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Essays on censorship in the us
Characteristics of a comedy
Essays on censorship in the us
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Comedy has always been the little engine that could, pushing against societal norms and boundaries. George Carlin pushed the social bounds of language with his Seven Words You Can Never Say on Television bit. Richard Pryor walked past the razor’s edge of race dialogue in America. Lenny Bruce pushed the limits of society’s sexuality. Comedy is predicated on the idea of saying what no one else will. As Mel Brooks put it, “comedy is the lecherous little elf whispering in the king’s ear, always telling the truth about human behavior… Comedy has to walk a thin line, [and] take risks.” Humor and satire has been challenged time and time again by social dictators who wish to preserve a certain image, and as a result, comedy has always been the canary in the coal mine for a society’s sensibilities. It reveals who has power in society and who is exempt from criticism. Comedy is dangerous for those who want control. It shows absurdities and criticizes with a sharp tongue. It can be as simple as comparing a dictator to a cartoonish character like Gollum, or satirizing Islam and Muhammad on the cover of a magazine. These simple acts …show more content…
Predominantly liberal critics of Markus called his actions “grossly offensive” and said they could see no way that “anyone should think it’s a joke.” In Canada, a comedian was fined $15,000 by the Canadian Human Rights Tribunal for insulting a lesbian couple during one of his acts. Another comedian in Canada was fined $42,000 for mocking a public figure who was disabled. All of these cases show how people have weaponized the government against comedians to prevent offence to marginalized groups. Not only are these small-timers taking a massive hit against the outrage machine, but even comedian superstars like Dave Chappelle have had to bear a tidal wave for offending specific
“Everyone has a sense of humor. If you don't laugh at jokes, you probably laugh at opinions.” Once said an American poet, essayist, and existentialist philosopher Criss Jami, Killosophy. I also believe that humor and laugh play a big role in our lives. However, there are two types of people’s personality; people who understand humor and more open minded, and those who just cannot get it, and that, in my opinion, just makes their live harder. The article, “That’s Not Funny” by Caitlin Flanagan, is talking about college students that are not allowed to joke because of comedians restrictiveness in what they are talking
“Morreall argues that, if we want to answer these questions, we shouldn’t focus on whether the joke happens to trade on a stereotype. Instead, he takes the primary problem with some humor to be that it involves disengaging from things with which we ought to be engaged.” (Morreall, 529)
From these comedians, satirical humor expresses some opinions about political acts so people can view them more critically.
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
Television is the pinnacle of human creation. A box the size of an animal that could produce pictures that move and was created thousands of miles away in a studio by other humans whose job it was to entertain the public, but does the need to entertain remove from the possible knowledge to attain. Shows like Family Guy, Futurama, and South Park are some of the many shows that people decree as pointless, a joke, a waste of time, or idiotic. To the unknowing eye theses shows are indeed nothing more than a joke or entertain, but if one were to take a closer look into the shows it is possible to see that jokes, storylines, and characters represent a bigger picture. Family Guy, Futurama, and South Park are some of those shows that use satire to
Political issues or matters concerning the well-being of mankind is not something new to us. Social and political hierarchies have existed for millennia, yet the ways in which people have voiced their concerns or opinions on sensitive topics related to these hierarchies have evolved over time. One way in which people have addressed important society matters has been through satire. Typically satirical writings are fueled by anger brought about by a political event or societal issue. Instead of voicing their anger directly to the people, Jonathan Swift and other satirical authors, have used satire as “the engine of anger, rather than the direct expression of anger” (Egendorf 40). In doing so,
Underneath all the humor, “SNL addresses topical issues, and in doing so, touches upon iconic movements and ideas that are either concurrent to or have had enduring effects on the population during the show’s run” (Adegboro). Despite simply being a “funny” show, SNL, at its core is a satire. It has had the power to discuss, mock, and touch on controversial or iconic movements in history. From the election of the first Black president, to the obsession of 50 Shades of Grey, SNL has discussed a variety of topics in a comedic, but sometimes controversial
Humor can come in many different forms. Many people are aware of the blatant humor of slapstick, but it takes a keener mind to notice the subtle detail in sarcasm or satire. In A Modest Proposal, Jonathan Swift was able to create a piece of literature addressing the faults of the Irish culture while embedding in a humorous essay. Swift’s satire allows for the gravity of the Irish standings to be exploited under the disguise of a proposal for economic benefit.
According to Everything’s an Argument by Andrea A. Lunsford and John J. Ruszkiewicz, “Humor has always played an important role in argument…” (38). Humor itself is something that activates amusement or laughter. Moreover, in popular culture satire is a tool that is used to point out things in our society. Satire opens the minds of people to philosophies they might completely deny, using humor. There are many elements of satire that identify flaws within our society. A couple of satire elements that will be discussed are irony and exaggeration. In addition, a parody is used in popular culture as a way to mock or mimic situation or person.
In Alain de Botton’s book, Status Anxiety, he argues that the aim of humorists is not solely entertainment, but also to convey a message that isn’t always okay to state directly. There are many places where his argument can apply. Even with humor, some topics are still too controversial to joke about; However, in most cases, humor can lighten things up and make it easier to discuss topics that otherwise would not be as easy to talk about without heavy arguments. There are many cases that would make his argument true. There are many examples that support his argument, and that help to show the importance of humor in arguing, including cartoons, comics, works of literature, and also when thinking of hosts of television programs.
Humor is more than just amusing entertainment to pass the time. Though jokes and witty banter can be shallow, humor can go deeper than surface level to convey messages to audiences who would otherwise be close-minded about certain ideas. Humor is a great tool to get audiences to change the way they think, feel, and act. In “Saying Goodbye to Yang,” Alexander Weinstein uses humor to criticize some of society’s faults, such as the way it has become heavily reliant on technology, racially insensitive, and judgmental. As technology advances, people are adapting and becoming more reliant upon it.
James Conroy argues that laughter in serious topics has been regarded through the ages as dangerous, deviant, and subversive; yet equally as refreshing, challenging, and constructive. Political humor is extensively used in almost all countries, but political satire is perceived differently from one country to another. The research question is as follows: what factors make political satire an effective tool that affects politics and policy? I argue that humor is more influential when blended with serious topics, such as international relations or politics. Laughter is a great means to put serious topics under the lenses of critical thinking. The use of humor, and political satire specifically can bring about serious political change. Humor can play all sorts of roles in the political process through being informative, educational and influential while keeping its captive entertaining
Comedy differs in the mood it approaches and addresses life. It presents situations which deal with common ground of man’s social experience rather than limits of his behaviour – it is not life in the tragic mode, lived at the difficult and perilous limits of the human condition.
Humor has been the source of entertainment throughout history. Today humor is practiced in movies, plays, songs, television shows and radio. Humor has brought fame and fortune to those who have mastered its power.
You can find wide varieties of these crude pieces on the internet, and it is not uncommon to hear them in the hallways of schools, or whispered among students and followed by unjustified giggles. Attempting to lighten the seriousness of things such as sexual assault or terrorism is not comedy, no matter what people may say. Comedy is about laughing with the people being mocked, not lessening the seriousness of their situations. When we try to make ‘jokes’, we must keep one thing in mind: comedy is about laughter and joy. A joke is only funny when it is not blinding us to the reality of cruel