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Music in cinema analysis
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Family is a normality that people continue to grow accustomed to; yet, many never really appreciate what they have until it’s gone. When Nicholas Barclay disappeared in 1994, this is exactly what happened. The Imposter (2012) showcases the true feelings behind the Barclay family after their son’s disappearance and follows their journey as an “imposter” (Frederic Bourdin) imposes in their life, pretending to be their son. This compelling documentary enforces the audience to not take their life for granted as it could change at any moment. It also allows the audience to form their own opinions on what happened to the missing Barclay boy. In The Imposter, the use of ethos, color scheme, and the audio/music is applied for entertainment purposes …show more content…
Layton chose dull, simple colors throughout the majority of the film. These choices of colors appeal to pathos. The dull colors of black and gray stir emotions- such as sad, depressed, and even scared. Thus, the use of these colors provides a perfect setting to urge the audience to keep watching. The director also decided to use darker colors when memories, old videos, or reenactments occurred in the film. This helps set them apart from the interviews and make them seem older or in the past. The interviews had little sparks of color, compared to the reenactments, but the colors were still simple and on the duller side. Although, there was more color in certain places of the film. For example, when Bourdin was imposing as Nicholas and he was riding home with the Barclay family, everything was good and things were not yet complicated; therefore, Layton decided to add more color to the scene, as well as choose more cheerful …show more content…
It tells the true story of a man taking the place of a missing boy, pretending to be a part of his family. All over the world, family is cherished and extremely valuable to society. For instance, in China family has been one of the most essential values for several centuries. The harmony and stability among their families bring the guarantee of peace to the Chinese. Because this film affected family, numerous people can relate or sympathize. To make this documentary not only intriguing but also realistic, the director included several rhetorical strategies. These include the appeal to ethos, the simple color scheme, and the music and audio choices. These techniques create an atmosphere for the audience that entices them to keep watching and builds up emotions and curiosity. The use of ethos creates trustworthy characters within the film, making the viewers form their own theories of the outcome, depending on who they trust. The contrast of mainly dark with some lighter colors form a variety of emotions from sad to relieved. Lastly, the selection of quiet or no music sparks additional emotions in the reader, such as intrigued and scared. These three strategies combine and work together to form an amazing film, known as The Imposter. Family is a normality that people continue to grow accustomed to; yet, many never really appreciate what they have until it’s gone. When Nicholas Barclay disappeared in
The film The Searchers directed by John Ford, featured actor John Wayne. The setting of the film takes place in 1868 in the frontier of Texas. The main character, Ethan Edwards was an ex-confederate soldier, who had return home from the war. The question of “Was John Wayne’s character, Ethan, an Indian hater?” can be answered through the use of examples found throughout the movie. Ethan can be depicted as an Indian hater because of the dislike of his 1/8 Cherokee nephew Martin and other natives, his view of captured women by the Natives and his urge for the killing of the Comanche natives. During 1868 you have an expansion of the western frontier. People are going out west, to make a better future for themselves. The western frontier was a
Some films are made for mind-numbing entertainment, some are made to make you cry, and some are made to think, to question, Missrepresentation is one of the later films. The movie makes you question society and even yourself and what you view as the norm in media. I enjoyed the film overall. I believe the message the film was trying to portray was message that needs to be said and heard. Watching the film made me realize how so many things I just accept in the media that harm women and perpetuate rape culture and misogyny. Missrepresentation is a film that made me think and connect its message with what we are learning in class and my own life.
To begin, the colors used provide visual indication to inform viewers of the objective of the director and cinematographer (Goodykoontz & Jacobs, 2011). Throughout the majority of the film, very natural colors are used. Van Sant’s use of warm tawny tones is a creative way to create a sense of humanity and forms a strong feeling of understanding for Will. Whenever Will is in a situation he feels secure and relaxed, the hues are very affectionate and welcoming. For example, when he is in Skylar’s (Minnie Driver) room at Harvard, in Sean’s (Robin Williams) office, or in his own residence, the prev...
An individual’s identity is determined by how others perceive them and how they perceive themselves. However, its seems as if society’s opinion of an individual has taken precedence over an individual's own judgement. This phenomena has a great effect on the decisions people make. When Olivia mistakenly marries Sebastian and ...
Through the use of complementary colors, she achieves great contrast. Contrasting hues develop a theme of light vs. dark, or in Liu’s case, expectations vs. reality. Dark colors are used to suggest the harsh, chaotic conditions experienced by the workers; while light, less saturated colors illustrate the calm passivity of traditional Chinese customs and ideas. The sky surrounding the stylized women contrasts greatly with the surroundings of the exhausted men. The dark hues establish heavy visual weight below the figures and the light tones of the sky create a sensation of weightlessness and help to further distinguish the fantasy like qualities. Liu also includes the application of analogous colors, primarily to make the traditional figures less dramatic and to help unify the surrounding
The idea for the film is based on every parent’s worst nightmare. The concept based-plot is filled with twists and turns, captivating the audience. This film succeeds in creating the desired feeling of suspense with its sound score and creates heightened emotions by filming on location and often in the dead of night. Filmed in realistic color, the storyline takes place on Thanksgiving and the days after. The scenes are often filmed outside, in the cold ...
