The Hero's Model Of Warfare In The Iliad

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One of the first portrayals of Ancient Greece warfare comes from Homers epic the Iliad. During the Homeric Age the center of political organization were the households. The conduct of war was based on the ability of the leader of the household to assemble his supporters. However the cost of buying armor and weaponry was expensive therefore only the few wealthy could afford it. This created an aristocratic elite with the mode of fighting being the heroic model, a one-on-one battle between elites. This changes with the social change in the eight-century, where the phalanx will take over the mode of warfare. Single combat was common and the norm in the Homeric age. It is also known as the hero’s model of combat. The fighting is detailed as …show more content…

The success of the phalanx was due to discipline. The shield provided protection for the hoplite holding it as well as the hoplite next to him. If done correctly the formation was impenetrable by archers, chariots and even cavalry. The fighting had to be strictly controlled and no one was allowed to break formation and put the entire phalanx in danger. The beginnings of the concept of a phalanx can be seen in Homers The Iliad. An example of the phalanx being utilized can be seen in 17.354-360,
‘They’d packed behind their shields, ringing Patroclus round on all sides, spears jutting as Ajax ranged them all and shouted out commands; “No one back away from the body! No heroes either, bolting out of the Argive pack for single combat! Cluster round Patroclus, shoulder-to-shoulder, fight them at close range!”’
The shoulder-to-shoulder combat with direct orders not the break formation in an example of the phalanx. Homer also shows the effectiveness of such a formation a few lines down, “But far fewer of them went down, remembering always to fight in tight formation.” …show more content…

However his soldiers rally around him and form a barriers with shields, “…friends around him crowding, bracing shields against their shoulders, spears brandished high…” (11.563-565). This type of warfare cannot be random; a hoplite must train for such confrontation. In book eight of the Iliad Ajax’s brother is described hiding behind Ajax’s shield and stepping out the fire arrows then returning behind the shield (8.266-334). This requires amazing coordination and training between soldiers to be as effective as it is n the Iliad. The same style is seen in Tyrtaeus’s depiction of the seventh-century Spartan phalanx. There are several passages that describer dense masses of soldiers packed tightly together evoking this image of hoplite phalanx

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