Additionally, a drastic change is noticed when Hamlet is talking to Claudius. When talking to Horatio, he is friendlier and makes more sense; however, when he begins to talk to Claudius, he starts to act mad and says random phrases and words to confuse Claudius. After killing Polonius and taking his body away, Hamlet is confronted by Claudius who demands, “Now, Hamlet, where’s Polonius?” (IV.iii.16) to which Hamlet answers, “At supper” (IV.iii.17). The answer given by Hamlet is very random and does not answer the King’s question. Thus, indicating that he is now “mad” to fool Claudius. Hamlet acts like this to convince Claudius that is truly mad so he would not doubt or suspect him for any bad event that happens in the future. Moreover, Hamlet acts very differently around Claudius and his henchmen and the people that he trusts which shows that he is indeed feigning his insanity. …show more content…
When Hamlet has an opportunity to kill Claudius while he is praying, Hamlet contemplated about where that would lead Claudius to go, “… and am I then revenged, / To take him in the purging of his soul, / When he is fit and seasoned for his passage? /No.” (III.iii.84-87). Hamlet takes his time to reflect if Claudius will go to heaven or hell because Claudius is praying at the presumed time of death. This clearly shows that Hamlet is simulating his madness because any insane person would jump at the chance to kill and get their revenge. Hamlet knows that if he kills Claudius at this time, then he will go to Heaven instead of Hell where he belongs for killing King Hamlet. Therefore, Hamlet’s hesitation in killing Claudius clearly shows his mental state of madness is an act to conceal his true
that they had seen a ghost during the night watch. Hamlet was shocked at the
Hamlet is grounded in logic throughout the entire play. His logic is more blatant than the average man’s, therefore confusing some of the other characters. Rather than stating something profound in response to when Polonius asks what Hamlet is reading, he says only the most obvious and elementary of answers possible, “words, words, words” (2.2.192). This trend between Polonius and Hamlet continues. “What is the matter my lord?” asks Polonius. Hamlet answers, “Between who?” (2.2.193-194). Tenney Davis responds to this by saying that Hamlet feigned his insanity convincingly by taking things too literally, which manifested in a desire to “split hairs” (Davis 630). Hamlet was always annoyed with Polonius and his garrulous speeches, but reacted not in an irrational way, but to the contrary, with the most simple, though rude, coherent answers. If Hamlet were truly mad, he would not have been able to give make such a guileless and processed ...
death when his mother and the king enter the room and question him on his
When Polonius discovers that Hamlet was acting in a terribly strange manner towards Ophelia by tearing his clothes and screaming at her, his response is that “this is the very ecstasy of love” (2.1.114). Without having access to Hamlet’s mind, Polonius has no idea what the circumstances surrounding Hamlet’s behavior are, but he assumes that the prince has gone mad because Ophelia will not sleep with him. Though this is not the case, it seems to be the most reasonable explanation to Polonius, so it is easier for him to believe. When Hamlet comes across Claudius praying in the church, he decides to kill Claudius at “a more horrid hent” (3.3.93). Hamlet imagines that Claudius is repenting for killing King Hamlet, and he refuses to kill Claudius when he might go to heaven. However, once Hamlet exits the scene, Claudius admits that his “words without thoughts never to heaven go” (3.3.98-99). Claudius realizes that he has no feelings of guilt for murdering his brother and that his prayer is meaningless. Hamlet’s impression that Claudius is presently innocent is the result of his expectation of the words spoken in prayer to be true. These characters often think they know the motives of others, and that keeps them from finding out what is
nbsp; Some of the characters themselves come to realize that Hamlet is not to be mad at. Claudius confesses that Hamlet's "actions, although strange, do not appear to stem from madness. " III, i. In addition, Polonius admits that.
Riddled with ambiguity by its very nature, the text of William Shakespeare's Hamlet has been a commonly debated subject in literary circles since its first performance. The character Hamlet undergoes intense physical and emotional hardship in his quest for revenge against his despicable uncle. This hardship, some argue, leads to an emotional breakdown and, ultimately, Hamlet's insanity. While this assessment may be suitable in some cases, it falls short in others. Since Hamlet is a play, the ultimate motivation of each of the characters borrows not only from the text, but also from the motivations of the actors playing the parts. In most respects, these motivations are more apt at discerning the emotional condition of a character than their dialogue ever could. Thus, the question is derived: In Kenneth Branagh's film adaptation of Hamlet, does the character Hamlet suffer from insanity? Giving halt to the response, this paper will first endeavor to establish what insanity is and will then provide sufficient examples both from the text, film, and Branagh's own musings on his motivations as proof that Hamlet's character, at least in Branagh's version of the play, is not insane.
