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Analysis of the Narrative of the Life of Frederick Douglass
Narrative of frederick douglass vocab
Narrative of life of frederick douglass
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Slavery consisted of numerous inhumane horrors completed to make its victims feel desolated and helpless. Many inescapable of these horrors of slavery are conveyed in the “Narrative of the Life of Frederick Douglass”. The entire prospect of the duration of the story is to plan an escape from the excruciating conditions awaiting Douglass as a slave. When his escape is finally executed, unpredictable emotions and thoughts overwhelm him. Within the conclusion of his narrative (shown in the given passage), Frederick Douglass uses figurative language, diction, and syntax to portray such states of mind he felt after escaping slavery: relief, loneliness, and paranoia. The vivid feeling of relief and elation as a result of escaping the clutches of slavery is evident from the analogies and figurative language Douglass uses in the beginning of the passage. Douglass states he struggled to express exactly what significance freedom in the North had on his immediate mental state. However, he manages to use words such as “highest excitement” to present the level of relief he acquired from escaping, giving a connotation of obvious unlimited happiness. He further described such a dynamic feeling to his audience by comparing it to the feeling an “ . . . unarmed mariner [receives] when is rescued by a friendly man-of-war from the pursuit of a pirate.” This analogy not only helps the progression of the description of this relief but it also gives the audience imagery to connect the feeling to. He continued by including a line he previously used in letter to a friend living in New York of feeling as though he escaped “a den of hungry lions”. By including the words “hungry lions” one can see that he is referring to the South, full of slave masters ... ... middle of paper ... ...oncluding passage to his narrative for a specific purpose: to create a more profound connection with his audience on the basis of his experiences and thoughts. He creates a vision of relief in the beginning of the passage by means of diction, similes, and an impeccable amount of imagery. Douglass also applies an approach for the application of syntax, diction, and connotative sense to amplify the feelings of loneliness and paranoia presented after emancipation. The result is the masterpiece that fluently runs from one state of mind following his escape to another. It is a masterpiece with a timeless sense of moral values being unconsciously taught to its audience, whether or not they succeed in deciphering it. Works Cited Frederick Douglass. Narrative of the Life of Frederick Douglass. (Prestwick House, Inc., 1845). Copyright ©2004 by Prestwick House.
At first glance, the book “my bondage and my freedom by Frederick Douglass appeared to be extremely dull and frustrating to read. After rereading the book for a second time and paying closer attention to the little details I have realized this is one of the most impressive autobiographies I have read recently. This book possesses one of the most touching stories that I have ever read, and what astonishes me the most about the whole subject is that it's a true story of Douglass' life. “ Douglass does a masterful job of using his own experience to expose the injustice of slavery to the world. As the protagonist he is able to keep the reader interested in himself, and tell the true story of his life. As a narrator he is able to link those experiences to the wider experiences of the nation and all society, exposing the corrupting nature of slavery to the entire nation.”[1] Although this book contributes a great amount of information on the subject of slavery and it is an extremely valuable book, its strengths are overpowered by its flaws. The book is loaded with unnecessary details, flowery metaphors and intense introductory information but this is what makes “My Bondage and My Freedom” unique.
Frederick Douglass wrote in his 1845 autobiography, Narrative of the Life of Frederick Douglass, an American Slave, about the devastation associated with slavery and the destruction from which comes desperation. Douglass intends to summon upon the guilt and empathy of his white audience by giving an account from which the reader is able to coax up a new perspective on the dreadful oppression. Seen especially in the third paragraph where Douglass provides a series of rhetorical devices including: apostrophe, anaphora, personification, exemplum, and epithet in his sorrowful bellowing to passing ships.
In the following excerpt from the autobiography Narrative of the Life of Frederick Douglass, an American Slave, the third paragraph is distinguished from the rest of the passage due to the immediate shift of attitude, and exhibiting a somewhat of an ebullience through this hopeful vision of becoming forever free, which is effectively displayed by his use of figurative language and short and concise like syntax.
Frederick Douglass, an African American social reformer who escaped from slavery, in his autobiography “Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself,” denotes the perilous life of a slave in the South. Through syntax, Douglass is able to persuade his readers to support the abolitionist movement as his writing transitions from shifting sentence lengths to parallel structure and finally to varying uses of punctuation. Douglass begins his memoir with a combination of long and short sentences that serve to effectively depict life his life as a slave. This depiction is significant because it illustrates the treatment of slaves in the south allows his audience to despise the horrors of slavery. In addition, this
Finally having escaped, Douglass is draped in excitement and rejoice. His exceptional description of how it felt to be free lets the reader feel that excitement, and understand just how relieving it was to leave slavery. After having the assistance of a few kind persons, he begins settling his life as a free man. This marks a permanent point of prosperity for Douglass, as his life will only improve after being free from slavery.
He illustrates the agony of thinking and the burden it places on him. Through his self-reflection, Douglass explains the pain and discomfort his expanding knowledge bears upon him, a young boy exploring his present world to discover that maybe ignorance really is bliss. Through the use of several literary devices such as specified diction, irony, and parallelism, the speaker relays a desperate tone throughout this section of his narrative elaborating on the torment
The reader is first introduced to the idea of Douglass’s formation of identity outside the constraints of slavery before he or she even begins reading the narrative. By viewing the title page and reading the words “The Narrative of the Life of Frederick Douglass, An American Slave, written by himself” the reader sees the advancement Douglass made from a dependent slave to an independent author (Stone 134). As a slave, he was forbidden a voice with which he might speak out against slavery. Furthermore, the traditional roles of slavery would have had him uneducated—unable to read and incapable of writing. However, by examining the full meaning of the title page, the reader is introduced to Douglass’s refusal to adhere to the slave role of uneducated and voiceless. Thus, even before reading the work, the reader knows that Douglass will show “how a slave was made a man” through “speaking out—the symbolic act of self-definition” (Stone 135).
