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Analysis to The Godfather
Analysis to The Godfather
Analysis to The Godfather
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Don and Michael are both powerful Godfathers that vary in many ways. Don became a Don because it was all that he really knew and he needed to take care of his family. On the other hand, Michael had a choice. In The Godfather, Michael rises to power as the head of the family. Michael’s character endures an intense change as the film goes on. At the beginning of the film, Michael seems to be a moral and an upright character, but that changes. Power is a major theme in The Godfather, and Michael and Don both pertain to this theme of power. Corruption is closely linked to that of power also, which is seen throughout this film.
Vito Corleone is the head of the Corleone family. Vito is an intelligent Mafia leader known as the Godfather. The Godfather
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At the beginning of The Godfather, he is not involved in the Mafia and seems to be moving towards a successful career. Through the film, he leaves these plans. He ended up joining the family business and becomes head of the Corleone family. A cruel, heartless man with no acceptance or patience for conflict or disloyalty, Michael is braver, more vicious, and more determined than Vito was, and he becomes very powerful. He demonstrates to be greatly less successful in his personal life it seems. Michael appears unable to rest and relax for just a few moments, and his stressed relationship with his wife, Kay, which he later divorces, is a continual cause of pain and distress. Michael is heartless, intelligent, and very strong-minded. His ability to think unmistakably under pressure, to make quick decisions, and to receive respect makes him a great Godfather. Of Don’s children, he is probably the best person to take over the family. The thing is, Michael was never supposed to get involved in the Mafia though. He was supposed to head towards great things in life. Even when he does begin working for his father, he does not appear to be completely sure with his decision. He told Kay before they got married that the family would become “legitimate.” Michael is troubled with all the responsibility. In many ways, Michael can be seen as a tragic figure. He is very powerful; his greedy desire for revenge creates violence all around him that he cannot get away from; he cannot see the fact that achieving legitimacy is unmanageable, and he is always busy in a war, and this never allows him to
Michael was loyal and dedicated when he shocked Clyde, the guy that was trying to rob his mother. in that scene he was showing loyalty to his mother by Shocking Clyde, his mom became safe from hid gun.
The man informs him that it is the year 1945. Due to this information and the sudden change in weather outside, Michael deduces that he is speaking with none other than President Harry Truman. Truman explains to Michael where he is and what’s going on and then poses an infinitely important question- “why not you?” Michael had spent much of his life asking, to no one in particular, “why me?” What makes Michael so special that he has above trials and hardships? And what makes him so plain and ordinary that he cannot rise to challenges and succeed? These are important questions implied in this book that caused me to stop and think, “why not
“A Bronx Tale” is a story about a young man, Cologero, who grows up in the Bronx during the 1960’s where the streets were filled with violence and racism. He was raised by his two parents. His father was a working man, a bus driver and his mother was a homemaker. They tried their best to shelter Cologero and keep him from falling victim to the hard streets of the Bronx. However, at the age of nine, Cologero grew to admire the neighborhood mobster, Sonny. One day Cologero witnessed Sonny murder a man, but once the police asked him to identify the murderer, he told the police that the guy was not a part of the lineup. Sonny was impressed by Cologero’s actions and eventually took him under his wings and introduced him to his mafia lifestyle.