Shakespeare's tragic hero, Hamlet, and his sanity can arguably be discussed. Many portions of the play supports his loss of control in his actions, while other parts uphold his ability of dramatic art. The issue can be discussed both ways and altogether provide significant support to either theory. There are indications from Hamlet throughout the play of his mind's well being.
Of course, by his delaying his revenge, the entire plot of the play goes in a different direction. Immediately after this scene Hamlet speaks with his mother, unknowing of the fact that Polonius is hiding behind a curtain in the room with them. When the Queen becomes frightened by Hamlet's irate demeanor she cries out for help, as does Polonius. Hamlet mistakes Polonius for Claudius and stabs him to death.
When Hamlet murders Polonius, it is evident that Hamlet has gone thoroughly insane and he cannot return from the point he is at. No one is safe from Hamlet and the way he is deporting now. Hamlet has upset his mother by incriminating Claudius and insisting that her marriage is incest. Gertrude even says, Come, come, you answer with an idle tongue (Act 3 Scene 4. 10). This is in replication to Hamlet telling his mother that she is disrespecting King Hamlet (Act 3 Scene 3.9). All this that has occurred verbalizes volumes to Hamlet losing his sanity due to his recollection of the loss of his
One of the most analyzed plays in existence is the tragedy Hamlet, with its recurring question: "Is Hamlet’s 'antic disposition' feigned or real?" In truth, this question can only be answered by observing the thoughts of the main characters in relation to the cause of Hamlet real or feigned madness. In the tragedy Hamlet, each of the main characters explains Hamlets madness in their own unique way. To discover the cause behind the madness of Hamlet, each character used their own ambitions, emotions and interpretations of past events. Characters tried to explain Hamlet's "antic disposition" by means of association to thwarted ambition, heartbreaking anguish, and denied love. In the workings of their thoughts, the characters inadvertently reveal something about their own desires, emotions and experiences to the reader.
In the prayer scene, Hamlet misses his best opportunity to kill Claudius and avenge his father’s death. With no guards around, Claudius is alone and he is unaware that Hamlet is lurking in the shadows. The scene is set for Hamlet to take vengeance for his father’s unsettled spirit. However, Hamlet does not kill him, because Claudius is repenting for his sins, allowing him to go to heaven when he is to die. As one’s religion often dictated the afterlife of one’s soul, King Hamlet is doomed to an eternity in purgatory. Hamlet does not feel it is fair for Claudius to go to heaven, while his father is at unrest, so he decides instead to kill Claudius while he is doing something sinful. This is ironic because Claudius says he is not really praying; he is just going through the ...
Hamlet feigns madness so that he will be able to successfully get revenge on Claudius. In order for his plan not to be discovered, he has to fake madness in order to throw off his enemies. For his revenge plan to be a success, Hamlet will have to be perfectly sane so that he won’t sabotage his plan in anyway, and to keep himself alive long enough to carry it out. Hamlet’s plan on proving Claudius’ guilt and whether or not the ghost is his dead father shows that Hamlet is too intelligent to be mad. If Hamlet were indeed mad, he would be too dim-witted to come up with such a clever plan.
Seen from the early scenes of the play until Claudius’ last breath, Claudius’ only concern is gaining and maintaining power by any means necessary. His introduction into power begins with his own manipulative plot—that succeeds—to kill his brother, which the ghost tells Hamlet within the first act of the play (Shakespeare 59, 61). Claudius’ entrance into the position of king is centered around crime, murder, and manipulation, which in return is the basis of his reign. Further along into the play, readers notice that majority of the men portrayed in the play are concerned about justice or moral balance. However, the man in the position of absolute power is preoccupied with lust and schemes. As the play progresses, Claudius’ malfeasances become more apparent once Hamlet’s “insanity” reaches its peak and kills Polonius (171). More concerned with preserving his seat in the court, Claudius resorts to a plan
Hamlet's public persona is a facade he has created to carry out his ulterior motives. The outside world's perception of him as being mad is of his own design. Hamlet is deciding what he wants others to think about him. Polonius, a close confidant of the King, is the leading person responsible for the public's knowledge of Hamlet's madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father. He communicates with his dead father's ghost twice, in the presence of his friends and again in the presence of his mother. By being in public when talking to the ghost, the rumor of his madness is given substance.
It could be said that Hamlet is deliberately delaying his revenge for fear of actually committing it. However, religion was a focal part of people’s lives at the time the play was set and at the time it was written, one would be justified in claiming that Hamlet genuinely didn’t want to kill Claudius while he was praying to prevent him from going to heaven.