I also agree with this statement. In the end, the resolution of each revenge plot does highlight the inadequacies of revenge. Hamlet is focused on seeking revenge. In the play, the ghost, Hamlet’s father, tells Hamlet, “Revenge his foul and most unnatural murder” (1.5, 31). These words convince him to seek revenge. This decision of seeking revenge leads him to unexpected events which affect his life and creates many consequences. His love life gets wrecked due to his rush to gain revenge. There’s an incident where he kills his love's, Ophelia’s father. During his conversation with Gertrude, Hamlet believes that Claudius is behind the tapestry and says, “How now, a rat? Dead for a ducat, dead!”(3.4.24). He kills Polonius, an innocent man. Hamlet’s
Hamlet contains three plots of revenge throughout the five acts of the play. Young Hamlet, after getting a shocking realization from his father’s ghost, wants to enact a plot of revenge against his uncle. Laertes, who was struck twice in quick succession by the death of his father and sister, wants to kill Hamlet. Away in Norway, Fortinbras wants to take revenge on the entire nation of Denmark for taking his father’s land and life. These three sons all want the same thing, vengeance, but they go about it in wildly different ways, but as Lillian wilds points out, “he also sees himself in the mirrors of Fortinbras [and] Laertes.”(153) It becomes clear that the parallels presented throughout the play are there to further illuminate the flaws of
Hamlet was a hero trying to do the right thing, but his tragic flaws turn everything around when everyone including himself dies. Hamlet goes back and forth throughout the play between pondering and procrastination to sudden acts out of anger and passion. Hamlet is extremely philosophical and contemplative which leads to his over thinking side. It's Hamlet's ability to reason that keeps him from killing Claudius at one of the prime opportunities in the play. And yet it is Hamlet's act of wrath that leads to Polonius' death. Which than later leads to Ophelia’s death. I think the play establishes that revenge is a wrongful act and not only should it be delayed, it should be dismissed. Everyone in the play would have lived if revenge wasn’t an issue .
In Shakespeare's tragedy, Hamlet, the thoughts of revenge are introduced early in the play. At the end of the first act, Hamlet meets the ghost of his deceased father. He is brought to see him by Horatio and Marcellus, who saw the ghost "yesternight" (Shakespeare 1.2.190). During this exchange of words between the Ghost and Hamlet, the Ghost tells Hamlet, "[s]o art thou to revenge, when thou shalt hear." (Shakespeare 1.5.5). He is telling Hamlet to listen closely to what he has to say. Then he tells Hamlet to "[r]evenge his foul and most unnatural murder" (Shakespeare 1.5.23). When Hamlet finds out that it was his Uncle Claudius who murdered his father, Hamlet plots against him to avenge his father's death.
“An eye for an eye leaves the whole world blind,” Ghandi said, in an attempt to show how revenge will not end once it has begun. Throughout Hamlet this theme is addressed, extremely clearly, and the conclusion, the death of so many characters, many due to revenge, shows how a world filled with extensive revenge cannot exist as a world at all. Hamlet is a deep philosophical story, however, the theme of revenge lies just below the surface, if you look at all of the deaths, you may see that there was a high degree of hatred, bitterness, and anger throughout Denmark.
In retrospect, the concept of revenge in “Hamlet” is quite the eye-opener for those in the dark of what revenge can and will do to one's self and those around him. It is plain to see the agonizing and degenerate condition that it brings upon the body and soul. Moreover, can the disease revenge inflicts rest easily upon the mind? I think not. By no effort can a man avoid the pain and suffering associated with engaging in a personal vendetta. For a man is a flawed being, without any form of perfection within him, save the perfect condition of imperfection present in all mankind. May all the world forget its vengeful spirit as to avoid the cataclysm of such distasteful undoing.
