The Lion King Julie Taylor Analysis

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Everybody in theatre has their part to do in order for a play to be a smash-hit; If a certain department lacks or overlooks any important aspects the play will result in a flop. This means that everything from sound effects to costuming must be checked twice over. I want cover costuming because, it is single-handily the most stressful areas when orchestrating productions. For years, costumes were used in theatre, –masks being the first form of costume ever being dated- to show emotion or wore dresses and gowns to demonstrate who was the woman in the group, –in the earlier years only men were allowed to act- now (not only can every gender act) we carry costumes for every shape and size, enabled the “quick change” method, and a whole bunch of …show more content…

The answer is probably mixed, but let us pretend that majority is no. The genius behind The Lion King is Julie Taylor. Why is she a genius, she is the one who directed this magnificent play and constructed the costumes. If one would like for me to enlighten them about Miss Taylor, she is “an American director of theatre, opera and film. She is best known for directing, The Lion King, for which she became the first woman to win the Tony Award for directing a musical, in addition to a Tony Award for Original Costume Design. (Wikipedia). She wanted to make the play original, but still keep the movie culture and design. Hence, why there warm, earthy tone and the animal puppets. To describe some of her creations I can give a very detailed description of one of the main characters in The Lion King: Mufasa, the king of the jungle. In her concept art, she displayed early on that she would create a lion-like, hand painted, wood-carved masks to rest upon the performers’ head and it would lower to show anger or show shame. Julie then dressed embellished bodies in red and black body paint and covered them up in African themed clothing, such as, Buba (a Yoruba blouse), an Iron (wrap skirt), or Dashiki (a male garment that cover the top half of the body). Most of the cast feet were

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