The cinematography enforced the mood, drama, and plot. The use of color in the film was telltale of the mood. The colors were drab, lifeless, mellow colors. These colors were telltale signs of the setting and mood of the play. The setting was in a sorrowful, dirty, suffering country; the mood was sorrowful and suffering as well.
Hester Street is a 1975 film about a Russian Jew family coming to America during the third wave of the migration era to the United States. The main characters are Jake, Joey (Yossele), Gitl, Bernstein, Mami, and Mrs. Kavarsky. Hester Street is a great example of how to explain migration. In this paper, I will be talking about moving from Russia to America, the opening scene, getting to America, and finally being an American.
Unless you despise babies or children, there is a huge audience for this movie. The intended audience is not just those who have fostered a child, but those who are interested in what it means to be a human, discover new things, and witness miracle after miracle. Thomas made the documentary without a narrator, without subtitles, and without interference, letting the images he filmed sp...
Stolen Children is a Gianni Amelio’s magnum opus and a tragic salute to neorealism. The film follows a carabinieri, Antonio, who was assigned to escort two southern orphans in northern Italy to a Catholic orphanage, but when that proved to be unsuccessful, he took it in his hands to escort the children back to southern Italy. Gianni, much like De Sica, explores the issue of failed institutions that are fundamental to a contemporary society or an individual in need of help. When these central institutions, such as the church or law, begin to deteriorate, so does the community that relies on them. He also makes a point of criticizing post-modern institutions, such as the role of media in current society and its socio-cultural impact. This criticism begins the fundamental conversation, postmodern society should concern itself with to improve one’s present civilization.
From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors. One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry brown and yellows enhance the audience’s impression of the desperation of the characters and the time period.
When I walked into class that day I was indifferent to the movie that we would be watching that evening. Five minutes into A Moment of Innocence (1995) by Mohsan Makhmalbaf, I was hooked. By taking a pseudo-documentary style Makhmalbaf lets us see the people as they are transformed into the characters from the director’s past. This style allows us to “grow up” with them and to relate to both sides of the story. By taking a true event and fictionalizing, at least part of it, Makhmalbaf has us trying to figure out what parts have been added to the narrative and which parts truly speak to history. A documentary does not strive to tell a story, it looks upon events unemotionally and tries not to colour our ideas about the event. A Moment of Innocence is not a documentary but uses the truth function common to that genre to give us an understanding of the events from both sides and makes us think about how our actions effect others every day. If A Moment of Innocence had been a wholly fictional film I do not believe that it would have carried the same emotional impact. Different scenes in the film show us how Makhmalbaf is trying to reconcile his past actions with his feeling today. They also show how he is, while not in any way apologizing for his actions, trying to amend some of the damage he may have caused.
...oss, but specifically in cases where the protagonists are unaware or do not desire loss of individual identity and cases where the protagonists purposefully choose to conceal individual identity by using disguises. In the progression of both stories, the former is seen less often while the latter becomes more common as both characters gradually become more aware of the differences between their individual identities and the collective identities of their surroundings along with greater authorial portrayal of the rigidity of society through necessary conformation to one collective identity. Throughout the two works, the two authors extend the concept of home beyond the conventional portrayal as merely a physical structure by giving it significance as a state where the uniqueness of individual identity can be freely expressed.
The three colors that are most widely used during the movie to show symbolism and imagery are black, white, and red. While there are some references to color in the written text of Titus Andronicus, Taymor’s use of color allows the viewer to see a more clear representation of mood, tone, and character. Colors may be used in costume or in setting. Regardless of how they are used, each color plays a large role in distinguishing the tone that is being set for a scene or character. The first color that is widely used is black.
The film exhibits and analyzes the story of NFL player Michael Oher’s life through high school as he endures various adversities and difficulties in his life. It tells Oher’s story of being the son of a cocaine addictive mother and absentee father, who is homeless due the circumstances of his family. Despite not having either of his parents in his life he did have Big Tony, who was his friend’s dad. Big Tony would allow Michael to sleep on his sofa some days when he did not have anywhere else to live and he also was the main cause to Michael being admitted to the Wingate Academy Christian School. At this school Michael meets S.J., who is the son on the Tuohy’s. S.J. begins a friendship with Michael at a time when no one else would and on a rainy day after S.J.’s thanksgiving play, the Tuohys see Michael walking. They ask him ...