It seemed as if the family business came first and then the women. A scene that can be supported by this idea is when Michael leaves to Italy for a year and doesn’t make the effort to contact his wife Kay. This immediately portrays how Michael is focused on only the business and doesn’t care to communicate with his wife. If Michael truly cared for Kay he would of found time to reach her and disregard the business for a little. The last scene of the movie was a very important and really demonstrated the barrier of business and marriage. In typical marriages secrets are not kept from each other, but certainly with Michael and Kay. Kay confronts Michael when he sees Connie screaming and toppling over Michael telling him why he had killed Carlo. When Connie is dismissed, Kay addresses Michael if he had killed Carlo. Michael trying to convey her to believe him says that question was the only question she could ask about his business, and so she asked, and he said no. Kay happily hugs Michael, while he hugs her with remorse knowing he had lied to her. But the moment she left the office and stared back at him with a couple a men congratulating him and filling him with pride, she knew he
Before Sweeney Todd got his close-up on the silver screen in 2007, and even before he made his Broadway debut, Sweeney Todd made his first appearance in The String of Pearls, a Victorian penny dreadful from 1846. Penny dreadfuls were cheap fiction that were usually released in a weekly manner and were sold for a British penny. The story of Sweeney Todd takes place in the boom of Great Britain’s Industrial Revolution, when new technology was appearing on every corner, along with old fears rearing their ugly heads once again. Penny dreadfuls were meant for opening up all of humanity’s most basic fears, death, gore, and most prominently, cannibalism. They were written to terrify the public, to act as a cheap thrill for the common folk. The premise
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Machiavelli's life was very interesting. He lived a nondescript childhood in Florence, and his main political experience in his youth was watching Savanarola from afar. Soon after Savanarola was executed, Machiavelli entered the Florentine government as a secretary. His position quickly rose, however, and was soon engaging in diplomatic missions. He met many of the important politicians of the day, such as the Pope and the King of France, but none had more impact on him than a prince of the Papal States, Cesare Borgia. Borgia was a cunning, cruel man, very much like the one portrayed in The Prince. Machiavelli did not truly like Borgia's policies, but he thought that with a ruler like Borgia the Florentines could unite Italy, which was Machiavelli's goal throughout his life. Unfortunately for Machiavelli, he was dismissed from office when the Medici came to rule Florence and the Republic was overthrown. The lack of a job forced him to switch to writing about politics instead of being active. His diplomatic missions were his last official government positions.
... the things he did. Machiavelli’s genius was so overlooked in his time especially since people were so caught up being offended by the things that he said. He was so legendary, in fact, that people still talk about him today, with the conspiracy around Tupac Shakur, who “died,” yet some believe he is still alive and faked his death. People believe that Shakur was going in his footsteps because he read a prodigious amount of Machiavelli books when he was in jail, and even changed his stage name to “Makaveli” just before his alleged death. Machiavelli’s name is still tossed around today, hundreds of years after he was alive. Ultimately, Machiavelli was concerned for the greater good of Italy and tried to help by inputting his ideas about ruling. It is too easy to deem someone as “evil” or “wrong” if the views they express are different from what is commonly accepted.
In The Prince, Machiavelli separates ethics from politics. His approach to politics, as outlined in The Prince, is strictly practical. Machiavelli is less concerned with what is right and just, and instead with what will lead to the fortification of the government and the sustainment of power. Machiavelli believed that a ruler should use any means necessary to obtain and sustain power. He says, “…people judge by outcome. So if a ruler wins wars and holds onto power, the means he has employed will always be judged honorable, and everyone will praise them” (Machiavelli, 55). According to Machiavelli, the ends of an action justify the means (Machiavelli, 55). His motivation for these views in The Prince was the reunification of the Italian city-states (Machiavelli, 78-79). Machiavelli wanted Italy to return to its glory of the Roman Empire (Machiavelli 78-79). Some of the beliefs of Machiavelli could be perceived as evil and cruel, but he found them necessary. Machiavelli was not concerned with making people happy. His purpose was outcome and success, and in his opinion, the only way to be successful was to be realistic. These views of Machiavelli could classify him as one of the earliest modern
Many of the film’s important scenes begin with one key character, Don Vito Corleone and the word “Godfather…” The setting is very dark as the film opens and a man is asking for the Godfather’s help. Though the Don is not happy about the request he grants it, letting the man know that when the time comes he will have to do him a service as well. As the movie continues the audience is shown that it is a very special day; it is Connie Corleone, the Godfather’s daughter’s wedding day. This is an important factor in understanding why Corleone has granted this request, because of the tradition that “no Sicilian can refuse anyone’s request on his daughter’s wedding day.” With this line comes the insight that the family and the culture find old world tradition very important. Throughout the movie several people come to Vito Corleone asking for favors and services to be rendered.
