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Analysis of the film psycho
Psycho movie analysis essay
Psycho movie analysis essay
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Recommended: Analysis of the film psycho
The 1960s film Psycho directed by Alfred Hitchcock was groundbreaking and continues to influence film making to this day. The film has been credited as being the foundation for modern day horror films and launching the “slasher” sub-genre. Alfred Hitchcock was known as the master of suspense which definitely proved to be true through all of his movies, especially his most influential film, Psycho, which surprised the audience with shocking bursts of violence and provocative sexual explicitness thus changing cinema forever.
Although it may have not been his best film it became one of his most successful. Psycho was a change in pace for Hitchcock. Movies directed by him usually consist of a wealthy protagonist in an exotic location. Unlike any of his other films, none of the main characters in Psycho were wealthy, of course until Marion Crane stole the forty thousand dollars from her job, but other than that it was very different from his usual work. Another difference in Psycho was that it took place in Phoenix, Arizona and small towns in California like Fairvale, rather than places like Paris or Mount Rushmore shown in Hitchcock’s other films. Even though movies shot in color, which were raved about, were becoming more popular than movies shot in black and white during the time period Psycho was made, Hitchcock went against the rest of the movie making industry and did something very unusual, especially at the stage his career was in.
Although his reasons for shooting in black in white was partly a money issue and majority because he thought the famous shower murder scene would be too graphic if shown in color, it was genius of him to decide to do so. The lack of color set the tone of the movie. Shooting Psycho in black and whi...
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... vastly admired and appreciated to this day as one of the greatest movies made. It is incredible how years later this film still has such an influence on modern day horror films. This timeless classic redefined horror films for generations.
Works Cited
Dolan Roberts. “The Genius of Alfred Hitchcock’s Psycho.” Whatculture.com. Web. 19 Apr. 2014.
Kevin Carr. “33 Things We Learned From the ‘Psycho’ Commentary.” Filmrejects.com. Web. 19 Apr. 2014.
Larry Poupard. “Horror Movie Clichés Started by Alfred Hitchcock’s Psycho.” Yahoo.com. Web. 20 Apr. 2014.
Mark Kermode. “Psycho: The Best Horror Film of All Time.” Theguardian.com. Web. 20 Apr. 2014.
Stephen Robb. “How Psycho Changed Cinema.” BBC news. Web. 19 Apr. 2014.
Stephen Whitty. “ A Psycho Analysis: Alfred Hitchcock’s Spookiest Movie Brought With it The End of Hollywood Innocence.” NJ.com. Web. 21 Apr. 2014.
Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. New York: Red Dembner Enterprises Corporation, 1990.
... The Web. The Web. 17 Apr. 2014. The 'Standard' of the 'Standard'.
Eventually word got out he was in fact lying. so Alfred Hitchcock had to give another descirption of the movie Quote"Story of a young man whose mother is a homicidal maniac". The word psycho also means split personality. Alfred Hitchcock gives clues for this. e.g the word "Psycho" which is featured on the promoting poster has been completly shattered, which makes you think that the film is about split personalities.
‘Psycho’ is a 1960’s thriller that has been voted as one of the top 15
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
The 1960s brought about what some have argued is the first slasher film Alfred Hitchcock’s Psycho. Hitchcock was able to cast major Hollywood stars to actor in his thriller. He cast a young, handsome Anthony Perkins in the lead and a major star in Janet Leigh, whom Hitchcock kills in the beginning of the movie. In that day it was unheard of now it’s done in movies such as Wes Cravens 1996 movie Scream killing off a major star such as Drew Barrymore. According to FilmmakerIQ.com Psycho “shocked audiences into believing horror could be more than B-Film Fare (14)”.
The Web. The Web. 5 Apr. 2014. The 'Standard' of the 'Standard'. "
Inspired by the life of the demented, cannibalistic Wisconsin killer Ed Gein (whose heinous acts would also inspire THE TEXAS CHAINSAW MASSACRE, 1974 and DERANGED, 1974), PSYCHO is probably Hitchcock's most gruesome and dark film. Its importance to its genre cannot be overestimated. PSYCHO's enduring influence comes not only from the Norman Bates character (who has since been reincarnated in a staggering variety of forms), but also from the psychological themes Hitchcock develops.
PSYCHO is a unique film because it is a black and white film in the
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
In the world of cinema, there’s almost always a discussion regarding what scenes would be suitable for the grasping imagination of any audience, young or old. Alfred Hitchcock’s 1960 film, Psycho, sparked a plug for the movie industry as it was the first movie of its kind to display such graphic scenes of sex and violence to a worldwide audience.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
The Web. 18 Mar. 2014. The 'Standard' of the 'Standard'.