps locate the actors and even control how the story is. The one-sided adoration prevalent in this scene exemplifies the possible alternative motivations behind Cheng’s kindness. In these shots, Lucy’s face always points towards the camera so that the audience can see both characters clearly, and while Lucy sleeps, Cheng stares at her with considerable intensity. By acknowledging his lust, many of his actions can be interpreted in a completely different way. At (46:22) Cheng ...
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
The props set on stage included a wicker basket, some buckets (their only purpose is to be knocked over later in the production to provide one of the first jump-scares in the play), two chairs and a coat rail with multiple costumes hanging on it. The wicker basket is constantly used as multiple different things throughout the play, such as a table, bed, seats on a train, a trunk, pony and trap, and many more. The pony and trap was presented so that we believed it was a pony and trap, and not just a wicker basket. They did this by bouncing themselves up and down on the basket (to create the illusion of movement) and by using sound effects (such as horse hooves hitting the floor). Specific props were of particular note.
The production had many elements which for the most part formed a coalition to further the plot. The characters, the three part scenery and costumes represented well the period of time these people were going through. As far as the performers entering and exiting the stage, it could have been more organized. There were a few times when the performers exited at the wrong times or it seemed so due to the echo of the music. At certain moments the music was slightly loud and drowned the performers. Many of the songs dragged on, so the pacing could have been more effectively executed. Though the music was off at times, the director's decision to have most of the songs performed center sage was a wise one. Also the implementation of actual white characters that were competent in their roles came as a great surprise to the audience and heightened the realism.
These aspects are as important and crucial in telling the story as much as the actors are. “Every movie has a mise-en-scene. But in some movies the various elements of the mise en scene are so powerful that they enable the viewer to experience the aura of a place and time.” (Barsam 165) In the movie The New World by Terrence Malick, we see a unique use of mise-en-scene.
In this movie, much emphasis is placed on simplicity, spontaneity and directness, so we can focus on the true story without being distracted from the normal every day routines these characters have. A degree of realism is achieved in this movie, because the fact remains that Ben is an alcoholic, although he does drink in extremes where the normal human being would be unconscious, and Sera is a prostitute, so the intense situations and decisions in this movie are reasonably depicted. One of the first scenes is an extreme long shot of the city of Las Vegas, because this sinful city was very carefully chosen as the setting of the story to preserve realism. Full shots are often used to show the protagonists on their daily routine, such as when Ben goes shopping at the supermarket for liquor. Figgis mainly used multiple shots to emphasize the two protagonist’s interactions with each other. The two shot and the over-the-shoulder shot were used often to build a sit...
the king of a Pride Land, who is murdered by his brother and then the
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
In the play “THE LION AND THE JEWEL” we can see the ignorant atmosphere of the people in the village of “ILUJINLE” in such village we can saw a “CUNNING WOMAN SIDI” who wanted to attract many men but wanted a husband of royal status who would pay a bride-price for her let as see about it and getting a cunning “RESPONSE FOR SIDI’S CUNNING WISH”.