When you not only have the ability to controls some ones actions, but have the power to control their actions for the benefit of your own, you can consider yourself a very powerful individual. During the Renaissance era, many aristocratic families had control over intellectuals of the time. Some of them included, Michelangelo, da Vinci, and Machiavelli. However, throughout The Borgias, the narrator makes notes of how Machiavelli sees the Borgia family and gives hints to his liking toward the family. To the reader, Machiavelli seems like a well-adjusted citizen, capable of being reliant and separate to other aristocratic families other than the Borgias. By being, as one would say, loyal to the Borgias, Machiavelli is able to gain a quality insight on the Borgia family. Machiavelli, during the time period, was the well know author of his book, The Prince, and being a close acquaintance of the Borgia family, became an informer to Florence about members of the Borgia family’s actions. During his time in the Papal States, he observed the Borgias “…without excessive exaggeration, these lands were ‘a nursery of all the worst crimes, of outbreaks of rapine and murder, resulting from the wickedness of local lords and not, as these lords maintained, from the disposition of their subjects’.” The reader can only best assume that Machiavelli thought of the Borgias as a disgusted and disgraceful joke of a family. In spite of the repulsiveness of the family, Machiavelli had an idolization for Cesare Borgia. Machiavelli exclaims: “this lord is very proud…and, as a soldier, he is so enterprising that nothing is so great that it does not seem trivial to him.” During this part in the book, Machiavelli has been following Cesare, and keeping tabs on him and then reporting back to Florence. Throughout Cesare’s conquest throughout Italy, Machiavelli accompanies his army, once
People have many different dreams, and many different ingredients for happiness. Some people relay on love, others lean towards money, it may be achieved through money, relationships, or even the misfortune of others, but why does power have the persuasion to change a person and what drives them to gain more?
Each family operates under a hierarchal power system. The Boss, or Don is at the top of the pyramid. He makes the major decisions for the family (“Structure,” n.d). He also has the most respect of all the members and receives a portion of each member’s earnings. The Boss is voted in by the caporegimes of the family (“Mafia Structure,” n.d). The first Boss of the Genovese family was technically Lucky Luciano. It was later renamed “Genovese” when Vito Genovese obtained power in 1957 (“American Mafia History,” n.d). Next in line is the underboss. The Underboss has control over the family’s capos. He is also able to become acting boss in the event that the Boss goes to prison or dies (“Mafia Structure,” n.d). Next is the Consigliere. This member of the family acts as an advisor and liaison to the Boss. He is never directly involved in the crime aspect. The Consigliere is usually part of some legitimate enterprise and is often a lawyer or broker. These men also have a high level of respect (“Mafia Structure,” n.d). Under the bosses and consigliere are the Caporegime, or Capo members. According to “Structure, (n.d)” “A Capo acts like a lieutenant or captain, leading his own section of the Family. He operates specific activities of the Mafia.” The number of capos depends on the family. His level of respect is determined by how much he earns (“Structure”, n.d). Soldiers are next in the hierarchal
It is the Godfather that demands the family stick with family and never side with any one out side of the family no matter the situation. Vito the Godfather would remind them family is family and no one will miss treat or use any member of the family. He proves this point when his godson comes to him about a problem with a director name Jack Woltz. Because Jonny Fontane is the godson the Godfather Corleone will send his step son who is consigliere to the family to California to advise the director to hand the part over to Fontane.
Carlo Gambino was an immigrant from Sicily (Kelley 126). Carlo came to America at only 19 years old. He resided in New York, where he rose to immaculate power. He was believed to be the ‘boss of all bosses’ (capo di tutti capi). He headed what was considered the most powerful mafia family in America at the time. Gambino was not a typical mafia boss. He was short with a large nose and looked more like a peasant than someone with immense power (Kelley 126). Gambino stood for family, power, and secrecy. He had all three ideals perfected during his reign as Don Carlo (‘Don’ is another way of representing boss). Most mafia bosses don’t have very long reigns as they are usually assassinated or incarcerated. Gambino only saw extended jail time once in