Imagine a play in which a prince is seeking revenge of his father’s murder and ultimately succeeds. Now, imagine a play with the same plot, but with young love, dramatic scenes denying this love, and true madness that leads to suicide. Which sounds better? Which would hold your attention longer? Odds are that the second play described is the choice you have chosen or unknowingly chosen in your thoughts. If it is not, then you would be missing out on one of the most famous plays written by William Shakespeare. Both plays described have the fundamental plot of this Shakespeare’s Hamlet, but only the second is the true play that Shakespeare intended to be performed. Only the second play includes the young, lovesick and distraught Ophelia who separates the first described play from the second. Ophelia may not be the star of the play like Hamlet, but through her transformation into a state of madness along with her role in the only true romance in the play, we learn more about several characters and remain intrigued in the play.
Revenge is a major theme throughout William Shakespeare’s play, Hamlet. This theme provides motivation for characters to murder each other throughout the play, whether or not characters seek revenge for themselves. Because Laertes and Hamlet are so absorbed with wanting to exact revenge upon certain people, they ultimately cause the deaths of all of the main characters in the play. Revenge is the main root of evil in this play.
People say revenge is best served cold. In Hamlet, that is especially true. In Hamlet, there were two main revenge plots. The first one was about Hamlet getting revenge on the new king, which was his uncle, for killing Hamlet’s father. The second revenge plot was about Laertes getting revenge on Hamlet for killing his father, Polonius, and leading his sister, Ophelia, into depression which leads to suicide.
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
‘’The memory be green’’ (1.2.0-5). It has not been much time since Hamlet Sr. died, his memory stays fresh, but his brother, Claudius, has already married his wife and taken his kingdom. Claudius says he does it for the good of the Denmark, in The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. In addition; Hamlet cannot stop his hatred and anger toward his mother and uncle. He gets devastated and goes in grief by the loss of his father. The appearance of ghost and the truth about his father’s death drags him to revenge. He moves from grief and depression to revenge and into insanity. The insanity that starts with as an act becomes real and destroys Hamlet and his loved ones.
Revenge almost always has the makings of an intriguing and tragic story. William Shakespeare’s Hamlet is a perfect example of how revenge unfolds and what it unveils. The play tells the story of Hamlet, the prince of Denmark. Claudius, Hamlet’s uncle, marries his mother soon after his father’s death. Hamlet greatly disapproves of the hasty marriage and suspects foul play. His suspicions are confirmed when the ghost of his father appears and tells him that Claudius murdered him. Hamlet’s father asks him to take revenge upon Claudius, and soon everything takes a drastic change. The courses of revenge throughout Hamlet surround each character with corruption, obsession, and fatality.
When wronged, it is in human nature to punish those who wronged us, thus revenge is born. In William Shakespeare’s Hamlet, revenge is not only the catalyst of the play but a major theme as well. Upon hearing the truth regarding his father’s death, Hamlet Jr. instantly begins investigating and plotting his revenge against Claudius, which leads to all the events which unfold in the play. Upon hearing about his father’s death, Hamlet Jr. declares that he will “sweep to [his] revenge” (Shakespeare I.v.37). Hamlet Jr.s’ eagerness to take revenge and revenge’s prevalence in the play illustrate it as a major theme in the play. This mirrors the beliefs of the Psychoanalytical school of literary criticism, specifically the fifth tenant which states that “conflicts between our conscious and unconscious minds can create mental disturbances” and the sixth tenant which states that “in order to free ourselves of unconscious material we need to use skilled guidance to bring it to our conscious selves” (Rulli).
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
Is Hamlet a true revenge tragedy? What does this question mean? It means does Hamlet have all the components and elements for a revenge tragedy, then to answer this question yes hamlet is a true revenge tragedy, even though of the way the play is set up it may not be viewed as a typical revenge tragedy because of the fact that hamlet procrastinates throughout the whole play and doesn’t whole heartedly prove that he is ready to take out the act of revenge on his uncle Claudius and avenge his murdered father. “It is interesting that Hamlet is a