The Importance of Act 1 Scene 2 of William Shakespeare's King Lear

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The Importance of Act 1 Scene 2 of William Shakespeare's King Lear

In a play of immense grandeur, Shakespeare has created within King

Lear; a character so depraved that he appears to step beyond the

realms of forgiveness. Act 1ii is the keystone of King Lear - its

significance and influence radiates throughout the whole of the play.

Interwoven with and parallel to the central story line, the subplot is

used to enhance and develop the key themes of this tragic masterpiece.

The scene also begins the plot to crack the ‘bond…‘twixt son and

father’. Driven by a selfish desire to displace his brother, and

through his imperious and cunning performance, Edmund reveals to us a

devious nature that we must question: does this Machiavellian

malcontent have a worthy motivation?

In addition to using Act 1ii as a device for divulging Edmund’s

intent, we see themes developing that establish themselves as the

basis for the play.

In this scene, we see Edmund challenging the society and its

traditions as he questions his illegitimacy and his social status,

‘Why brand they us/ With ‘base’?’. His deprivation in society and

being seen as lower and inferior to his brother questions the

prejudices of society. When speaking to Edgar of his beliefs that

‘sons of perfect age’ should manage their father’s revenue, Edmund is

basically stating that the old order such as King Lear and his father,

Gloucester, should allow youth to take their place, ‘the younger rises

when the old doth fall’.

The theme of age is central to both plots. This partition between the

age groups is dealt with throughout the whole of the play. Whilst

Edmund’s focus is to over...

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... believing in

such things. Evidently so, the wheel has come full circle.

In my opinion, I believe that Act 1ii offers a foundation to which the

rest of the play is built upon. It sets the base on which the plots of

Lear and Edmund are constructed, and therefore its importance is

irrefutable. It links all aspects of various different themes, both

major and minor, together, to create what ultimately is, ‘The Tragedy

of King Lear’. In tragic pathos, in dramatic force, in grandeur of

sentiment and diction, Lear has no superior in all the wide range of

the world’s drama. The language is sublime, and this Shakespearean

tragedy has the advantage of dealing with human beings, human

passions, and human frailties, especially those of the continuing

complexities of the family, sibling rivalries, greed aging, power and

love.

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