As both the narrator and author of “Narrative of the Life of Frederick Douglass: An American Slave, Written by Himself” Frederick Douglass writes about his transition from a slave to a well educated and empowered colored young man. As a skilled and spirited man, he served as both an orator and writer for the abolitionist movement, which was a movement to the abolishment of slavery. At the time of his narrative’s publication, Douglass’s sole goal of his writings was to essentially prove to those in disbelief that an articulate and intelligent man, such as himself, could have,in fact, been enslaved at one point in time. While, Douglass’ narrative was and arguably still is very influential, there are some controversial aspects of of this piece, of which Deborah McDowell mentions in her criticism.
The hopeful and then helpless tones in Douglass' passage reflect his inner turmoil throughout the process of his escape from the wretched south. At first, Frederick Douglass feels the utter feeling of happiness covering every inch of his body and soul. However, he soon finds out that the rosy path has thorns that dug into his skin as freedom was dangled in front of his face through a tunnel of complete darkness.
In, “The Narrative of the life of Frederick Douglass”, readers get a first person perspective on slavery in the South before the Civil War. The author, Frederick Douglass, taught himself how to read and write, and was able to share his story to show the evils of slavery, not only in regard to the slaves, but with regard to masters, as well. Throughout Douglass’ autobiography, he shares his disgust with how slavery would corrupt people and change their whole entire persona. He uses ethos, logos, and pathos to help establish his credibility, and enlighten his readers about what changes needed to be made.
In relation to the novel, The Narrative of the Life of Frederick Douglass, Frederick Douglass’s disobedience ultimately sparked his freedom. Being introduced to the “heart-rending shrieks” from his aunt at such a young age, slavery implanted a long-lasting effect on his life. Often times, when one experiences a painful memory in the manner such as watching a family member hit until they are covered with blood, sparks a fire to stand up for what is right in the back of their mind. Douglass carried those visions of his aunt along with him his whole life, as well as his own repulsive
America in the mid to early nineteenth century saw the torture of many African Americans in slavery. Plantation owners did not care whether they were young or old, girl or boy, to them all slaves were there to work. One slave in particular, Frederick Douglass, documented his journey through slavery in his autobiography Narrative of the Life of Frederick Douglass. Through the use of various rhetorical devices and strategies, Douglass conveys the dehumanizing and corrupting effect of slavery, in order to show the overall need for American abolition. His use of devices such as parallelism, asyndeton, simile, antithesis, juxtaposition and use of irony, not only establish ethos but also show the negative effects of slavery on slaves, masters and
...y afraid at first but finds out that there are many ex-slaves willing to take a stand and risk their lives to help their own. Douglass realizes that with the help from the ex-slaves he could also help his fellow slaves.
While writing about the dehumanizing nature of slavery, Douglass eloquently and efficiently re-humanize African Americans. This is most evident throughout the work as a whole, yet specific parts can be used as examples of his artistic control of the English language. From the beginning of the novel, Douglass’ vocabulary is noteworthy with his use of words such as “intimation […] odiousness […] ordained.” This more advanced vocabulary is scattered throughout the narrative, and is a testament to Douglass’ education level. In conjunction with his vocabulary, Douglass often employed a complex syntax which shows his ability to manipulate the English language. This can be seen in Douglass’ self-description of preferring to be “true to [himself], even at the hazard of incurring ridicule of others, rather than to be false, and incur [his] own abhorrence.” This is significant because it proves that Douglass can not only simply read and write, but he has actually obtained a mastery of reading and writing. This is a highly humanizing trait because it equates him in education level to that of the stereotypical white man, and how could one deny that the white man is human because of his greater education? It is primarily the difference in education that separates the free from the slaves, and Douglass is able to bridge this gap as a pioneer of the
Many times he is distressed while thinking about fleeing captivity. During his leisure time he would venture down the banks of the bay and stare out at the ships. He writes, “I have often, in the deep stillness of a summer’s Sabbath, stood all alone upon the lofty banks of that noble bay, and traced, with saddened heart and tearful eye, the countless number of sails moving off to the mighty ocean,” (72). For Douglass these ships represent something unattainable; they are a new, free life in the north. He knows what position he is in and he believes that he has no reason to feel inspired for false hope. All he can do is daydream about his plans to escape and future freedom, and pour his soul out to the ships. Douglass’s eagerness to learn, and drive to immerse himself with knowledge was unrelenting. He explains that, “while in this state of mind, I was eager to hear any one speak of slavery. I was a ready listener,” (52). The state of mind he puts himself in is one distress and curiousness. He understands that learning would only better his situation, so he seeks any information regarding slavery. At the same time he is tormented by the difficulty of escaping. He believes that slaves knowing every detail about slavery is what the slave-owners don’t want, so he sets out to do just that. While down at the wharf of Mr. Waters, Douglass has the idea to escape