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Human emotions expressed in hamlet
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The Genius of Hamlet, the Very Sane Prince of Denmark
Hamlet in Shakepeare's The Tragedy of Hamlet, Prince of Denmark is often seen as a lunatic. Lucid and ingenious, Prince Hamlet falls into a state of emotional turmoil, but he is never insane. Hamlet feigns madness to reveal his anguish concerning the two women he used to love - his mother Gertrude and his lover Ophelia. To escape estrangement from his countrymen, Hamlet appears to waver between madness and sanity. And, to avoid moral estrangement, the Prince plans on revenging his father's death under the guise of madness. There is no question that Hamlet feigns insanity, and he does so to voice his emotions to the two closest women in his life, to influence the opinions of his peers, and to plan the revenge of his father's death.
With his famous line "frailty, thy name is woman" (I, ii. 146), Hamlet descends into an abyss of emotional turmoil. He loses faith in his mother Queen Gertrude and in his lover Ophelia. Feigning madness, Hamlet is able to make his innermost anguish known to these two important women in his life. Still grieving at his father's death, Hamlet is shocked when his mother Queen Gertrude marries Claudius two months after the King's death. At this point in the play, Hamlet does not feign madness but is genuinely and openly melancholy. As Hamlet explains to his mother, his "inky cloak" shows his grief, but the pain is much deeper. Grief is not a sign of madness. Gertrude feels that her son has greatly changed, for he no longer views her as his mother . Instead, he calls her his “good-mother” - his step mother. Gertrude marrying her husband's brother is incestuous, and this bestirs feelings of bitterness in Hamlet. However, sinc...
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...mark. Unable to speak freely before Queen Gertrude and Ophelia, Hamlet exaggerates his emotional turmoil so that these two women will soften their attitudes towards him and listen to him. Not only does Hamlet wish to win back the hearts of Gertrude and Ophelia, these two women also serve to verify Hamlet's supposed madness to the other characters. Furthermore, Hamlet must hide his rationality and cunning from his peers and from King Claudius so that he may proceed with his revenge plan. Freed from the suspicions of his mother, his lover, his peers, and King Claudius, Hamlet succeeds in avenging his father's death and in remaining sane throughout the play.
WORK CITED
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. In The Norton Shakespeare: based on the Oxford Edition. Edited by Stephen Greenblatt. New York: W.W. Norton & Company, Inc., 1997.
Hinkle, J., Cheever, K., & , (2012). Textbook of medical-surgical nursing. (13 ed., pp. 586-588). Philadelphia: Wolters Kluwer Health
While Bram Stoker’s Dracula has been described as the “quintessence of evil creatures we meet in our everyday lives” and “the Darkness” in the hearts of men (Herbert, 2004, pp. 62), Stephanie Meyer’s Twilight
Hamlet only claims madness because it allows him to say and perform actions he otherwise would be prohibited from, while keeping people from taking his actions seriously. This seems to be part of his initial plan that is first mentioned when he asks Horatio and Marcellus not to make any remarks in relation to his ?antic disposition (1.5.192).? Hamlet?s madness allows him to talk to Claudius, Gertrude, Ophelia, and Polonius in a manner unsuitable for a prince. He is often disrespectful and insulting in his remarks. Although his acting backfires during his speech to Gertrude, Hamlet is able to severely criticize her for her actions because she thinks he is insane. During the play he also makes many sexual innuendos and even blatantly sexual remarks towards Ophelia such as ?That?s a fair thought to lie between maids? legs (3.2.125).? His convincing insanity act gives him the chance to vent his anger towards Ophelia for her abandonment.
...Gertrude, as does the incestuous Claudius; thus, Hamlet places his identity with his mother. Ultimately, Hamlet seeks not to avenge the death of his father, but to save his mother from her own destructive sexuality, and by extension his own self-destruction. Of course, Adelman prescribes an existential reason to Hamlet's need to rescue his mother; Hamlet needs to "recover the fantasized presence of the asexual mother of childhood" (277). Hamlet needs to separate his mother from all sexuality in order to reap the stability of her selfhood for his own. After refusing to sleep with Claudius, Gertrude restores herself in her son's eyes to the status of "an internal good mother" (279). Hamlet, now, by "trusting her, can begin to trust in himself and in his own capacity for action; he can rebuild the masculine identity spoiled by her contamination" (279).
After this scene Hamlet acts insane and he often criticizes his mother for remarrying and even insults her, but gets away with his actions because at this point those around him are starting to believe there is something wrong with Hamlet. He is not crazy but if he were truly crazy then he would not internally realize that he is mad, a crazy person usually doesn 't realize they are going crazy, but it is others who realize because of his or her actions. In Hamlet 's case, Hamlet knows he is "crazy" and his acting is beneficial for him because he is able to talk freely without having to hold anything back. If Hamlet were truly insane it would have caused him his own death, because usually when an individual is insane they are unaware of what they are saying and their actions are usually always made hastily, a quality that Hamlet does not seem to
Vampires have been a popular figure in literary works for almost 200 years; from John Polidori’s The Vampyre (1819) to Stephenie Meyer’s Twilight (2005), the figure of the vampire has changed and developed over time but still remains popular and recognisable throughout literary history. The figure of the vampire is often used to represent ‘the other’, or as a manifestation of social anxieties at the time of writing. This is why it is interesting to study the how the tropes found within vampire fiction differ between texts, and the reasons behind these differences or transformations in the figure of the vampire. I will look at a range of texts to study how sexuality
In the play, Hamlet is described as an intelligent, emotional, and grief-stricken protagonist but he is consumed by his own thoughts which make him a highly-indecisive individual; Hamlet’s inability to act on his father’s murder, his mother’s hasty remarriage, and his uncle assuming of the throne are all evidence that Hamlet does not know what is going on in his own life. Perhaps Hamlet wants to place the blame on someone else after he wreaks vengeance on King Claudius, or capture the attention of certain characters so that he may find out exactly what has gone “rotten in Denmark” (Act 1, Scene 5, Line 90). Throughout the play Hamlet is deeply hurt by his mother’s decision to remarry his uncle. As Hamlet says, “Frailty thy name is woman”, her actions cause Hamlet to curse women all together (Act 1, Scene 2, Line 146).
The genre of gothic text tends to emerge in times of great social stress or anxiety. For many years, authors have described vampires as wealthy, culturally sophisticated, aristocrats who live decadent lifestyles. Today however, average Americans are faced with hard economic times, and are struggling to provide basic necessities for their families. When watching the movie Twilight by Stephanie Meyers, several details in the story seems to enhance these harsh cultural anxieties of today’s social world, such as, the excessive lengths people will go to achieve financial stability, the lavish life style of the modern vampire, and how themes of the economic issues society is facing, impacts and stresses basic human instinct that society has an unlimited wants.
Zemach, Tamar, and Akiba A. Cohen. "Perception of Gender Equality on Television and in Social Reality." Journal of Broadcasting & Electronic Media 30.4 (1986): 427-444. Academic Search Premier. EBSCO. Web. 24 Sept. 2011.
Smeltzer, S. C., Bare, B. G., Hinkle, J. L., & Cheever, K. H. (2010). Brunner & Suddarth’s textbook of medical-surgical nursing (12th ed.). Philadelphia, PA: Lippincott Williams & Wilkins.
In order for Hamlet to carry out his goal of revenge, he had to be totally sane. In Act I, he is warned by the ghost not to go mad and not to harm his mother. If Hamlet were truly mad, he would have done many unorthodox acts, which would only wreck his plan of getting revenge. There can be no such thing as restrained insanity. Hamlet’s sanity is displayed when he does not harm his mother. Gertrude has hurt Hamlet. She betrayed his father by having an affair with Claudius and eventually marrying him. Since Hamlet does not kill her, it shows he is in full control of his mental state and that he is not controlled by his feelings like most mad people.
Even though it is ethical to remove the birthmark for the couple’s culture since it will resolve their looming problem, is it moral in their perspective? Initially, it was implied that Georgina found it wrong to remove it since she first believed the mark as a “charm” (419) but the soon changed when Aylmer believed the opposite of it. Aylmer has always found it morally correct in his eyes that the removal of the birthmark is a need since he only ever saw it as a scorching stigma that derails him from reaching total happiness and bliss. The wrong becomes right and the right becomes wrong, and together, these events led to the ethical extermination of the birthmark.
Shakespeare, William, Barbara A. Mowat, and Paul Werstine. The Tragedy of Hamlet, Prince of Denmark. Washington Square Press new Folger ed. New York: Washington Square, 2002. Print.
Gertrude influenced Hamlet significantly throughout the course of the play. Hamlet was very angered by his mother's remarriage. A few months after his father's death, Gertrude married Claudius, Hamlet's uncle. He was driven mad when his father's ghost appeared to him and revealed that Claudius was responsible for the death of Old Hamlet. Hamlet even termed the marriage as incest. Hamlet's fury is displayed when he throws his mother on the bed and says, "Frailty, thy name is woman" (Act #. Scene #. Line #). This shows his extent of anger because he makes a generalization that all women are weak. As a result of his mother's actions, Hamlet strives to seek revenge against Claudius for the death of his father. In order to marry Gertrude, Claudius kills his brother. Therefore, Gertrude is the driving factor for the whole setup of the play.
The Twilight Saga, by Stephanie Meyer, has been viewed as a narrative of either teenage lust or romantic love, characterized by Bella, an introverted seventeen-year-old girl, and Edward Cullen, a mysterious vampire who goes to Bella’s high school. The book series stole the hearts of teenage girls across the world and even expanded upon those horizons to reach an audience so wide that the book series became a household name. Still, no one has credited the Cullen’s in the way that they display family loyalty, self-control, and altruism among themselves. Critics have endlessly discussed the love and lust, of the two individuals and are fascinated by the ability of the Twilight Saga to fall not just in the genre of romance, but also in the supernatural/